FW1-1 Indigo Petty

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Anthropology

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Apr 3, 2024

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Framing the Other Film Worksheet #1 ANTH 1150 Student’s Name: Indigo Petty (1) In 4-6 sentences, summarize the film, Framing the Other . Framing the Other follows a European tourist group, specifically a couple Holland, through their holiday in Ethiopia. The film takes the perspective of the Mursi tribe that gets paid to be photographed by the tourists. It details what their day-to-day actually looks like, and what they do to “play it up” for the tourists to pay more money. Because of the combined natural and socioeconomic issues, the Mursi have started to become very dependent on the tourists’ money for basic resources, and even dehumanizing themselves by making them an attraction to look at and pay for souvenirs. (2) Define, in your terms, the meaning of ethnocentrism and cultural relativism. Ethnocentrism is the idea of looking at other cultures through ONLY the lens of their own culture. Cultural relativism is looking at other cultures without preset standards on which to judge. Like for instance, hypothetically, thinking “In ___’s culture, they eat bugs, that’s so gross.” But on the other hand, cultural relativism would be like “I think it’s really cool that in ____’s culture, insets are used in many ceremonial delicacies,” and respecting other cultures even if they’re really different than our own. (3) Identify a scene/event from the film which best exemplifies ethnocentrism. (a) Make sure to add quotations, names of people involved, context of the scene, and a timestamp (at what minute it happened in the film). 00:02:40 – 00:04:11 Nadoni is describing a little bit about what she does in her daily life and some of the things they observe, or don’t observe, and then we cut to Nell talking about what (not who) she hopes to photograph at the village and what she wants to do with the print. Either this scene or the three minutes of screen time of Nell just whistling and cooing at the Mursi like they’re animals at a petting zoo.
(b) What was ethnocentric about this moment? Why is it problematic? What are the power relations between the person expressing ethnocentrism and others being represented? First and foremost, Nell’s thinking of the Mursi from the get-go was that these people are just an attraction to visit and see. Nell went to this village with the same intent that people go to the ‘Twenty Foot Gator’ booth at the state fair. She does not once for a second seem to think that she is going to just learn about the Mursi and their ways of living, instead she thinks of what kind of pictures she wants without asking any questions of the meanings behind their dress and accessorizing. What’s worse is that the Mursi has fully embraced the sort of pseudo dark tourism as the money they take is what keeps them alive at this point. They have started to become the attraction the tourists want to see, rather than the people they always were. (4) Imagine you were making a film about the Mursi. What would you do to avoid an ethnocentric portrayal? How might an ethnographic filmmaker represent the Mursi in a culturally relative manner? I would focus more so on the aspects of their daily life and how the Mursi live instead of on the show they put on to essentially survive. I’d get more thoughts and feelings that the Mursi have towards the tourists and maybe even their history. There is so much more to them than just what tourists want.
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