CH 12 READING AND LISTENING QUIZ - MUS112-N804_ Introduction to Jazz
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CH 12 READING AND LISTENING QUIZ
1
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Question 1 (Mandatory)
1 / 1 point
(Q001) Avant-garde jazz was also known by this name, taken from a 1961 album by Ornette
Coleman:
a) free jazz.
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Question 2 (Mandatory)
1 / 1 point
(Q002) The three key figures in avant-garde jazz are
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Question 3 (Mandatory)
1 / 1 point
(Q003) This disruptive Pulitzer Prize winner was raised in Texas, played at the Five Spot in
1959, and released albums entitled The Shape of Jazz to Come
, Change of the Century
, and
b) black music.
c) the new thing.
d) fire music.
FEEDBACK: Page 266
a) Charlie Parker, Dizzy Gillespie, and Max Roach.
b) Miles Davis, Gil Evans, and Herbie Hancock.
c) John Coltrane, Ornette Coleman, and Cecil Taylor.
d) Sonny Rollins, Wes Montgomery, and Art Blakey.
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This Is Our Music
:
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Question 4 (Mandatory)
1 / 1 point
(Q004) Which instrument does Ornette Coleman play?
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a) Ornette Coleman.
b) Cecil Taylor.
c) John Coltrane.
d) Charles Mingus.
FEEDBACK: Page 267-268
a) piano
b) bass
c) alto saxophone
d) baritone saxophone
FEEDBACK: Page 267
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Question 5 (Mandatory)
1 / 1 point
(Q005) Ornette Coleman’s compositions were
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Question 6 (Mandatory)
1 / 1 point
(Q006) Ornette Coleman challenged musical convention by
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a) strongly melodic and emotional.
b) a thicket of dissonant chords.
c) virtually nonexistent; an invitation to "free improvisation."
d) modal pieces based on current popular songs.
FEEDBACK: Page 268
a) playing with microtonal pitches.
b) using a plunger mute on a saxophone.
c) improvising on the song’s melodic phrases, not the chord changes.
d) playing with microtonal pitches and improvising on the song’s melodic phrases,
not the chord changes.
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Question 7 (Mandatory)
1 / 1 point
(Q007) Which instrument did Cecil Taylor play?
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Question 8 (Mandatory)
1 / 1 point
(Q008) Which venue was particularly important to avant-garde jazz?
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a) piano
b) bass
c) saxophone
d) trumpet
FEEDBACK: Page 271
a) The Cotton Club
b) Minton’s Playhouse
c) The Five Spot
d) Carnegie Hall
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Question 9 (Mandatory)
1 / 1 point
(Q009) In the 1970s, avant-garde music moved its performances from jazz clubs to
apartments, galleries, and other places. What was this music called?
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Question 10 (Mandatory)
1 / 1 point
(Q010) This Cleveland-born saxophonist’s career lasted only eight years; during that time, he
cultivated an overwhelming timbre, using multiphonics, which can be heard on his album,
Spiritual
Unity
:
FEEDBACK: Page 272
a) rent music
b) loft music
c) apartment music
d) museum music
FEEDBACK: Page 281-282
a) John Coltrane.
b) Albert Ayler.
c) David Murray.
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Question 11 (Mandatory)
1 / 1 point
(Q011) Eric Dolphy played
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Question 12 (Mandatory)
1 / 1 point
(Q012) All of the following were associated with the Loft Era of the 1970s except
d) Sun Ra.
FEEDBACK: Page 277-278
a) flute.
b) alto saxophone.
c) bass clarinet.
d) flute, alto saxophone, and bass clarinet.
FEEDBACK: Page 276-277
a) John Zorn.
b) David Murray.
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Question 13 (Mandatory)
1 / 1 point
(Q013) The AACM (Association for the Advancement of Creative Musicians) was
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Question 14 (Mandatory)
1 / 1 point
(Q014) Before playing jazz, Cecil Taylor had musical experience in
c) Arthur Blythe.
d) Albert Ayler.
FEEDBACK: Page 277-278, 281-282
a) an avant-garde collective from Chicago.
b) a performing group founded by Lester Bowie and Joseph Jarman.
c) the cultural wing of the NAACP (National Association for the Advancement of
Colored People).
d) the official name of the orchestra organized by Sun Ra.
FEEDBACK: Page 279-280
a) classical music.
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Question 15 (Mandatory)
1 / 1 point
(Q015) What rhythm section instrument did Ornette Coleman routinely omit on his
recordings?
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Question 16 (Mandatory)
1 / 1 point
(Q016) Cecil Taylor was known for
b) marching bands.
c) rhythm and blues.
d) rock.
FEEDBACK: Page 271-272
a) piano
b) bass
c) drums
d) trumpet
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Question 17 (Mandatory)
1 / 1 point
(Q017) The term "harmolodics"
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Question 18 (Mandatory)
1 / 1 point
a) a percussive approach to the piano.
b) an eclectic repertory that included swing, pop, and classical music.
c) playing long, extended pieces in concert.
d) a percussive approach to the piano and playing long, extended pieces in concert.
FEEDBACK: Page 271-273
a) is a contraction of the words "
harmony
," "
movement
," and
"melody
."
b) means playing several simultaneous notes on an instrument, like the saxophone,
designed to produce only a single note.
c) was coined by Cecil Taylor to describe his unique approach to composition.
d) is another word for scat-singing.
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(Q018) By "unit structure" Cecil Taylor meant
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Question 19 (Mandatory)
1 / 1 point
(Q019) Which artist used unconventional notation for his compositions, and preferred
having his musicians learn his music by hearing him play it on the piano?
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a) a short phrase or module musicians would learn by ear, and use while
improvising.
b) a section for free improvisation that has a specific time limit.
c) a harmony structure (unit) that would be repeated indefinitely.
d) a type of block-chord texture.
FEEDBACK: Page 273
a) Ornette Coleman
b) John Coltrane
c) David Murray
d) Cecil Taylor
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Question 20 (Mandatory)
1 / 1 point
(Q020) This pianist plays the instrument as if it were eighty-eight tuned drums, often
pummeling the keyboard with his hands in dense cataracts of sound:
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Question 21 (Mandatory)
1 / 1 point
(Q021) Microtones are notes that are
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a) Cecil Taylor.
b) Gunther Schuller.
c) Albert Ayler.
d) David Murray.
FEEDBACK: Page 273-274
a) of extremely short duration.
b) chromatic extensions of chords.
c) barely audible.
d) smaller than a half step.
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Question 22 (Mandatory)
1 / 1 point
(Q022) Prime Time was the name of an electric band fronted by which avant-garde
musician?
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Question 23 (Mandatory)
1 / 1 point
(Q023) The avant-garde composer Sun Ra
FEEDBACK: Page 268
a) Albert Ayler
b) Sun Ra
c) Ornette Coleman
d) Cecil Taylor
FEEDBACK: Page 271
a) had a surge in popularity later in his career with the advent of the avant-garde.
b) was only appreciated after his death.
c) developed a cosmology in which he descended to earth from Saturn.
d) had a surge in popularity later in his career with the advent of the avant-garde
and developed a cosmology in which he descended to earth from Saturn only.
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Question 24 (Mandatory)
1 / 1 point
(Q024) Avant-garde performances
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Question 25 (Mandatory)
1 / 1 point
(Q025) Politically, avant-garde musicians increasingly engaged with
FEEDBACK: Page 278
a) frequently reject blues and song forms.
b) always have a steady beat.
c) encourage free improvisation.
d) frequently reject blues and song forms and encourages free improvisation.
FEEDBACK: Page 266
a) militant racial and anti-war struggles of the 1950s and 1960s.
b) communist movements of the 1940s.
c) pre-World War II isolationism.
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Question 26 (Mandatory)
1 / 1 point
(Q026) Avant-garde jazz dispensed with a steady beat, preferring an ambiguous pulse or
several pulses at once.
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Question 27 (Mandatory)
1 / 1 point
(Q027) As part of its insistence on "newness," the avant-garde consistently rejected
influences and allusions from jazz history.
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Question 28 (Mandatory)
1 / 1 point
(Q001) Listening Example 1
: "Lonely Woman"
Timing: 0:18-0:48
d) none of these; avant-garde musicians avoided any political ties.
FEEDBACK: Page 267
True
False
FEEDBACK: Page 266
True
False
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The saxophonist and composer of "Lonely Woman" is
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Question 29 (Mandatory)
1 / 1 point
(Q002) The style of "Lonely Woman" is
a) John Coltrane.
b) David Murray.
c) Ornette Coleman.
d) Albert Ayler.
FEEDBACK: Page 269
a) hard bop.
b) Third Stream.
c) cool jazz.
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Question 30 (Mandatory)
1 / 1 point
(Q003) What typical jazz rhythm section instrument has been omitted from the ensemble
performing "Lonely Woman"?
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Question 31 (Mandatory)
1 / 1 point
d) avant-garde jazz.
FEEDBACK: Page 269
a) bass
b) drums
c) piano
d) alto saxophone
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(Q004) On this performance of "Lonely Woman," the string bassist uses
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Question 32 (Mandatory)
1 / 1 point
(Q005) All of the following statements about this performance of "Lonely Woman" are true
except
a) double stops.
b) stop-time.
c) a pedal tone.
d) double stops and a pedal tone.
FEEDBACK: Page 269
a) the line played by the horns floats above the drum accompaniment.
b) the bassist is playing a walking bass.
c) there are no clear measures or bars.
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Question 33 (Mandatory)
1 / 1 point
(Q006) Listening Example 2
: "Bulbs"
Timing: 1:19-1:45
The pianist and composer of "Bulbs" is
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d) the harmony floats between major and minor mode.
FEEDBACK: Page 269
a) Thelonious Monk.
b) Cecil Taylor.
c) Sun Ra.
d) Horace Silver.
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Question 34 (Mandatory)
1 / 1 point
(Q007) The style of "Bulbs" is
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Question 35 (Mandatory)
1 / 1 point
(Q008) Which of the following describes "Bulbs"?
a) boogie-woogie.
b) stride.
c) avant-garde jazz.
d) hard bop.
FEEDBACK: Page 274
a) agitated and aggressive
b) soothing and relaxing
c) sad but uplifting
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Question 36 (Mandatory)
1 / 1 point
(Q009) The form of "Bulbs" is
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Question 37 (Mandatory)
1 / 1 point
(Q010) At the very end of this excerpt of "Bulbs," the pianist plays
d) upbeat and happy
FEEDBACK: Page 274
a) a loose 32-bar popular song form.
b) a double-blues, 24-bar form.
c) made up of unit structures.
d) a completely free structure, in which players create motives on the spot.
FEEDBACK: Page 274
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Done
a) stride piano figures.
b) chord clusters up and down the keyboard.
c) a whole-tone scale.
d) a quarter-tone scale.
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E) Visible light > infrared radiation > radio
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9/11/2022
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The Electromagnetic Spectrum:
wwwwwwww
mmmm
10
10
-16
1024
T
10-16
Gamma rays
T
10
10
-14
1022
Y rays
400
10
1020
T
10-14 10-12
10
-12
20
T
10
10-10
10
X-rays
18
-10
10
16
10¹
Visible light
UV rays
1018
1016
TI
X rays UV
10-8
1014
10
Visible spectrum
IR
10¹4
Infrared rays
10¹2
10"
500
600
Increasing Wavelength (2) in nm →
T
10
1010
10-6 104 10-²
12
Microwave
T
10
108
Microwave FM
10
10⁰
10
|AM
Radio waves
700
10⁰°
10⁰
10°
Radio, TV
T
10
Increasing Frequency (v)
106
10
4
s
Long radio waves
T
10²
104 106 108
Increasing Wavelength (2) -
Frequency (Hz)
10* 10
10
Long radio waves
2
Wavelenght (m)
104 10² 10⁰ v (Hz)
λ (m)
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What is the wavelength of radiation that has a frequency of 2.10 x 1014 s-1?
(Answer in meters, to 3 sig figs. Recall that numbers in scientific notation are entered as 1.234e-5)
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Number 1.
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Using specific heat capacity to find temperature change
Av
A chemical reaction takes place inside a flask submerged in a water bath. The water bath contains 2.80 kg of water at 23.5 °C. During the reaction 73.3 kJ of
heat flows out of the bath and into the flask.
Round your
Calculate the new temperature of the water bath. You can assume the specific heat capacity of water under these conditions is 4.18 J'g 'K
answer to 3 significant digits.
Explanation
Check
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