CH 12 READING AND LISTENING QUIZ - MUS112-N804_ Introduction to Jazz

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2/17/24, 2:11 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137934/View 1/22 CH 12 READING AND LISTENING QUIZ 1 2 Your work has been saved and submitted Written Feb 17, 2024 1:43 PM - Feb 17, 2024 2:11 PM Attempt 1 of 1 Attempt Score 37 / 37 - 100 % Overall Grade (Highest Attempt) 37 / 37 - 100 % Question 1 (Mandatory) 1 / 1 point (Q001) Avant-garde jazz was also known by this name, taken from a 1961 album by Ornette Coleman: a) free jazz.
2/17/24, 2:11 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137934/View 2/22 Hide ques±on 1 feedback Question 2 (Mandatory) 1 / 1 point (Q002) The three key figures in avant-garde jazz are Hide ques±on 2 feedback Question 3 (Mandatory) 1 / 1 point (Q003) This disruptive Pulitzer Prize winner was raised in Texas, played at the Five Spot in 1959, and released albums entitled The Shape of Jazz to Come , Change of the Century , and b) black music. c) the new thing. d) fire music. FEEDBACK: Page 266 a) Charlie Parker, Dizzy Gillespie, and Max Roach. b) Miles Davis, Gil Evans, and Herbie Hancock. c) John Coltrane, Ornette Coleman, and Cecil Taylor. d) Sonny Rollins, Wes Montgomery, and Art Blakey. FEEDBACK: Page 266
2/17/24, 2:11 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137934/View 3/22 This Is Our Music : Hide ques±on 3 feedback Question 4 (Mandatory) 1 / 1 point (Q004) Which instrument does Ornette Coleman play? Hide ques±on 4 feedback a) Ornette Coleman. b) Cecil Taylor. c) John Coltrane. d) Charles Mingus. FEEDBACK: Page 267-268 a) piano b) bass c) alto saxophone d) baritone saxophone FEEDBACK: Page 267
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2/17/24, 2:11 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137934/View 4/22 Question 5 (Mandatory) 1 / 1 point (Q005) Ornette Coleman’s compositions were Hide ques±on 5 feedback Question 6 (Mandatory) 1 / 1 point (Q006) Ornette Coleman challenged musical convention by Hide ques±on 6 feedback a) strongly melodic and emotional. b) a thicket of dissonant chords. c) virtually nonexistent; an invitation to "free improvisation." d) modal pieces based on current popular songs. FEEDBACK: Page 268 a) playing with microtonal pitches. b) using a plunger mute on a saxophone. c) improvising on the song’s melodic phrases, not the chord changes. d) playing with microtonal pitches and improvising on the song’s melodic phrases, not the chord changes. FEEDBACK: Page 268
2/17/24, 2:11 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137934/View 5/22 Question 7 (Mandatory) 1 / 1 point (Q007) Which instrument did Cecil Taylor play? Hide ques±on 7 feedback Question 8 (Mandatory) 1 / 1 point (Q008) Which venue was particularly important to avant-garde jazz? Hide ques±on 8 feedback a) piano b) bass c) saxophone d) trumpet FEEDBACK: Page 271 a) The Cotton Club b) Minton’s Playhouse c) The Five Spot d) Carnegie Hall
2/17/24, 2:11 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137934/View 6/22 Question 9 (Mandatory) 1 / 1 point (Q009) In the 1970s, avant-garde music moved its performances from jazz clubs to apartments, galleries, and other places. What was this music called? Hide ques±on 9 feedback Question 10 (Mandatory) 1 / 1 point (Q010) This Cleveland-born saxophonist’s career lasted only eight years; during that time, he cultivated an overwhelming timbre, using multiphonics, which can be heard on his album, Spiritual Unity : FEEDBACK: Page 272 a) rent music b) loft music c) apartment music d) museum music FEEDBACK: Page 281-282 a) John Coltrane. b) Albert Ayler. c) David Murray.
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2/17/24, 2:11 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137934/View 7/22 Hide ques±on 10 feedback Question 11 (Mandatory) 1 / 1 point (Q011) Eric Dolphy played Hide ques±on 11 feedback Question 12 (Mandatory) 1 / 1 point (Q012) All of the following were associated with the Loft Era of the 1970s except d) Sun Ra. FEEDBACK: Page 277-278 a) flute. b) alto saxophone. c) bass clarinet. d) flute, alto saxophone, and bass clarinet. FEEDBACK: Page 276-277 a) John Zorn. b) David Murray.
2/17/24, 2:11 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137934/View 8/22 Hide ques±on 12 feedback Question 13 (Mandatory) 1 / 1 point (Q013) The AACM (Association for the Advancement of Creative Musicians) was Hide ques±on 13 feedback Question 14 (Mandatory) 1 / 1 point (Q014) Before playing jazz, Cecil Taylor had musical experience in c) Arthur Blythe. d) Albert Ayler. FEEDBACK: Page 277-278, 281-282 a) an avant-garde collective from Chicago. b) a performing group founded by Lester Bowie and Joseph Jarman. c) the cultural wing of the NAACP (National Association for the Advancement of Colored People). d) the official name of the orchestra organized by Sun Ra. FEEDBACK: Page 279-280 a) classical music.
2/17/24, 2:11 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137934/View 9/22 Hide ques±on 14 feedback Question 15 (Mandatory) 1 / 1 point (Q015) What rhythm section instrument did Ornette Coleman routinely omit on his recordings? Hide ques±on 15 feedback Question 16 (Mandatory) 1 / 1 point (Q016) Cecil Taylor was known for b) marching bands. c) rhythm and blues. d) rock. FEEDBACK: Page 271-272 a) piano b) bass c) drums d) trumpet FEEDBACK: Page 268
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2/17/24, 2:11 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137934/View 10/22 Hide ques±on 16 feedback Question 17 (Mandatory) 1 / 1 point (Q017) The term "harmolodics" Hide ques±on 17 feedback Question 18 (Mandatory) 1 / 1 point a) a percussive approach to the piano. b) an eclectic repertory that included swing, pop, and classical music. c) playing long, extended pieces in concert. d) a percussive approach to the piano and playing long, extended pieces in concert. FEEDBACK: Page 271-273 a) is a contraction of the words " harmony ," " movement ," and "melody ." b) means playing several simultaneous notes on an instrument, like the saxophone, designed to produce only a single note. c) was coined by Cecil Taylor to describe his unique approach to composition. d) is another word for scat-singing. FEEDBACK: Page 270-271
2/17/24, 2:11 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137934/View 11/22 (Q018) By "unit structure" Cecil Taylor meant Hide ques±on 18 feedback Question 19 (Mandatory) 1 / 1 point (Q019) Which artist used unconventional notation for his compositions, and preferred having his musicians learn his music by hearing him play it on the piano? Hide ques±on 19 feedback a) a short phrase or module musicians would learn by ear, and use while improvising. b) a section for free improvisation that has a specific time limit. c) a harmony structure (unit) that would be repeated indefinitely. d) a type of block-chord texture. FEEDBACK: Page 273 a) Ornette Coleman b) John Coltrane c) David Murray d) Cecil Taylor FEEDBACK: Page 273
2/17/24, 2:11 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137934/View 12/22 Question 20 (Mandatory) 1 / 1 point (Q020) This pianist plays the instrument as if it were eighty-eight tuned drums, often pummeling the keyboard with his hands in dense cataracts of sound: Hide ques±on 20 feedback Question 21 (Mandatory) 1 / 1 point (Q021) Microtones are notes that are Hide ques±on 21 feedback a) Cecil Taylor. b) Gunther Schuller. c) Albert Ayler. d) David Murray. FEEDBACK: Page 273-274 a) of extremely short duration. b) chromatic extensions of chords. c) barely audible. d) smaller than a half step.
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2/17/24, 2:11 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137934/View 13/22 Question 22 (Mandatory) 1 / 1 point (Q022) Prime Time was the name of an electric band fronted by which avant-garde musician? Hide ques±on 22 feedback Question 23 (Mandatory) 1 / 1 point (Q023) The avant-garde composer Sun Ra FEEDBACK: Page 268 a) Albert Ayler b) Sun Ra c) Ornette Coleman d) Cecil Taylor FEEDBACK: Page 271 a) had a surge in popularity later in his career with the advent of the avant-garde. b) was only appreciated after his death. c) developed a cosmology in which he descended to earth from Saturn. d) had a surge in popularity later in his career with the advent of the avant-garde and developed a cosmology in which he descended to earth from Saturn only.
2/17/24, 2:11 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137934/View 14/22 Hide ques±on 23 feedback Question 24 (Mandatory) 1 / 1 point (Q024) Avant-garde performances Hide ques±on 24 feedback Question 25 (Mandatory) 1 / 1 point (Q025) Politically, avant-garde musicians increasingly engaged with FEEDBACK: Page 278 a) frequently reject blues and song forms. b) always have a steady beat. c) encourage free improvisation. d) frequently reject blues and song forms and encourages free improvisation. FEEDBACK: Page 266 a) militant racial and anti-war struggles of the 1950s and 1960s. b) communist movements of the 1940s. c) pre-World War II isolationism.
2/17/24, 2:11 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137934/View 15/22 Hide ques±on 25 feedback Question 26 (Mandatory) 1 / 1 point (Q026) Avant-garde jazz dispensed with a steady beat, preferring an ambiguous pulse or several pulses at once. Hide ques±on 26 feedback Question 27 (Mandatory) 1 / 1 point (Q027) As part of its insistence on "newness," the avant-garde consistently rejected influences and allusions from jazz history. Hide ques±on 27 feedback Question 28 (Mandatory) 1 / 1 point (Q001) Listening Example 1 : "Lonely Woman" Timing: 0:18-0:48 d) none of these; avant-garde musicians avoided any political ties. FEEDBACK: Page 267 True False FEEDBACK: Page 266 True False FEEDBACK: Page 278-279
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2/17/24, 2:11 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137934/View 16/22 The saxophonist and composer of "Lonely Woman" is Hide ques±on 28 feedback Question 29 (Mandatory) 1 / 1 point (Q002) The style of "Lonely Woman" is a) John Coltrane. b) David Murray. c) Ornette Coleman. d) Albert Ayler. FEEDBACK: Page 269 a) hard bop. b) Third Stream. c) cool jazz.
2/17/24, 2:11 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137934/View 17/22 Hide ques±on 29 feedback Question 30 (Mandatory) 1 / 1 point (Q003) What typical jazz rhythm section instrument has been omitted from the ensemble performing "Lonely Woman"? Hide ques±on 30 feedback Question 31 (Mandatory) 1 / 1 point d) avant-garde jazz. FEEDBACK: Page 269 a) bass b) drums c) piano d) alto saxophone FEEDBACK: Page 269
2/17/24, 2:11 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137934/View 18/22 (Q004) On this performance of "Lonely Woman," the string bassist uses Hide ques±on 31 feedback Question 32 (Mandatory) 1 / 1 point (Q005) All of the following statements about this performance of "Lonely Woman" are true except a) double stops. b) stop-time. c) a pedal tone. d) double stops and a pedal tone. FEEDBACK: Page 269 a) the line played by the horns floats above the drum accompaniment. b) the bassist is playing a walking bass. c) there are no clear measures or bars.
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2/17/24, 2:11 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137934/View 19/22 Hide ques±on 32 feedback Question 33 (Mandatory) 1 / 1 point (Q006) Listening Example 2 : "Bulbs" Timing: 1:19-1:45 The pianist and composer of "Bulbs" is Hide ques±on 33 feedback d) the harmony floats between major and minor mode. FEEDBACK: Page 269 a) Thelonious Monk. b) Cecil Taylor. c) Sun Ra. d) Horace Silver. FEEDBACK: Page 274
2/17/24, 2:11 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137934/View 20/22 Question 34 (Mandatory) 1 / 1 point (Q007) The style of "Bulbs" is Hide ques±on 34 feedback Question 35 (Mandatory) 1 / 1 point (Q008) Which of the following describes "Bulbs"? a) boogie-woogie. b) stride. c) avant-garde jazz. d) hard bop. FEEDBACK: Page 274 a) agitated and aggressive b) soothing and relaxing c) sad but uplifting
2/17/24, 2:11 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137934/View 21/22 Hide ques±on 35 feedback Question 36 (Mandatory) 1 / 1 point (Q009) The form of "Bulbs" is Hide ques±on 36 feedback Question 37 (Mandatory) 1 / 1 point (Q010) At the very end of this excerpt of "Bulbs," the pianist plays d) upbeat and happy FEEDBACK: Page 274 a) a loose 32-bar popular song form. b) a double-blues, 24-bar form. c) made up of unit structures. d) a completely free structure, in which players create motives on the spot. FEEDBACK: Page 274
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2/17/24, 2:11 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137934/View 22/22 Hide ques±on 37 feedback Done a) stride piano figures. b) chord clusters up and down the keyboard. c) a whole-tone scale. d) a quarter-tone scale. FEEDBACK: Page 274
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