Charging $17.99 a month for an unlimited number of movie rentals (three at one time), Netflix revolutionized the movie rental business with a one-day mailing service for DVDs and acquired 12 million subscribers and $1.5 billion in revenue. However, Blockbuster, the video rental giant from the earlier $5.5 billion bricks-and-mortar movie rental business, decided to enter the mail-in delivery and online-DVD rental businesses. Blockbuster (now a division of Dish Network) drove prices down to $14.99, attracting 2 million subscribers. Netflix responded with a cut-rate service of one movie at a time for $9.99 per month, which drove the net profit right out of the business. Movie studios like Viacom and Time Warner also entered the market with direct-to-the-customer video on demand delivered over the broadband web. Following two months of theatre-only releases, the studios asked $20 to $25 per showing. This fee is five times what it costs to rent a second-run or classic movie from the cable companies and 10 times Netflix’s or Redbox’s SI.99 or SI fees for overnight rentals. At such exorbitant prices, the studios earn a 70 percent margin, but the –16.0 price elasticity of home entertainment suggests an eight-fold increase in volume for half-price promotions. On-demand broadband movies and Blu-ray are the only two growing segments of consumer demand for video (see Figure 10.12). 5.) What factor's determine the intensity of rivalry in any industry? Is the intensity of rivarlry in the video rental industry high or low? Why?
Charging $17.99 a month for an unlimited number of movie rentals (three at one time), Netflix revolutionized the movie rental business with a one-day mailing service for DVDs and acquired 12 million subscribers and $1.5 billion in revenue. However, Blockbuster, the video rental giant from the earlier $5.5 billion bricks-and-mortar movie rental business, decided to enter the mail-in delivery and online-DVD rental businesses. Blockbuster (now a division of Dish Network) drove prices down to $14.99, attracting 2 million subscribers. Netflix responded with a cut-rate service of one movie at a time for $9.99 per month, which drove the net profit right out of the business.
Movie studios like Viacom and Time Warner also entered the market with direct-to-the-customer video on demand delivered over the broadband web. Following two months of theatre-only releases, the studios asked $20 to $25 per showing. This fee is five times what it costs to rent a second-run or classic movie from the cable companies and 10 times Netflix’s or Redbox’s SI.99 or SI fees for overnight rentals. At such exorbitant prices, the studios earn a 70 percent margin, but the –16.0 price elasticity of home entertainment suggests an eight-fold increase in volume for half-price promotions. On-demand broadband movies and Blu-ray are the only two growing segments of consumer demand for video (see Figure 10.12).
5.) What factor's determine the intensity of rivalry in any industry? Is the intensity of rivarlry in the video rental industry high or low? Why?
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