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Draw 2 resonance structures for the following polyatomic anion: NCO– The C atom is bonded directly to the N atom and the O atom in this linear molecule. Be sure to show all lone pairs and nonzero formal charges present in each resonance structure that you draw. Each structure should only have one atom with a nonzero formal charge. Clearly indicate which of the 2 nonequivalent resonance structures that you draw is LEAST important.

Draw 2 resonance structures for the following polyatomic anion: NCO– The C atom is bonded directly to the N atom and the O atom in this linear molecule. Be sure to show all lone pairs and nonzero formal charges present in each resonance structure that you draw. Each structure should only have one atom with a nonzero formal charge. Clearly indicate which of the 2 nonequivalent resonance structures that you draw is LEAST important.

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ISBN:9781305957404
Author:Steven S. Zumdahl, Susan A. Zumdahl, Donald J. DeCoste
Publisher:Steven S. Zumdahl, Susan A. Zumdahl, Donald J. DeCoste
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Draw 2 resonance structures for the following polyatomic anion:

NCO–

The C atom is bonded directly to the N atom and the O atom in this linear molecule.  

Be sure to show all lone pairs and nonzero formal charges present in each resonance structure that you draw.  Each structure should only have one atom with a nonzero formal charge.

Clearly indicate which of the 2 nonequivalent resonance structures that you draw is LEAST important.

### Title: Visual Hierarchy in Design --- **Understanding Visual Weight and Importance in Design Elements** In designing visual content, it's crucial to understand how different elements are perceived in terms of importance. The following diagram illustrates the concept of visual hierarchy, which is the arrangement or presentation of elements in a way that implies importance. **Diagram Explanation:** The image above consists of two primary large squares and two smaller squares placed directly beneath them. Each larger square has a small double-headed arrow pointing towards the adjacent larger square. Below each smaller square, the text "LEAST IMPORTANT" is written in bold uppercase letters. 1. **Large Squares:** - These represent the most significant or primary elements in a design. - Their size suggests that they hold higher importance compared to the smaller squares. - The double-headed arrow between the large squares indicates a relationship or comparison between two primary important elements. 2. **Small Squares:** - Positioned below the larger squares, these smaller squares represent less significant or secondary elements. - Their relatively smaller size compared to the larger squares signifies that they are of lower importance. - The text "LEAST IMPORTANT" underscores this lesser significance. **Key Takeaways:** - **Visual Weight:** Larger elements often draw more attention and are perceived as more important than smaller ones. - **Relative Importance:** The size relationship between different elements can help guide the viewer’s attention and communicate which aspects are more critical. - **Hierarchy:** The visual hierarchy helps in structuring content effectively, ensuring that viewers process the information in the desired order. Designers utilize these principles to control the flow of information and emphasize the most critical parts of their visual content. By strategically assigning visual weight and establishing hierarchy, one can make designs that are not only aesthetically pleasing but also functionally informative.
Transcribed Image Text:### Title: Visual Hierarchy in Design --- **Understanding Visual Weight and Importance in Design Elements** In designing visual content, it's crucial to understand how different elements are perceived in terms of importance. The following diagram illustrates the concept of visual hierarchy, which is the arrangement or presentation of elements in a way that implies importance. **Diagram Explanation:** The image above consists of two primary large squares and two smaller squares placed directly beneath them. Each larger square has a small double-headed arrow pointing towards the adjacent larger square. Below each smaller square, the text "LEAST IMPORTANT" is written in bold uppercase letters. 1. **Large Squares:** - These represent the most significant or primary elements in a design. - Their size suggests that they hold higher importance compared to the smaller squares. - The double-headed arrow between the large squares indicates a relationship or comparison between two primary important elements. 2. **Small Squares:** - Positioned below the larger squares, these smaller squares represent less significant or secondary elements. - Their relatively smaller size compared to the larger squares signifies that they are of lower importance. - The text "LEAST IMPORTANT" underscores this lesser significance. **Key Takeaways:** - **Visual Weight:** Larger elements often draw more attention and are perceived as more important than smaller ones. - **Relative Importance:** The size relationship between different elements can help guide the viewer’s attention and communicate which aspects are more critical. - **Hierarchy:** The visual hierarchy helps in structuring content effectively, ensuring that viewers process the information in the desired order. Designers utilize these principles to control the flow of information and emphasize the most critical parts of their visual content. By strategically assigning visual weight and establishing hierarchy, one can make designs that are not only aesthetically pleasing but also functionally informative.
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