Movie analysis and comparisons Voyage week 7

docx

School

Pace University *

*We aren’t endorsed by this school

Course

154V

Subject

Arts Humanities

Date

Jan 9, 2024

Type

docx

Pages

Uploaded by MegaCat4063

1 Movie analysis and comparisons Voyage Part 1 - based on the Voyage - Analysis questions 1. Based on the Heroes, Villains, and Women paragraph, What is the Voyage movie about? The paragraph under "Heroes, Villains, and Women" gives a concise overview of the film "Voyage's" thematic components. While it does not give away too much of the film's storyline, it does hint that the usual suspects of heroes, villains, and ladies are all fair game. The film probably explores themes like the protagonists' trip or voyage, the obstacles they face, and the power women have in influencing the story. The paragraph suggests that "Voyage" may be a character-driven tale with numerous complicated roles and connections by implying a varied plotline that involves these iconic characters and their interactions. So far, we have analyzed all the movies we have seen only culturally, socially, politically, etc. However, Salanas doesn´t only focus on these topics but also on his idea, as he states that: “ Latin America cinema must cultivate its own identity and ensure that the Hollywood industries do not assimilate it.” (pg. 107). Based on this idea: 1. Explain the First, Second, and Third cinemas The term "First Cinema" is used to describe the mainstream, commercial films that were first produced by Hollywood and other Western film companies. These movies are made with the audience's enjoyment and financial success in mind, hence they often adhere to established narrative and visual patterns. They are criticized for their ability to reduce cultural variation and are sometimes considered as instruments of cultural imperialism. Second Cinema is a reaction to the pioneering works of First Cinema. It includes movies by independent and arthouse directors from Europe who wanted to do something different from the norm. Artistic and philosophical concerns were often at the center of these films, which sought to subvert conventional storytelling conventions. New Latin American Cinema was an artistic and political movement that emerged in part because of Second Cinema's efforts to provide alternative narratives and viewpoints. Filmmakers Fernando Solanas, Glauber Rocha, and Octavio Getino coined the phrase "Third Cinema" to characterize a radical new way of producing movies. Cultural and political identity are given a lot of weight, especially in post-colonial and emerging countries. The goals of Third Cinema include combating imperialism and uplifting underrepresented groups. A vehicle for social transformation and a stage for artistic protest. According to Salanas, the purpose of Latin American film is to represent and maintain Latin American cultural and political values, hence

2 Third film agrees with the concept that Latin American cinema has to nurture its own identity and stay different from Hollywood's influence. 2. Explain how he ensures that his movies cultivate and maintain his Latin American identity. Salana probably utilizes a number of techniques to guarantee that his movies foster and sustain a Latin American identity: Salanas may choose to create tales that are heavily influenced by Latin American history, culture, and social concerns. He contributes to the development of a unique Latin American cinematic character via his exploration of the region's specific themes and experiences. To achieve a sense of linguistic and artistic authenticity in his films, Salanas may employ Latin American languages and dialects. This attention to detail in language and design helps to establish rapport with the audience and highlights Latin American culture. Working with Regional Artists Working with regional actors, writers, and directors might help his movie seem more genuine. Salanas may emphasize working with persons who appreciate the intricacies and complexities of the area, thereby improving the Latin American cultural portrayal. Salanas's films may serve as political and social commentaries on pressing topics in Latin American society. He does more than just represent the true state of the area by bringing these issues into the light; he also opens up a critical debate that has the potential to aid in positive social change and the upholding of cultural traditions. Salanas may also take into account the ways in which his films are presented and disseminated. He might look for events and websites that highlight Latin American film in order to get exposure for his work without diluting its cultural roots. Analyze and explain the following statement that Solanas makes: “All my cinema is a reaction against Hollywood in which storyline and argument are more important than the person. I try to break from the traditional schemas imposed by television and Hollywood to make my own cinema in my own way”. (pg. 107) 1. Solanas is very vocal and open about his criticism of Hollywood films. Examine, based on the chapter reading, why he criticizes Hollywood filmmaking. Solanas critiques Hollywood cinema because it often promotes formulaic and commercially- driven tales, where the plot and arguments are frequently considered as more significant than the unique characters or their subjective experiences. Standardized story frameworks and genre tropes are often used in Hollywood films, which may hinder in-depth character development and the examination of unique identities. Solanas's complaints are probably grounded in his view that this method commercializes and standardizes film, turning it into a commodity. In contrast to

3 Hollywood's focus on commercial viability, he views film as a platform through which individuals may share their tales and genuine human experiences. 2. Explain some of the cinematic approaches Solanas uses in the Voyage that could be taken as an opposition to Hollywood’s aesthetics. Several of Solanas's cinematic methods and techniques might be seen as being in contrast to Hollywood's aesthetics, and this is reflected in his film "The Voyage" Storytelling that focuses on its characters rather than a conventional storyline is what Solanas is known for. In "The Voyage," he may put the emphasis where it belongs on the individuals themselves by letting their individual travels, feelings, and personalities take center stage, as opposed to Hollywood's preference for plot-driven stories. Hollywood tends to prefer a linear plot structure, although Solanas may use non-linear narrative tactics to shake things up. This may generate a more sophisticated and contemplative approach to storytelling, opposing the mainstream's inclination for plain narrative. It's possible that Solanas intends for his films to display a high level of realism and authenticity. This may include filming on location, utilizing non-professional performers, or focusing on social and political themes that are unique to Latin America. In comparison, Hollywood movies tend to have a more polished and glossy look. Cinematic Language: Solanas may utilize different cinematic language and visual elements that vary from Hollywood's aesthetics. Rather of following Hollywood norms, he may choose for unconventional building, illumination, and editing that better expresses his perspective. 3. Describe what “integrated identity” is in Solanas’ eyes. To Solanas, "integrated identity" probably means depictions of personal and cultural identities in his films that are honest and wholly their own. It might include a number of different things: Characters in his films may have a strong sense of personal and cultural identity, as the term "integrated identity" suggests they do. Their identities are not glossed over or treated as afterthoughts; rather, they are intrinsic to the plot, illuminating the depth of Latin American heritage and experience. Solanas may place an emphasis on recognizing and honoring the many different identities that exist in Latin America. Films may make an effort to include such differences, which may include language, ethnicity, and location, into their storylines. As a term, "integrated identity" may also refer to the merging of social and political identities. To better grasp the intricacies of Latin American society, Solanas' films may investigate the ways in which the identities of people are entangled with larger social and political concerns. Solanas uses very specific approaches to bring the Voyage to life. Approaches include music, political vision, mythical realism, good characters, surrealism, satire,

Your preview ends here

Eager to read complete document? Join bartleby learn and gain access to the full version

Access to all documents
Unlimited textbook solutions
24/7 expert homework help

4 parody, cartoons, symbols (oppression and hope), and even Che Guevara. Analyze and explain how each one of those approaches brings the argument and characters to life. The individuals and the debate in "The Voyage" are brought to life by Solanas's use of a variety of cinematic techniques. To generate feelings and emphasize the film's themes, music is used extensively. It has the potential to strengthen the emotional resonance and political resonance of the story's protagonists and antagonists. The film's examination of social concerns and political criticism are reflections of Solanas's strong political perspective. The characters become vehicles for delivering his vision, enabling the audience to interact with and examine these concepts. Using elements of mythological realism, the story becomes infused with magic and symbolism. It may provide dimension to the characters and the argument by tying them into broader cultural and historical tales. Complex, likable protagonists make it easier for readers to connect with their challenges and goals. This adds a human dimension to the discussion and supports the story's overall ideas. 1. Describe Solana's representation of women characters throughout the movie. It is probable that Solanas' portrayal of women in "The Voyage" is complex, much as the roles and adventures of women in Latin American culture. Women in the movie may represent a wide range of characteristics and play crucial parts in the plot. Women's involvement to social and political movements might be highlighted and conventional gender norms could be challenged if they are shown in these ways. Solanas's depiction of women as multifaceted and fluid conveys them and adds richness to the representation of gender in Latin American film. 2. Solana's journey to explore and express the fundamental social issues of ethnicity and nationality and national and individual identity is represented throughout the whole movie. Explain why these ideas could be/are so important, not only to him but to all Latin American inhabitants. Considering the historical and present significance of the themes, Solanas' examination of ethnicity, nationalism, and national and individual identity in Latin American film is very important. The history of colonialism, abuse, and cultural variety in Latin America is intricate. Filmmakers like Solanas may use their exploration of these topics to address long- standing concerns of social fairness, injustice, and cultural preservation. Recognition of the Indigenous, African, and European cultures that have all contributed to Latin America's unique identity is reflected in the importance placed on ethnicity and nationality. Solanas hopes that by exploring these topics, she may empower underrepresented

5 groups and inspire others to take pride in their ancestry. Identity politics at the national and personal levels connect with discussions of cultural imperialism from Hollywood and other global forces, as well as problems of independence and self-determination. This inquiry is vital for sustaining Latin American cultural originality and guaranteeing the area's cinematic representation stays loyal to its unique culture. Part 2 : 1. Complete the following information and chart based on the movie you watched: White Elephant a. Country: Argentina b. Timeline or year in which it is based: 2012 c. Director: Pablo Trapero Character Analysis 1. Julián: One of the film's central protagonists is a priest serving the poor in Buenos Aires's shantytowns; he goes by the name of Julián. His role acts as a beacon of optimism and altruism among the poverty and societal difficulties highlighted in the movie. The "white elephant" housing project, a vast, unfinished edifice, is a major part of the film, and Julián is sincerely devoted to bettering the lives of the underprivileged inhabitants who live there. Even in the face of enormous obstacles, he remains empathetic, patient, and steadfast in his objective to bring about good change. The centrality of Julián's character to the film's examination of societal concerns stems from the contrast he presents between his faith and the harsh reality of the society in which he works. 2. Luciana: Luciana, a fellow social worker in the same shantytown as Julián, offers a more secular and pragmatic strategy for

6 solving the community's issues. She is a multifaceted figure who is committed to doing what is right for the individuals she assists. Luciana is the kind of individual who will not back down from the social, political, or economic challenges that stand in the way of development for her community. Her role is crucial because it allows the film to more fully explore the tension between Julián's idealism and the realism of others who approach the problems from a more secular perspective. 3. Sosa: Sosa, a French physician, is a major character in the film because of his pivotal involvement at the shantytown clinic. He is a young, driven protagonist whose primary goal at first seems to be climbing the corporate ladder. However, as the plot unfolds, he changes in important ways. Involvement in the community's issues causes Sosa's attitudes and objectives to shift throughout the film. His story illustrates the possibility for development and transformation in the face of hardship and the transforming effect that working in such a demanding atmosphere can have on an individual. 2. Social issues criticized throughout the movie - Explain your answer The film "White Elephant" takes a critical look at a variety of social concerns that are relevant to the poor neighbourhoods of Buenos Aires. The video draws attention to the pessimism and despair felt by the people of these underprivileged neighbourhoods due to their poor living circumstances and limited access to essential services. It depicts the struggles of drug addiction, violence, and criminality that emerge under these conditions, illuminating the human cost of urban poverty. The film explores a variety of social issues through the eyes of its protagonists Julián, Luciana, and Sosa, including healthcare gaps, educational deficiencies, and the fight for equality in the face of adverse circumstances. 3. Political issues criticized throughout the movie As a critical look at political concerns, "White Elephant" focuses on the government's inability to deliver on its social

Your preview ends here

Eager to read complete document? Join bartleby learn and gain access to the full version

Access to all documents
Unlimited textbook solutions
24/7 expert homework help

7 - Explain your answer housing and infrastructure development promises. The "white elephant" housing project, a massive, unfinished edifice that hovers above the shantytown, serves as a strong emblem of bureaucratic ineptitude and political malfeasance. The video highlights the need for transparent government and a more appropriate strategy to urban planning by exposing the chasm between politicians' rhetoric and the unpleasant reality experienced by communities. It highlights the exploitation of marginalized groups for political benefit and prompts debate about the state's responsibility to solve structural problems. 4. Economic issues criticized throughout the movie - Explain your answer The film's condemnation of poverty and inequality is focused on economic concerns, and "White Elephant" does not shy away from highlighting these problems. The movie's protagonists face real-life problems including unemployment, inequality of opportunity, and worker exploitation. Similar to the real-world difficulties experienced by emerging countries, economic concerns are further complicated by the existence of international institutions and foreign interests. Individual economic decisions may effect bigger economic concerns, as shown by the film via Sosa's change and his willingness to engage in the well-being of the community. In order to end poverty permanently, resources and opportunities must be shared more equitably. 5. Other issues criticized throughout the movie - Explain your answer This section is required. MUST be completed Not only does "White Elephant" criticize the social, political, and economic systems, but it also explores bigger issues including the moral and ethical challenges encountered by people trying to make a difference in their communities. The film prompts contemplation on the relative weight of religious belief, benevolence, and self- interest in explaining the motivations of both individuals and groups. The book examines the conflict between idealism and realism, drawing attention to the complexity of social work in trying settings. In addition, "White Elephant" explores issues of multiculturalism and social cohesion, as people from all backgrounds work together toward a

8 common goal of bettering the town's citizens' quality of life. These bigger topics provide dimension to the film's investigation of social change and the human condition.

Movie analysis and comparisons Voyage week 7

Related Documents