Exhibition

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Nov 24, 2024

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Surname 1 Student Name Professor Name Course Date The God that Failed Exhibition The exhibition that Philip Larratt-Smith curates at Hauser & Wirth in Zurich, between 9 th June and September 16 th 2023, is titled "The God that Failed." It dwells on thematic connections amongst different artists, creating a conversation between Bourgeois's Personages from 1946 to 1954 and paintings as well as illustrations by Newman as well as Rothko in that period. It weaves together intricate works of Louise Bourgeois and Barnett Newman, as well as Mark Rothko, three influential artists from the New York School. The exhibition theme revolves around authority and the crisis it endured in the postwar era. The title, "The God that Failed," signals a questioning of various ideas of authority, like the father figure, abstraction, psychoanalysis, sublime, and radical politics. This theme reflects the existential angst typical during that time. The works span various mediums, including sculptures by Louise Bourgeois, paintings by Barnett Newman, and paintings and drawings by Mark Rothko. While the specific artworks are not mentioned, the exhibition emphasizes the artistic evolution of these artists, notably their transition from biomorphic figuration to abstraction as well as geometry. My favorite such piece is titled "Genetic Moment," which is abstract and maps Newman's journey. The exhibition provides a compelling exploration of the artistic relationships and developments within the New York School. Through the inclusion of works by Bourgeois, Newman, and Rothko, the exhibition

Surname 2 offers viewers a chance to delve into the themes of authority and existential angst and witness the artistic transformations of these prominent artists during a pivotal period in their careers. Two prominent arts include: "Genetic Moment" by Barnett Newman (1947): Fig 1. Newman. Genetic Moment. 1947. Oil On Canvas. 96.5 x 71 cm / 38 x 28 in "Genetic Moment" is an abstract painting known for its bold employment of color and geometric forms, typical of Newman's style. The artwork consists of a large rectangular canvas with vertical stripes. Among the characteristics of "Genetic Moment" is its use of color. He utilizes a limited color palette, primarily black and white. This contrast evokes a solid visual impact enhancing the overall composition. The vertical stripes serve as focal points, drawing the viewer's attention and adding a sense of tension and depth to the artwork. Conceptually, "Genetic Moment" might reflect Newman's interest in discovering the essential elements of art and creation. The title suggests a connection to the origin or genesis, and the painting could be seen as an investigation of the basic building blocks of visual

Surname 3 representation. Although "Genetic Moment" is a significant work in the context of Newman's artistic development, the composition is relatively modest, and the limited color palette might not appeal to those who prefer more vibrant and dynamic artwork. Additionally, the abstract nature of the piece may present a challenge for viewers looking for representational or narrative elements in art. "Genetic Moment" is a noteworthy example of Newman's exploration of color and form. It invites contemplation and interpretation, but its simplicity and abstract nature may limit its accessibility to a broader audience. "Untitled (White, Yellow, Red on Yellow)" by Mark Rothko (1953): Fig. 2. Untitled. Mark Rothko in 1953. Oil on Canvas "Untitled (White, Yellow, Red on Yellow)" is an influential oil on canvas produced by Mark Rothko in 1953. It fits Rothko's signature style of large-scale color field paintings, known for their expansive, immersive qualities and contemplative nature. The artwork comprises a rectangular canvas with three horizontal bands of color: white, yellow, and red at the bottom. The

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Surname 4 shades are applied in broad, overlapping brushstrokes, evoking a sense of softness and blending between the layers. The overall effect is light and depth, as the colors emanate from within the canvas. Rothko's use of color is dominant in its impact. The preferred hues are intense and saturated, evoking emotional responses as well as creating a sense of atmosphere. The deliberate arrangement of the colors suggests a progression or journey, drawing the viewer's regard from the ethereal white to the vibrant red, while the yellow acts as an interim element. One of the defining characteristics of Rothko's color field paintings is their capability to elicit an emotional and spiritual experience. By immersing oneself in front of the artwork, the viewer is invited to contemplate the harmonious interplay of color and form. The absence of specific subject matter allows for a subjective interpretation, enabling a personal connection with the work.

Surname 5 Works Cited Barnett Newman. Genetic Moment. 1947, Hauser & Wirth, Zurich. https://vip- hauserwirth.com/works/newma124765/ Mark Rothko. Untitled (White, Yellow, Red on Yellow). 1953, Hauser & Wirth, Zurich https://vip-hauserwirth.com/works/rothk36207/

Exhibition

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