Jazz Appreciation Final

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School

University of Texas, Dallas *

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Course

6365

Subject

Arts Humanities

Date

Jan 9, 2024

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docx

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2

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Jazz Final Exam Part 2 Short Answers 1. Name the jazz eras in chronological order, and give the decade that each era began 1920s: Early Jazz 1930s: Swing Era 1940s: Bebop Early 1950s: Cool Jazz Late 1950s: Hard Bop 1960s: Modal/Free Jazz 1970s: Fusion 1980s: Neoclassical 3. Name 3 features of the Swing Era Big band instrumentation, Jazz’s most popular era, and Music for dancing 4. Name the three categories of John Coltrane’s recordings Giant Steps, Modal, and Free 5. Name the two eras discussed in class that used Collective Improvisation Early Jazz and Free Jazz 6. Why was Charles Mingus’ music “beyond category”? He combined elements from different jazz eras. Essays Part I: 1. Name the 5 categories of Miles Davis music as discussed in class. Briefly describe each category and give a representative song title for each category. The 5 categories of Miles Davis’ music are Hard Bop, Free/Fusion, Cool, Post Retirement Fusion, and Modal. The Hard Bop category had his “First Great Quintet” and highlighted the personalities of soloists, such as in the song “Trane’s Blues” from the album “Workin’”. His Free/Fusion category combined elements of Free Jazz and Fusion, such as in the song “Bitches Brew.” However, the reception of this music was controversial and divided. His Cool category had a mournful and dark tone, with long, dense sounds. A representative song in this category is “Summertime.” The Post Retirement Fusion category was when he returned to music with a different fusion band, where he seemed more precise and rehearsed. It was unlike his usual self, and a representative song is “Jean Pierre” from his “We Want Miles” album. In the Modal category, he emphasizes melody, rhythm, motivic development, and texture more than harmony, which is minimized. He changed his approach to improvisation (harmonic basis) so that one mode/scale is used for a long period. A representative song for the Modal category would be “So What” from his album “Kind of Blue.”.
Part II: 1. Name a jazz artist discussed in the course that you either liked or disliked. Give specific musical reasons that support your opinion. I particularly liked Louis Armstrong for his profound impact on the genre. Armstrong's innovative trumpet playing, characterized by its vibrant tone and inventive rhythm, brought jazz a new level of expressiveness and technical power. His skill in improvisation, especially his ability to create various melodies within a song's harmonic structure, was really intriguing. Additionally, his distinctive gravelly voice added a unique texture to his performances, making his vocal renditions as enjoyable as his trumpet playing. These elements combined to make Armstrong not just a masterful musician but a transformative figure in the evolution of jazz.
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