CH 07 READING AND LISTENING QUIZ - MUS112-N804_ Introduction to Jazz

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2/4/24, 7:16 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137919/View 1/35 CH 07 READING AND LISTENING QUIZ 1 2 Your work has been saved and submitted Written Feb 4, 2024 6:42 PM - Feb 4, 2024 7:15 PM • Attempt 1 of 1 Attempt Score 58 / 58 - 100 % Overall Grade (Highest Attempt) 58 / 58 - 100 % Question 1 (Mandatory) 1 / 1 point (Q001) Where else could one enjoy Swing Era soloists outside of their usual role in the big band? a) In informal after-hour jam sessions.
2/4/24, 7:16 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137919/View 2/35 Hide ques±on 1 feedback Question 2 (Mandatory) 1 / 1 point (Q002) Jammin’ the Blues was Hide ques±on 2 feedback Question 3 (Mandatory) 1 / 1 point (Q003) Coleman Hawkins was a pioneer on the ______ saxophone. b) In pit bands and even radio and movie studios. c) In small groups formed by the bandleader. d) All of these. FEEDBACK: Page 135-136 a) a 1939 composition by Duke Ellington. b) a 1944 short film featuring jazz improvisation. c) a concert held by John Hammond in 1938. d) Louis Armstrong’s autobiography. FEEDBACK: Page 136
2/4/24, 7:16 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137919/View 3/35 Hide ques±on 3 feedback Question 4 (Mandatory) 1 / 1 point (Q004) What is an arpeggio? Hide ques±on 4 feedback Question 5 (Mandatory) 1 / 1 point a) soprano b) alto c) tenor d) baritone FEEDBACK: Page 136 a) The notes of a chord played successively. b) A repeated rhythmic or melodic figure. c) An elastic approach to rhythm. d) Polyphonic texture. FEEDBACK: Page 136
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2/4/24, 7:16 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137919/View 4/35 (Q005) Coleman Hawkins especially excelled at Hide ques±on 5 feedback Question 6 (Mandatory) 1 / 1 point (Q006) From 1934 to 1939, Coleman Hawkins Hide ques±on 6 feedback a) harmonic improvisation. b) embellishing the melody. c) timbre variation. d) bluesy playing. FEEDBACK: Page 136-137 a) performed and lived in Europe. b) was a soloist with the Fletcher Henderson band. c) perfected his style of big-band arranging. d) appeared regularly on television. FEEDBACK: Page 137
2/4/24, 7:16 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137919/View 5/35 Question 7 (Mandatory) 1 / 1 point (Q007) Coleman Hawkins’s most famous recording - the 1939 ______ - was a pinnacle in jazz improvisation and a tremendous commercial success. Hide ques±on 7 feedback Question 8 (Mandatory) 1 / 1 point (Q008) Of the following saxophonists, __________developed an improvising style directly influenced by Coleman Hawkins. Hide ques±on 8 feedback a) "Blue Skies" b) "One O’Clock Jump" c) "Body and Soul" d) "Yes! We Have No Bananas" FEEDBACK: Page 137-139 a) Ben Webster b) Lester Young c) Chu Berry d) Ben Webster and Chu Berry
2/4/24, 7:16 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137919/View 6/35 Question 9 (Mandatory) 1 / 1 point (Q009) The most harmonically daring and influential trumpeter of the Swing Era was Hide ques±on 9 feedback Question 10 (Mandatory) 1 / 1 point (Q010) This saxophonist had a "musical romance" with Billie Holiday, often appearing as her accompanist on her recordings: FEEDBACK: Page 139-140 a) Bubber Miley. b) King Oliver. c) Lester Young. d) Roy Eldridge. FEEDBACK: Page 140 a) Chu Berry. b) Lester Young. c) Coleman Hawkins. d) Benny Carter.
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2/4/24, 7:16 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137919/View 7/35 Hide ques±on 10 feedback Question 11 (Mandatory) 1 / 1 point (Q011) Django Reinhardt was Hide ques±on 11 feedback Question 12 (Mandatory) 1 / 1 point (Q012) Django Reinhardt’s virtuosity was all the more remarkable because FEEDBACK: Page 147 a) was a brilliant saxophone soloist in the Coleman Hawkins mold. b) a Gypsy guitarist of stunning originality. c) a member of the Count Basie rhythm section. d) Billie Holiday’s longtime accompanist. FEEDBACK: Page 141-142 a) his left hand was injured in a fire. b) he couldn’t play any other instrument. c) he was blind.
2/4/24, 7:16 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137919/View 8/35 Hide ques±on 12 feedback Question 13 (Mandatory) 1 / 1 point (Q013) Benny Carter was an alto saxophonist, but was also known as Hide ques±on 13 feedback Question 14 (Mandatory) 1 / 1 point (Q014) Which is true about women in jazz? d) his left hand was injured in a fire and he was blind only. FEEDBACK: Page 142 a) a bandleader. b) a singer. c) an arranger. d) a bandleader and an arranger only. FEEDBACK: Page 143-144 a) Most were singers or pianists in big-name bands. b) During World War II, women had fewer opportunities to perform in public.
2/4/24, 7:16 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137919/View 9/35 Hide ques±on 14 feedback Question 15 (Mandatory) 1 / 1 point (Q015) All of the following were female jazz instrumentalists, except : Hide ques±on 15 feedback Question 16 (Mandatory) 1 / 1 point (Q016) As a vocalist, Billie Holiday was strongly influenced by c) Many performed in all-female bands. d) Most were singers or pianists in big-name bands and many performed in all- female bands only. FEEDBACK: Page 144 a) Valaida Snow. b) Billie Rodgers. c) Billie Holiday. d) Melba Liston. FEEDBACK: Page 144 a) Louis Armstrong.
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2/4/24, 7:16 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137919/View 10/35 Hide ques±on 16 feedback Question 17 (Mandatory) 1 / 1 point (Q017) Billie Holiday’s singing style Hide ques±on 17 feedback Question 18 (Mandatory) 1 / 1 point (Q018) Often cited as jazz’s greatest vocalist, this singer had a thin, edgy timbre, worked within a range of no more than an octave and a half, and was known for her exquisite b) Ella Fitzgerald. c) Bing Crosby. d) all of these. FEEDBACK: Page 146 a) featured her scat-singing. b) embellished and altered the melody in subtle and personal ways. c) was enhanced by her four-octave range. d) featured her scat-singing and was enhanced by her four-octave range only. FEEDBACK: Page 145-146
2/4/24, 7:16 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137919/View 11/35 musical phrasing: Hide ques±on 18 feedback Question 19 (Mandatory) 1 / 1 point (Q019) Fats Waller was Hide ques±on 19 feedback a) Billie Holiday. b) Ella Fitzgerald. c) Louis Armstrong. d) Bing Crosby. FEEDBACK: Page 145-146 a) a brilliant stride pianist. b) a well-known singer with a comedic flair. c) a successful Broadway songwriter, with songs like "Ain’t Misbehavin’" to his credit. d) all of these. FEEDBACK: Page 149-150
2/4/24, 7:16 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137919/View 12/35 Question 20 (Mandatory) 1 / 1 point (Q020) What were "cutting contests"? Hide ques±on 20 feedback Question 21 (Mandatory) 1 / 1 point (Q021) Art Tatum’s virtuosity was remarkable, considering that Hide ques±on 21 feedback a) Recordings created by "cutting" recording tape (i.e., splicing) to eliminate errors. b) Competitions in which jazz musicians would try to outplay each other. c) Sessions at the Savoy Ballroom in which dancers would "cut a rug." d) Drummers "dropping bombs" while interacting with soloists. FEEDBACK: Page 149-150 a) his left hand was injured in a fire. b) he was blind. c) he was the only musician in his family. d) he was also an entertainer, appearing in dozens of films. FEEDBACK: Page 150
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2/4/24, 7:16 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137919/View 13/35 Question 22 (Mandatory) 1 / 1 point (Q022) What brilliant stride virtuoso was once introduced by Fats Waller with the phrase: "Ladies and gentlemen, I play piano, but God is in the house tonight!"? Hide ques±on 22 feedback Question 23 (Mandatory) 1 / 1 point (Q023) This stride pianist was so innovative with complex chromatic harmony and chord substitutions that modern musicians like Charlie Parker and Charles Mingus listed him as an influence: a) Art Tatum b) Jelly Roll Morton c) Count Basie d) Duke Ellington FEEDBACK: Page 151 a) Teddy Wilson. b) Art Tatum. c) Fats Waller.
2/4/24, 7:16 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137919/View 14/35 Hide ques±on 23 feedback Question 24 (Mandatory) 1 / 1 point (Q024) Of all the instruments in the rhythm section, this one was slowest to reach artistic maturity: Hide ques±on 24 feedback Question 25 (Mandatory) 1 / 1 point (Q025) Who was the first important electric guitarist in jazz? d) Charlie Christian. FEEDBACK: Page 151 a) piano. b) guitar. c) drums. d) string bass. FEEDBACK: Page 156 a) Wes Montgomery b) Django Reinhardt
2/4/24, 7:16 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137919/View 15/35 Hide ques±on 25 feedback Question 26 (Mandatory) 1 / 1 point (Q026) Walter Page’s bass lines were Hide ques±on 26 feedback Question 27 (Mandatory) 1 / 1 point (Q027) A 1941 recording featuring Charlie Christian and Kenny Clarke is striking in that it c) Charlie Christian d) Eddie Lang FEEDBACK: Page 153-154 a) wild and virtuosic. b) unusual in being played on electric bass. c) simple and metronomically reliable. d) known for their chromatic complexity. FEEDBACK: Page 156 a) was recorded live at a jam session.
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2/4/24, 7:16 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137919/View 16/35 Hide ques±on 27 feedback Question 28 (Mandatory) 1 / 1 point (Q028) This bassist codified the walking bass during his years in the Count Basie rhythm section: Hide ques±on 28 feedback Question 29 (Mandatory) 1 / 1 point (Q029) Jimmy Blanton and Charlie Christian b) featured Christian as a soloist with the Benny Goodman Orchestra. c) highlighted Christian’s expressive scat-singing. d) was recorded live at a jam session and highlighted Christian’s expressive scat- singing only. FEEDBACK: Page 154 a) Walter Page. b) Charlie Christian. c) Milt Hinton. d) Jimmy Blanton. FEEDBACK: Page 156
2/4/24, 7:16 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137919/View 17/35 Hide ques±on 29 feedback Question 30 (Mandatory) 1 / 1 point (Q030) Jimmy Blanton Hide ques±on 30 feedback Question 31 (Mandatory) 1 / 1 point a) did not live past age twenty-five. b) led swing bands that shifted into bebop. c) were killed fighting for their country in World War II. d) did not live past age twenty-five and were killed fighting for their country in World War II only. FEEDBACK: Page 154, 157 a) used chord substitutions. b) was a featured soloist in Duke Ellington compositions. c) recorded bass solos that departed from the walking bass in favor of freely improvised melody. d) all of these FEEDBACK: Page 157
2/4/24, 7:16 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137919/View 18/35 (Q031) Who of the following was a string bassist? Hide ques±on 31 feedback Question 32 (Mandatory) 1 / 1 point (Q032) Which drummer led a famous swing band at the Savoy Ballroom despite being handicapped by spinal tuberculosis? Hide ques±on 32 feedback a) John Kirby b) Slam Stewart c) Milt Hinton d) all of these FEEDBACK: Page 156-157 a) Chick Webb b) Jo Jones c) John Kirby d) Gene Krupa FEEDBACK: Page 158
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2/4/24, 7:16 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137919/View 19/35 Question 33 (Mandatory) 1 / 1 point (Q033) Which famous drummer was featured in Benny Goodman’s big band? Hide ques±on 33 feedback Question 34 (Mandatory) 1 / 1 point (Q034) Jo Jones’s great innovation was that he transferred the beat from Hide ques±on 34 feedback a) Gene Krupa b) Chick Webb c) Jo Jones d) Jimmy Blanton FEEDBACK: Page 158 a) the snare and bass drums to the high-hat cymbal. b) the string bass to the acoustic guitar. c) the rhythm section to the saxophone section. d) the cymbals to the tom-toms. FEEDBACK: Page 158
2/4/24, 7:16 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137919/View 20/35 Question 35 (Mandatory) 1 / 1 point (Q035) Jo Jones played drums with Hide ques±on 35 feedback Question 36 (Mandatory) 1 / 1 point (Q036) During World War II, the Nazis promoted American jazz, claiming that the Negro- based music demonstrated the inferiority of Jewish culture. Hide ques±on 36 feedback Question 37 (Mandatory) 1 / 1 point (Q037) During the Swing Era, rhythm sections fused into a unified rhythmic front, keeping time and marking the harmonies. a) Count Basie. b) Fletcher Henderson. c) Duke Ellington. d) all of these FEEDBACK: Page 158 True False FEEDBACK: Page 141
2/4/24, 7:16 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137919/View 21/35 Hide ques±on 37 feedback Question 38 (Mandatory) 1 / 1 point (Q038) Prior to the influence of Charlie Christian and the electric guitar, the great Swing Era rhythm guitarists did little more than reinforce the pulse of the string bass and drummer with a steady four-beat chunk-chunk-chunk-chunk . Hide ques±on 38 feedback Question 39 (Mandatory) 1 / 1 point (Q001) Listening Example 1 : "Body and Soul" Timing: 2:23-2:57 In this excerpt of "Body and Soul," the pulse of the saxophonist's line is twice as fast as the beat played by the rhythm section. This is known as True False FEEDBACK: Page 149 True False FEEDBACK: Page 153 a) half-time.
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2/4/24, 7:16 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137919/View 22/35 Hide ques±on 39 feedback Question 40 (Mandatory) 1 / 1 point (Q002) The featured saxophone soloist in this excerpt of "Body and Soul" is Hide ques±on 40 feedback b) double-time. c) stride-time. d) stop-time. FEEDBACK: Page 138 a) Lester Young. b) Johnny Hodges. c) Coleman Hawkins. d) Roy Eldridge. FEEDBACK: Page 138
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2/4/24, 7:16 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137919/View 23/35 Question 41 (Mandatory) 1 / 1 point (Q003) Throughout this excerpt of "Body and Soul," the soloist shapes his improvisation by stringing together notes from the underlying chords. These are known as Hide ques±on 41 feedback Question 42 (Mandatory) 1 / 1 point (Q004) The style of improvisation used in this excerpt of "Body and Soul" is a) arpeggios. b) pizzicatos. c) ostinatos. d) montunos. FEEDBACK: Page 137 a) modal improvisation.
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2/4/24, 7:16 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137919/View 24/35 Hide ques±on 42 feedback Question 43 (Mandatory) 1 / 1 point (Q005) Just before the final note in this excerpt of "Body and Soul," the soloist creates a striking contrast by playing a passage with Hide ques±on 43 feedback b) melodic paraphrase. c) harmonic improvisation. d) collective improvisation. FEEDBACK: Page 138 a) no accompaniment. b) multiphonics. c) bent notes. d) half-valving. FEEDBACK: Page 138
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2/4/24, 7:16 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137919/View 25/35 Question 44 (Mandatory) 1 / 1 point (Q006) Listening Example 2 : "A Sailboat in the Moonlight" Timing: 0:08-0:38 The singer featured in this recording of "A Sailboat in the Moonlight" is Hide ques±on 44 feedback Question 45 (Mandatory) 1 / 1 point (Q007) The saxophonist in this excerpt of "A Sailboat in the Moonlight" a) Billie Holiday. b) Ella Fitzgerald. c) Bessie Smith. d) Mary Lou Williams. FEEDBACK: Page 148 a) plays a countermelody to her singing.
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2/4/24, 7:16 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137919/View 26/35 Hide ques±on 45 feedback Question 46 (Mandatory) 1 / 1 point (Q008) This saxophonist - featured on the recording of "A Sailboat in the Moonlight" - was nicknamed "Pres" by Billie Holiday: Hide ques±on 46 feedback b) provides a background of riffs and ostinatos. c) answers her phrases with improvisations of his own. d) plays a countermelody to her singing and answers her phrases with improvisations of his own only FEEDBACK: Page 148 a) Coleman Hawkins. b) Lester Young. c) Sidney Bechet. d) Preston Love.
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2/4/24, 7:16 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137919/View 27/35 Question 47 (Mandatory) 1 / 1 point (Q009) The singer's style of improvisation in this excerpt of "A Sailboat in the Moonlight" is Hide ques±on 47 feedback Question 48 (Mandatory) 1 / 1 point (Q010) What jazz technique is not used in this excerpt of "A Sailboat in the Moonlight"? FEEDBACK: Page 148 a) harmonic improvisation. b) modal improvisation. c) melodic paraphrase. d) collective improvisation. FEEDBACK: Page 148 a) rhythmic contrast
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2/4/24, 7:16 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137919/View 28/35 Hide ques±on 48 feedback Question 49 (Mandatory) 1 / 1 point (Q011) Listening Example 3 : "Over the Rainbow" Timing: 2:56-3:43 The pianist in this recording of "Over the Rainbow" is Hide ques±on 49 feedback b) keeping time c) scat-singing d) 32-bar AABA form FEEDBACK: Page 148 a) Count Basie. b) Duke Ellington. c) Jelly Roll Morton. d) Art Tatum.
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2/4/24, 7:16 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137919/View 29/35 Question 50 (Mandatory) 1 / 1 point (Q012) The underlying piano style in this recording of "Over the Rainbow" is Hide ques±on 50 feedback Question 51 (Mandatory) 1 / 1 point (Q013) This excerpt of "Over the Rainbow" prominently features FEEDBACK: Page 152 a) New Orleans jazz. b) stride. c) boogie-woogie. d) ragtime. FEEDBACK: Page 152 a) monophonic texture.
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2/4/24, 7:16 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137919/View 30/35 Hide ques±on 51 feedback Question 52 (Mandatory) 1 / 1 point (Q014) At the end of this excerpt of "Over the Rainbow", the pianist increases the Hide ques±on 52 feedback b) chromatic harmony. c) send-off riffs. d) multiphonics. FEEDBACK: Page 152-153 a) volume. b) timbre. c) tempo. d) intonation. FEEDBACK: Page 153
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2/4/24, 7:16 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137919/View 31/35 Question 53 (Mandatory) 1 / 1 point (Q015) Although this is a performance of a well-known popular song ("Over the Rainbow"), it can be difficult to recognize the song because the pianist uses Hide ques±on 53 feedback Question 54 (Mandatory) 1 / 1 point (Q016) Listening Example 4 : "Swing to Bop" ("Topsy") Timing: 2:36-3:10 The guitarist on this recording of "Swing to Bop" is a) harmonic substitutions. b) double stops. c) broken octaves. d) stock arrangements. FEEDBACK: Page 152-153
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2/4/24, 7:16 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137919/View 32/35 Hide ques±on 54 feedback Question 55 (Mandatory) 1 / 1 point (Q017) What is unusual about this excerpt of "Swing to Bop"? a) Django Reinhardt. b) Eddie Lang. c) Charlie Christian. d) Freddie Green. FEEDBACK: Page 155 a) The guitarist's innovative polyrhythmic phrases. b) The meter switches from duple to triple. c) There is no walking bass. d) The guitarist's innovative polyrhythmic phrases and there is no walking bass only.
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2/4/24, 7:16 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137919/View 33/35 Hide ques±on 55 feedback Question 56 (Mandatory) 1 / 1 point (Q018) This excerpt of "Swing to Bop" was recorded at Hide ques±on 56 feedback Question 57 (Mandatory) 1 / 1 point (Q019) In this excerpt of "Swing to Bop", the drummer FEEDBACK: Page 155 a) a Harlem jam session. b) the Cotton Club. c) Carnegie Hall. d) a New Orleans speakeasy. FEEDBACK: Page 154
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2/4/24, 7:16 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137919/View 34/35 Hide ques±on 57 feedback Question 58 (Mandatory) 1 / 1 point (Q020) In its rhythmic intensity, this excerpt of "Swing to Bop" shows the evolution from Hide ques±on 58 feedback a) plays loud accents on the snare drum. b) keeps time with his high-hat cymbal. c) interacts with the soloist. d) plays loud accents on the snare drum and interacts with the soloist only. FEEDBACK: Page 155-156 a) New Orleans jazz to swing. b) ragtime to stride. c) swing to bebop. d) Chicago style to New York style.
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2/4/24, 7:16 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137919/View 35/35 Done FEEDBACK: Page 154
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140.1 140.9 144.2 (145) 150.4 152.0 157.3 158.9 162.5 164.9 167.3 168.9 173.0 17 Actinide 90 91 92 93 94 95 96 97 98 99 100 101 102 10 Series Th Pa U Np Pu Am Cm Bk Cf Es Fm Md No 232.0 231.0 238.0 (237) (244) (243) (247) (247) (251) (252) (257) (258) (259) (26 Question 4 The Bohr model of the atom assumes that which of the following quantities for the electron in a hydrogen atom is/are quantized? i. Speed ii. Direction of spin axis ii. Energy iv. Radius of its orbit iii and iv O i and iii O i only O i, ii, and i O i, ii, and iv Next • Previous MacBook Pro Q Search Bing 23 & 7 8. OC
What is the wavelength in nm of 7.47*10-19
a laccd si C tab caps lock nift 1 esc Homep type of radiation LION K O ELECTRONIC STRUCTURE AND CHEMICAL BONDING Understanding the organization of the electromagnetic spectrum fn 19 green light Explanation Mc Graw Hill https://www-awu.aleks.com/alekscgi/x/Isl.exe/10_u-IgNslkr7j8P3jH-IvUrTNdLZh5A8CnG03PBGuXr8iCPa X-rays infrared radiation A few different types of electromagnetic radiation are listed in the table below. Complete the table by ordering these types of radiation by increasing frequency, wavelength, and energy per photon. For example, select "1" in the second column for the type of radiation with the lowest frequency, "2" for the type of radiation with the next higher frequency, and so forth. red light ALEKS Type here to search Z 2 Check -0. Mc Graw order of frequency W lion x360 hp here and every way am (Choose one) ▼ (Choose one) ▼ (Choose one) ▼ (Choose one) ▼ McGraw A ALE X S f3 # 3 X alt E $ 4 C McGraw A ALEKS order of wavelength O (Choose one) ▼ (Choose one) ▼ (Choose…
Write the complete electronic configuration in spdf notation. (Not the short version)1) S2-2) Ga,3) Ca2+
Give the nuclear symbol for the isotope of potassium for which A = 40 ? Enter the nuclear symbol for the isotope (e.g., He). • View Available Hint(s) ΑΣφ ? a Xb
I just need help with parts 4 and 5, I'm not sure how to set up the problems.
Lyman series:nf=1  (91<λ<123 nm; near-UV). Balmer series:nf=2  (365<λ<658 nm; visible). Paschen series:nf=3  (819<λ<1877 nm; near-IR). Brackett series:nf=4  (1.456<λ<4.054 μm; short-to-mid-λ-IR) One of the lines in the emission spectrum of the hydrogen atom has a wavelength of λ = 410.4 nm.  Identify the value of nfinal .  Identify the value of ninitial.
Focus+Concept+Review+Quantum+and+Electron+Configuration [Modo de compatibilidad] - Microsoft Word DISEÑO DE PÁGINA REFERENCIAS CORRESPONDENCIA REVISAR VISTA 12 Aa - A:= ,- AaBbCcDc AaBbCcDc AaBbCc AaBbCcDc AaBbCcDc AaBbCo = x, x A - aly 1 Normal 1 Párrafo... 1 Puesto 1 Sin espa.. 1 Table Par.. 1 Texto i Fuente Párrafo 17 Estilos (3) Which set of quantum numbers cannot specify an orbital and state why not. a. n=2, l=1, m=-1 b. n=3, l=2, mı=0 C. n=3, l= 3, mj =2 d. n=4, l=3, mj=0 (4) Write the abbreviated electron configuration for each element and write the orbital diagram а. С b. P c. I d. Na OS UNIDOS) >> Escritorio
10. Identify the elements (two of these are irregular, so pay close attention).(a) 1s22s22p63s23p64s23d104p65s24d5 (b) [Xe]6s24f145d106p5(c) 1s22s22p63s23p64s23d104p65s24d105p66s14f145d10 (d) [Rn]7s25f76d1
refox + File Edit View History Bookmarks Tools @ Aktiv Chemistry X www Aktiv Chemistry O8 https://app.101edu.co MAR 30 Window Help X Mail-THOMPSON, X O IC My.UAFS - Students: X What is the energy (in J) of a photon with a frequency of 7.03 x 1014 s¹? (h= 6.626 × 10-34 Js) Question 3 of 58 di S M Inbox (11)-hthomp X MacBook Air N♫O tv Aw Home - LioNet 1 4 7 +/- X 2 5 8 . ☎ a 8 C How Did I Get to be X ☆ | J 3 6 9 Thu Mar 30 2:19 P 0 + Submin X C x 100
The Electromagnetic Spectrum: wwwwwwww mmmm 10 10 -16 1024 T 10-16 Gamma rays T 10 10 -14 1022 Y rays 400 10 1020 T 10-14 10-12 10 -12 20 T 10 10-10 10 X-rays 18 -10 10 16 10¹ Visible light UV rays 1018 1016 TI X rays UV 10-8 1014 10 Visible spectrum IR 10¹4 Infrared rays 10¹2 10" 500 600 Increasing Wavelength (2) in nm → T 10 1010 10-6 104 10-² 12 Microwave T 10 108 Microwave FM 10 10⁰ 10 |AM Radio waves 700 10⁰° 10⁰ 10° Radio, TV T 10 Increasing Frequency (v) 106 10 4 s Long radio waves T 10² 104 106 108 Increasing Wavelength (2) - Frequency (Hz) 10* 10 10 Long radio waves 2 Wavelenght (m) 104 10² 10⁰ v (Hz) λ (m)
• Part A Alpha particles (charge q = 12e, mass m=6.6 x 10-2 kg) move at 1.4x106 m/s What magnetic field strength would be required to bend them into a circular path of radius r = 0.18 m ? Express your answer using two significant figures. T Submit Recuest Answer
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7. Consider an electron at n = 3 in a one-dimensional box whose length is 7.0 Å. a) Calculate the maximum value of 2 (in units of angstroms-¹) &n(x) = 2 sin NTX L n = 1, 2, 3,... ws(x) = √777 sin (374) 2 2 (esa(z))² = sin³² (37) - (sin (7))* (√3(x))² = 7 Å ΤΑ 7A (13(x))² = 0.286 Å-¹
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ege.com/course.html?courseld%3169856748OpenVellumHMAC=Dd4383e2d3dc3a34e7444c053a56f7d9b#10001 它 ☆ * 三 Course Home Provide Feedback 1:35 W 81°F Partly sunny 12/13/ 56
a lacc C tab hift T caps lock 1 ΤΟΝ ALE esc Mc Graw H MCCA X cspr type of radiation K →1 fn O ELECTRONIC STRUCTURE AND CHEMICAL BONDING Understanding the organization of the electromagnetic spectrum MCCA ALE A ALE https://www-awu.aleks.com/alekscgi/x/Isl.exe/1o_u-IgNslkr7j8P3jH-IvUrTNdLZh5A8CnG03PBGuXr8iCPa7ZMmymzP4EtCilWQSvM8r8... All A few different types of electromagnetic radiation are listed in the table below. Complete the table by ordering these types of radiation by increasing frequency, wavelength, and energy per photon. For example, select "1" in the second column for the type of radiation wit the lowest frequency, "2" for the type of radiation with the next higher frequency, so forth. Explanation radio waves gamma rays red light green light ? A Type here to search @ Z order of frequency Check 2 (Choose one) ▼ (Choose one) ▼ (Choose one) ▼ (Choose one) ▼ W S f3 # 3 ALE X alt E D f4 Mc Graw HI $ 4 MCCA ALER C R order of wavelength O (Choose one) ▼ (Choose one) ▼ (Choose one) ▼…
1:25 A O * N 5GUC I 67%, Show What You Know: Learning... KO> O 8 de 8 A new band sensation is playing a concert and recording it for a live album to be released this summer. The band asks the sound mixer if he can autotune the singer who has a habit of singing slightly lower than the note. What would the mixer need to do to the sound wave? How would it affect the characteristics of the wave? В I |Revisión 田 !!!
5:18 4 1 Search A certain microwave oven produce microwave with x wavelength at 2.50 mm, if 20.0 moles of photons are produced by the oven, what is the total amount of energy? A 958 J В 2.00 × 1011 J C 0.958 J D 1.59 x 10-21 J E 603 J A S...it
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5:20 Photoelectric Effect Status Recovery Atomic Physics Light of frequency 9.62 x 1014 Hz (312 nm) strikes a surface of calcium (Wo = 2.90 eV). How much kinetic energy does the liberated electron have in Joules? ? ] × 10[?] 10⁰ J Coefficient (green) Exponent (yellow) Copyright © 2003 - 2022 International Academy of Science. All Rights Reserved. Enter сл 5 Help Resources Skip
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Number 1.
Explain the meaning of the following terms and phrases: 1.1 Precision of a set of results.                                                                                              1.2 Noise around an analytical signal.      1.3 A shelf-life of an aqueous trace metal standard
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