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. In the "specious argument” in the latter scenes of the production that truly defines a Mondernist temperament, the Father declares that while a Character is always B-ToT 1LY oToTo \VARN 0 - Ta W 4 -\ o T- M g Te] o Jo e \VAR VL E R [oRYZ TR (g 1Ta L@ g [-W k=14 (-1 T4 [0 L IVER W E\A T g T ] o) MEEREA Lo Te [T 4 (g Lo g The father's demonstration gives the impression that the characters are just in a state of illusion. The reality in which a person lives is when he envisions himself as a kid and rejects all of those pointless illusions as useless. Although the reputation a performer may build for oneself, it is shown in the playwright's story that they are impotent without a role. The father in the play illustrates (g [SN e g1 [T To Lo P=Tot=To M o)V oJoT Yo o SR 19V [a [o R (o M o] (-T2 ¢ into the performing arts, where success is all-or-nothing and the performers are searching (o] g-Ta =1V (g le] M (o R ila I AR s Gl (eI SRR R A CR Ly [o] 8