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Surname 1 Student’s Name Professor’s Name Course Date Questions from the Gilded Age Readings Essay question Question 1: The American Dream In "The New Colossus," Emma Lazarus critically reflects a sense of hope and opportunity in the United States during the Gilded Age. This can be seen from her famous lines, "Give me your tired, your poor, / Your huddled masses yearning to breathe free," (Lazarus lines 10-11). The above quote critically encapsulates the idea that America was a land of refuge and a place where immigrants sought a fresh start. This poem which is inscribed on the base of the “Statue of Liberty,” portrays the United States as a beacon of freedom and a symbol of opportunity for those escaping oppression and seeking a better life. On the other hand, Kate Chopin's short story "The Storm" provides a contrasting view of opportunities during the Gilded Age. While her story takes place in a more domestic setting, it critically explores the theme of forbidden desire and the pursuit of personal fulfillment. This can be seen through Calixta's affair with Alcée. This affair entirely represents a moment of passion and opportunity outside the confines of societal norms. The narrator says “So the storm passed and everyone was happy” (Chopin 99). As a result, Chopin’s portrayal suggests that opportunities for personal fulfillment, especially for women, might require defying conventional expectations and societal restrictions.
Surname 2 In contrast to both Lazarus and Chopin, Charlotte Perkins Gilman's "The Yellow Wallpaper" offers a critical perspective on opportunities for women in the Gilded Age. The protagonist's descent into madness is emblematic of the stifling and oppressive nature of the domestic role prescribed for women during this era. She says “John is a physician, and perhaps - (I would not say it to a living soul, of course, but this is dead paper and a great relief to my mind -) perhaps that is one reason I do not get well faster” (Gilman 78). This highlights the limitations placed on women's intellectual and creative pursuits, suggesting that the American Dream, as it existed in the Gilded Age, may not have been equally accessible to all, particularly women. Identification b) “A caged bird”: This phrase comes from “Caged Bird” a poem Maya Angelou. The phrase critically symbolizes the constraints and limitations imposed on individuals with a special focus to African Americans, by societal oppression and racism. As a result, the caged bird represents the longing for freedom, equality, and the desire to break free from the confines of discrimination. c) Fairly gnawed” bed nailed down to the floor: This phrase comes from “The Yellow Wallpaper ” by Charlotte Perkins Gilman. The quote critically symbolizes the oppressive and confining nature of the protagonist's domestic life and underscores her sense of entrapment and powerlessness in her marriage. Therefore, it is a poignant representation of the physical and emotional constraints imposed upon her and also reflects the larger theme of the subjugation of women in society during the Gilded Age. Quotation interpretation
Surname 3 “A mighty woman with a torch, whose flame/Is the imprisoned lightning, and her name/Mother of Exiles.” This quote is from “The New Colossus" by Emma Lazarus. It symbolizes the Statue of Liberty, representing the United States as a beacon of freedom and refuge for immigrants. Moreover, the quote underscores America's historical role as a land of opportunity and sanctuary for those seeking a better life. “I’ve got out at last,’ said I, ‘in spite of you and Jane! And I’ve pulled off most of the paper, so you can’t put me back!” This quote is from “The Yellow Wallpaper" by Charlotte Perkins Gilman. the narrator expresses a sense of triumph and defiance against her oppressive husband and societal expectations. It symbolizes her final break from her stifling domestic role, highlighting the theme of liberation and resistance in the story.
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Surname 4 Works Cited Gilman, Charlotte Perkins.   The yellow wall-paper and other stories . Oxford University Press, USA, 1998.