Describe the following images?

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Describe the following images?

**Berlin Fashion, after a drawing by Jeanne Mammen (1923)**

Jeanne Mammen (1890-1976) was a Berlin-born artist and graphic illustrator whose work helped define the city during the Weimar era. In the 1920s, she designed film posters for UFA (Universum Film AG) and published her work in fashion periodicals and popular satirical magazines such as *Simplicissimus, Ulk,* and *Uhu*. Her primary subject was women, whom she depicted in a variety of contexts and styles. Her oeuvre included portraits of stylish and socially assimilated garconnes and flappers, as well as explicit illustrations of prostitutes and women in Berlin’s lesbian bars. Her racier scenes appeared in *The Guide to “Naughty” Berlin (Führer durch das “lasterhafte” Berlin)* (1930) and in Magnus Hirschfeld’s *Moral History of the Post-War Period (Sittengeschichte der Nachkriegszeit)* (1931). The fashion print below, after a drawing by Mammen, appeared in *Die Modenschau* in 1923.

*(Image description: The illustration shows elegantly dressed figures, one male and two females, in 1920s fashion. They are depicted in a poised and stylish manner, reflecting the fashion and social milieu of that era.)*

**From Resurrection of the Lady by Paula von Reznicek (1928)**

Paula von Reznicek (1895-1976) was an internationally-ranked tennis player, journalist, and writer. In 1928, she published *Resurrection of the Lady (Auferstehung der Dame)*, an illustrated book that served as a kind of compendium of contemporary views on feminine identity. Among other points, Reznicek argued that women needed to participate in sports, which she viewed as energizing and life-affirming. Additionally, she encouraged the “resurrected lady” to take a more active role in social and public life, since male leaders had let women down.

*(Image description: The first image shows a woman boxing in a 1920s gym setting. The second image features a woman dressed in lingerie, using a phone while standing, with a pet dog curled up on a striped pillow beneath her. These images convey activity and leisure in women’s lives during the late 1920s.)*
Transcribed Image Text:**Berlin Fashion, after a drawing by Jeanne Mammen (1923)** Jeanne Mammen (1890-1976) was a Berlin-born artist and graphic illustrator whose work helped define the city during the Weimar era. In the 1920s, she designed film posters for UFA (Universum Film AG) and published her work in fashion periodicals and popular satirical magazines such as *Simplicissimus, Ulk,* and *Uhu*. Her primary subject was women, whom she depicted in a variety of contexts and styles. Her oeuvre included portraits of stylish and socially assimilated garconnes and flappers, as well as explicit illustrations of prostitutes and women in Berlin’s lesbian bars. Her racier scenes appeared in *The Guide to “Naughty” Berlin (Führer durch das “lasterhafte” Berlin)* (1930) and in Magnus Hirschfeld’s *Moral History of the Post-War Period (Sittengeschichte der Nachkriegszeit)* (1931). The fashion print below, after a drawing by Mammen, appeared in *Die Modenschau* in 1923. *(Image description: The illustration shows elegantly dressed figures, one male and two females, in 1920s fashion. They are depicted in a poised and stylish manner, reflecting the fashion and social milieu of that era.)* **From Resurrection of the Lady by Paula von Reznicek (1928)** Paula von Reznicek (1895-1976) was an internationally-ranked tennis player, journalist, and writer. In 1928, she published *Resurrection of the Lady (Auferstehung der Dame)*, an illustrated book that served as a kind of compendium of contemporary views on feminine identity. Among other points, Reznicek argued that women needed to participate in sports, which she viewed as energizing and life-affirming. Additionally, she encouraged the “resurrected lady” to take a more active role in social and public life, since male leaders had let women down. *(Image description: The first image shows a woman boxing in a 1920s gym setting. The second image features a woman dressed in lingerie, using a phone while standing, with a pet dog curled up on a striped pillow beneath her. These images convey activity and leisure in women’s lives during the late 1920s.)*
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