CH 09 READING AND LISTENING QUIZ - MUS112-N804_ Introduction to Jazz

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2/11/24, 7:55 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137925/View 1/29 CH 09 READING AND LISTENING QUIZ 1 2 Your work has been saved and submitted Written Feb 11, 2024 7:37 PM - Feb 11, 2024 7:54 PM Attempt 1 of 2 Attempt Score 44 / 48 - 91.67 % Overall Grade (Highest Attempt) 44 / 48 - 91.67 % Question 1 (Mandatory) 1 / 1 point (Q001) Cool jazz derived its fondness for restrained timbre and light vibrato from a) Bix Beiderbecke and Lester Young. b) Louis Armstrong and Buddy Bolden.
2/11/24, 7:55 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137925/View 2/29 Hide ques±on 1 feedback Question 2 (Mandatory) 1 / 1 point (Q002) Among the pioneers of cool jazz are the following pianist/composers: Hide ques±on 2 feedback Question 3 (Mandatory) 1 / 1 point (Q003) This musician was a bebop soloist who became a leader of cool jazz: c) Coleman Hawkins and Ben Webster. d) Billie Holiday and Bessie Smith. FEEDBACK: Page 192 a) Lennie Tristano and Tadd Dameron. b) Art Tatum and Fats Waller. c) Teddy Wilson and Billy Strayhorn. d) Jelly Roll Morton and Duke Ellington. FEEDBACK: Page 192-194 a) Miles Davis.
2/11/24, 7:55 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137925/View 3/29 Hide ques±on 3 feedback Question 4 (Mandatory) 1 / 1 point (Q004) The _______ is commonly known as "The Birth of the Cool" band. Hide ques±on 4 feedback Question 5 (Mandatory) 1 / 1 point (Q005) Cool jazz artists were inclined to b) Clifford Brown. c) Dizzy Gillespie. d) Gil Evans. FEEDBACK: Page 194 a) Miles Davis Nonet b) Modern Jazz Quartet c) Jazz Messengers d) Dave Brubeck Quartet FEEDBACK: Page 195
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2/11/24, 7:55 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137925/View 4/29 Hide ques±on 5 feedback Question 6 (Mandatory) 1 / 1 point (Q006) Gil Evans was Hide ques±on 6 feedback Question 7 (Mandatory) 1 / 1 point a) deemphasize improvisation in favor of composition. b) borrow rhythms and emotional intensity from gospel. c) use orchestral instruments such as the tuba and French horn. d) deemphasize improvisation in favor of composition and use orchestral instruments such as the tuba and French horn. FEEDBACK: Page 194 a) a cool jazz arranger and orchestrator. b) a hard bop alto sax soloist. c) the leader of the Modern Jazz Quartet. d) a skilled trombonist. FEEDBACK: Page 194-195
2/11/24, 7:55 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137925/View 5/29 (Q007) John Lewis left the Miles Davis Nonet and formed his own jazz ensemble, called Hide ques±on 7 feedback Question 8 (Mandatory) 1 / 1 point (Q008) This baritone saxophonist became famous for leading a "piano-less" quartet in 1952: Hide ques±on 8 feedback a) the Jazz Messengers. b) the Modern Jazz Quartet. c) Weather Report. d) Spiro Gyra. FEEDBACK: Page 196-197 a) Gerry Mulligan. b) Lennie Tristano. c) John Lewis. d) Cannonball Adderley. FEEDBACK: Page 195-196
2/11/24, 7:55 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137925/View 6/29 Question 9 (Mandatory) 1 / 1 point (Q009) The Modern Jazz Quartet is known for Hide ques±on 9 feedback Question 10 (Mandatory) 1 / 1 point (Q010) Among the members of the Modern Jazz Quartet were Hide ques±on 10 feedback a) combining jazz with the Baroque style of J. S. Bach. b) the innovative use of electric guitar. c) performing in concert halls wearing tuxedos. d) combining jazz with the Baroque style of J. S. Back and performing in concert halls wearing tuxedos. FEEDBACK: Page 196-198 a) Gerry Mulligan and Chet Baker. b) John Lewis and Milt Jackson. c) Horace Silver and Art Blakey. d) Miles Davis and Gil Evans. FEEDBACK: Page 197
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2/11/24, 7:55 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137925/View 7/29 Question 11 (Mandatory) 1 / 1 point (Q011) Third Stream music proposed to mix jazz with Hide ques±on 11 feedback Question 12 (Mandatory) 0 / 1 point (Q012) The term "Third Stream" was coined by the conductor and musicologist Hide ques±on 12 feedback a) classical music. b) rock. c) the blues. d) gospel music. FEEDBACK: Page 198 a) Tadd Dameron. b) Dave Brubeck. c) Gunther Schuller. d) John Lewis.
2/11/24, 7:55 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137925/View 8/29 Question 13 (Mandatory) 1 / 1 point (Q013) This band, the most popular jazz group of the 1950s, was known for its use of unusual meters: Hide ques±on 13 feedback Question 14 (Mandatory) 1 / 1 point (Q014) Cool jazz was also known as FEEDBACK: Page 198 a) Dave Brubeck Quartet. b) Clifford Brown/Max Roach Quintet. c) Modern Jazz Quartet. d) Wes Montgomery’s Jazz Orchestra. FEEDBACK: Page 200-201 a) West Coast jazz. b) Kansas City jazz. c) Chicago jazz. d) hard bop.
2/11/24, 7:55 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137925/View 9/29 Hide ques±on 14 feedback Question 15 (Mandatory) 1 / 1 point (Q015) Hard bop tended to feature longer solos, in part because of Hide ques±on 15 feedback Question 16 (Mandatory) 1 / 1 point (Q016) Hard bop differed from cool jazz in preferring FEEDBACK: Page 192 a) the end of Prohibition. b) the invention of the LP (long-playing record). c) television. d) the Civil Rights movement. FEEDBACK: Page 202 a) complex, chromatic harmonies. b) light timbres and irregular meters. c) a direct connection with gospel and rhythm and blues.
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2/11/24, 7:55 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137925/View 10/29 Hide ques±on 16 feedback Question 17 (Mandatory) 1 / 1 point (Q017) Art Blakey was Hide ques±on 17 feedback Question 18 (Mandatory) 1 / 1 point (Q018) A "press-roll" is d) musicians from the West Coast. FEEDBACK: Page 201 a) a hard bop drummer. b) a founding member of the Gerry Mulligan Quartet. c) the leader of the Jazz Messengers. d) a hard bop drummer and the leader of the Jazz Messengers. FEEDBACK: Page 202-203 a) an intense rumbling on the snare drum. b) a harmonic substitution.
2/11/24, 7:55 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137925/View 11/29 Hide ques±on 18 feedback Question 19 (Mandatory) 1 / 1 point (Q019) In African American slang, the term "funky" originally applied to Hide ques±on 19 feedback Question 20 (Mandatory) 1 / 1 point (Q020) The career of this highly influential hard bop trumpet player lasted only four years, before he died in an automobile accident: c) a cool jazz countermelody used in arrangements. d) an arpeggio (sounding out all the notes of a chord). FEEDBACK: Page 203 a) a strong, foul odor. b) excellent cuisine. c) a catchy backbeat. d) the use of illegal drugs. FEEDBACK: Page 203 a) Miles Davis.
2/11/24, 7:55 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137925/View 12/29 Hide ques±on 20 feedback Question 21 (Mandatory) 1 / 1 point (Q021) Sonny Rollins plays the Hide ques±on 21 feedback Question 22 (Mandatory) 1 / 1 point (Q022) This hard bop musician, whose lengthy career was occasionally interrupted by brief sabbaticals devoted to practicing, recorded Saxophone Colossus in 1959: b) Roy Eldridge. c) Dizzy Gillespie. d) Clifford Brown. FEEDBACK: Page 204-205 a) trombone. b) tenor saxophone. c) clarinet. d) alto saxophone. FEEDBACK: Page 207-208
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2/11/24, 7:55 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137925/View 13/29 Hide ques±on 22 feedback Question 23 (Mandatory) 1 / 1 point (Q023) Sonny Rollins was influential in his use of Hide ques±on 23 feedback Question 24 (Mandatory) 1 / 1 point a) Sonny Rollins b) Wes Montgomery c) Clifford Brown d) Lee Konitz FEEDBACK: Page 207-208 a) block-chord riffs. b) the baritone sax. c) cadenzas. d) breathy, quiet timbres. FEEDBACK: Page 208
2/11/24, 7:55 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137925/View 14/29 (Q024) Following the lead of Charlie Christian, Wes Montgomery played the Hide ques±on 24 feedback Question 25 (Mandatory) 1 / 1 point (Q025) Among the techniques that Wes Montgomery developed was(were) Hide ques±on 25 feedback a) baritone saxophone. b) acoustic bass. c) electric guitar. d) electric piano. FEEDBACK: Page 210 a) playing solo lines with his thumb. b) intense distortion from feedback. c) the use of octaves. d) playing solo lines with his thumb and the use of octaves. FEEDBACK: Page 211
2/11/24, 7:55 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137925/View 15/29 Question 26 (Mandatory) 1 / 1 point (Q026) Ella Fitzgerald’s singing style Hide ques±on 26 feedback Question 27 (Mandatory) 1 / 1 point (Q027) With whose big band did Ella Fitzgerald sing at the beginning of her career? Hide ques±on 27 feedback a) featured her scat-singing. b) embellished and altered the melody in subtle and personal ways. c) was enhanced by her four-octave range. d) All of the answers are correct. FEEDBACK: Page 212 a) Fletcher Henderson b) Duke Ellington c) Chick Webb d) Count Basie FEEDBACK: Page 212
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2/11/24, 7:55 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137925/View 16/29 Question 28 (Mandatory) 1 / 1 point (Q028) The term "jazz" took on its present-day umbrella meaning in the aftermath of bop, when the multiplicity of styles required a unifying term. Hide ques±on 28 feedback Question 29 (Mandatory) 1 / 1 point (Q001) Listening Example 1 : "Vendome" Timing: 0:00-0:45 The texture at the beginning of "Vendome" is Hide ques±on 29 feedback True False FEEDBACK: Page 192 a) collective improvisation. b) block-chord texture. c) polyphonic texture. d) collective improvisation and polyphonic texture only.
2/11/24, 7:55 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137925/View 17/29 Question 30 (Mandatory) 1 / 1 point (Q002) The group performing "Vendome" is the Hide ques±on 30 feedback Question 31 (Mandatory) 1 / 1 point (Q003) The form of this excerpt of "Vendome" is FEEDBACK: Page 199 a) Modern Jazz Quartet. b) Miles Davis Nonet. c) Jazz Messengers. d) Dave Brubeck Orchestra. FEEDBACK: Page 199 a) 32-bar AABA form.
2/11/24, 7:55 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137925/View 18/29 Hide ques±on 31 feedback Question 32 (Mandatory) 1 / 1 point (Q004) The combination of classical and jazz influences in "Vendome" suggest it should be classified as Hide ques±on 32 feedback b) a combination of blues and pop song forms c) alternation between a fugue and a popular song. d) 24-bar ABAC form. FEEDBACK: Page 199 a) cool jazz. b) hard bop. c) Third Stream. d) soul jazz. FEEDBACK: Page 199
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2/11/24, 7:55 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137925/View 19/29 Question 33 (Mandatory) 1 / 1 point (Q005) The vibes player on this recording of "Vendome" is Hide ques±on 33 feedback Question 34 (Mandatory) 1 / 1 point (Q006) Listening Example 2 : "A Night in Tunisia" Timing: 1:16-1:46 Who is the trumpet soloist on this recording of "A Night in Tunisia"? a) Milt Jackson. b) John Lewis. c) Lionel Hampton. d) Art Blakey. FEEDBACK: Page 199 a) Miles Davis
2/11/24, 7:55 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137925/View 20/29 Hide ques±on 34 feedback Question 35 (Mandatory) 1 / 1 point (Q007) This improvised solo in this excerpt from "A Night in Tunisia" begins with Hide ques±on 35 feedback b) Dizzy Gillespie c) Clifford Brown d) Chet Baker FEEDBACK: Page 205 a) a break. b) a collective improvisation with the ensemble. c) an ostinato riff. d) a fugue. FEEDBACK: Page 205
2/11/24, 7:55 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137925/View 21/29 Question 36 (Mandatory) 1 / 1 point (Q008) The texture of this excerpt from "A Night in Tunisia" is Hide ques±on 36 feedback Question 37 (Mandatory) 1 / 1 point (Q009) At the end of this excerpt of "A Night in Tunisia," the trumpet soloist a) monophonic, followed by homophonic. b) homophonic, followed by polyphonic. c) polyphonic, followed by homophonic. d) monophonic, followed by polyphonic. FEEDBACK: Page 205 a) interrupts the steady rhythmic flow with polyrhythmic accents. b) uses multiphonics to increase the intensity.
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2/11/24, 7:55 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137925/View 22/29 Hide ques±on 37 feedback Question 38 (Mandatory) 1 / 1 point (Q010) The recording takes place in an informal, jam-session environment, suggesting that "A Night in Tunisia" should be thought of as part of the ____ tradition. Hide ques±on 38 feedback c) trades fours with the drummer. d) drops out. FEEDBACK: Page 205 a) bebop b) swing c) New Orleans d) boogie-woogie FEEDBACK: Page 205
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2/11/24, 7:55 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137925/View 23/29 Question 39 (Mandatory) 1 / 1 point (Q011) Listening Example 3 : "Autumn Nocturne" Timing: 4:18-4:48 and 0:00-0:30 The tenor sax player heard in "Autumn Nocturne" is Hide ques±on 39 feedback Question 40 (Mandatory) 0 / 1 point (Q012) For most of the performance of "Autumn Nocturne," the style of improvisation is Timing: 4:18-4:48 a) Charlie Parker. b) Gerry Mulligan. c) Clifford Brown. d) Sonny Rollins. FEEDBACK: Page 209 a) melodic paraphrase.
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2/11/24, 7:55 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137925/View 24/29 Hide ques±on 40 feedback Question 41 (Mandatory) 1 / 1 point (Q013) In this performance of "Autumn Nocturne", the soloist's ______ seem(s) dark and somewhat strained. Timing: 4:18-4:48 Hide ques±on 41 feedback b) harmonic improvisation. c) collective improvisation. d) modal improvisation. FEEDBACK: Page 209 a) timbre (or tone color) b) dynamics (or volume) c) use of harmonic substitutions d) use of 12-bar blues form
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2/11/24, 7:55 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137925/View 25/29 Question 42 (Mandatory) 1 / 1 point (Q014) In his last passage in this excerpt from "Autumn Nocturne," the soloist makes striking use of Timing: 4:18-4:48 Hide ques±on 42 feedback Question 43 (Mandatory) 1 / 1 point (Q015) The extended solo improvisation without accompaniment in this excerpt from "Autumn Nocturne" is called FEEDBACK: Page 209 a) harmonic dissonance. b) timbre variation. c) "playing outside." d) all of these FEEDBACK: Page 209
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2/11/24, 7:55 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137925/View 26/29 Hide ques±on 43 feedback Question 44 (Mandatory) 1 / 1 point (Q016) Listening Example 4 : "Blue Skies" Timing: 2:23-2:59 The female vocalist on this recording of "Blue Skies" is a) polyphonic improvisation. b) a cadenza. c) scat soloing. d) dropping bombs. FEEDBACK: Page 209 a) Billie Holiday. b) Ella Fitzgerald. c) Bessie Smith. d) Mary Lou Williams.
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2/11/24, 7:55 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137925/View 27/29 Hide ques±on 44 feedback Question 45 (Mandatory) 1 / 1 point (Q017) This excerpt of "Blue Skies" prominently features Hide ques±on 45 feedback Question 46 (Mandatory) 1 / 1 point (Q018) During this excerpt of "Blue Skies," the vocalist FEEDBACK: Page 213 a) scat-singing. b) collective improvisation. c) irregular meter. d) all of these FEEDBACK: Page 213
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2/11/24, 7:55 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137925/View 28/29 Hide ques±on 46 feedback Question 47 (Mandatory) 0 / 1 point (Q019) During the vocal solo in "Blue Skies," Hide ques±on 47 feedback a) sings with great range and pitch accuracy. b) drops out. c) uses monophonic texture. d) sings the lyrics verbatim. FEEDBACK: Page 213 a) the saxes and brass play in block-chord texture. b) the bass plays a walking bass line. c) the drummer accents the backbeat. d) All of the answers are correct.
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2/11/24, 7:55 PM - MUS112-N804: Introduction to Jazz - Central Piedmont https://brightspace.cpcc.edu/d2l/le/content/168117/viewContent/6137925/View 29/29 Question 48 (Mandatory) 0 / 1 point (Q020) Toward the end of this excerpt of "Blue Skies," the singer Hide ques±on 48 feedback Done FEEDBACK: Page 213 a) inserts a quote from another composition. b) trades fours with the drummer. c) sings a long glissando. d) inserts a quote from another composition and sings a long glissando only. FEEDBACK: Page 213
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