Essay Response to Prompt 1.edited

docx

School

Rehman College of Rehabilitation Science Hayatabad, Peshawar (Dr of Physical Therpay 5 Years) *

*We aren’t endorsed by this school

Course

CREATIVE W

Subject

Philosophy

Date

Nov 24, 2024

Type

docx

Pages

3

Uploaded by MagistrateSnail3903

Report
**Essay Response to Prompt 1: Logical Fallacies in Goethe's Faust Part 1** *Introduction:* Faust, Part One by Johann Wolfgang von Goethe, is a literary masterpiece that transcends time and touches upon the essence of our existential angst as humans and the fight between good and evil. In this narrative, one can learn to discern occasions when characters reason using logical fallacies, which are forms of rhetoric that seek to deceive. Use of logical fallacy in Part One of Goethe's "Faust," where Mephistopheles' equivocation is employed, as well as Faust's false dilemma and Wagner's ad hominem attack, is used as a literary These fallacies deepen character representations in works, exposing character sub-themes that are hidden behind various plot twists. The narrative explores the eternal questions that mark human reality, making readers ponder the ultimate problem of what defines us as human. *Body Paragraphs:* *1. Mephistopheles' equivocation:* Mephistopheles' use of equivocation as a tool for deceit and connivance is a turning point in Goethe's Faust. In his dealings with Faust, Mephistopheles exhibits his innate prowess as an archetype of the devil, fed by the weaknesses inherent in humanity. To entice Faust into the contract, the devil cleverly uses veiled words full of vagueness and ambiguity to confuse and mislead his intended prey. As Mephistopheles artfully declares, "The meaning may be good, but then, the meaning is your own." ( Goethe) . By doing that, some mystique is created surrounding the pleasure at hand. The end remains unknown, and that means uncertainties on his side. Mephistopheles' equivocations have consequences that exceed Faust's initial decision-making and reverberate in the broader narrative as a metaphor for the moral uncertainty that shapes the entire work. Tricked by the wily logic of Satan, Faust is compelled to conclude that it is possible to live a life entirely of sensual satisfaction with no subsequent depravity into Hell's flames. First, Mephisto's dishonesty highlights that morality is unclear in this complicated story. Faust tragically succumbs in the end, and this happens because the deal could not be uncovered for what it was. Furthermore, the manipulation of language comes to constitute one of the most important thematic elements of the play, signaling directly the fate of Faust. This literary device makes the readers think about more significant ramifications of lying in life situations and the consequences when people fall prey to sweet but misleading promises.
*2. Faust's False Dilemma:* The false dilemma is all over Goethe's Faust, where it underpins the inner troubles of the protagonist, Faust, heightening the sophisticated essence of his psyche. Faust is caught up in the contradictory drives, including knowledge quest and the urge to enjoy ( ter Horst 449) . In presenting these aspirations as conflicting, the character commits the fallacy of false dilemma, one of the cognitive traps whereby we perceive life's complex phenomena overly simply. Notably, these two lines represent the inner conflict plaguing Faust at every moment, in which his consciousness constantly struggles between impossible alternatives. In the words of Faust, he indicates, "Two souls, alas, reside within my breast" ( Goethe) . This fake predicament of Faust acts like an artifice to his personality and adds further tragedy to the storyline. Through depicting these primary struggles, Goethe plunges into the intricacy of human character, highlighting the delicate blend of mindful endeavors and erotic needs. False dilemma manifests the constant conflict between the internal sides of human beings. While readers consider the fallacy in such reasoning, they should ponder what drives Faust to find himself in such a predicament; what pressures does society impose on Faust's psyche, forcing him to make such choices? This causes his inner conflict, which becomes a universal allegory for readers who are just as entangled by the complicated questions the world poses and inconstant needs. *3. Wagner's Ad Hominem Attack: * In Goethe's Faust, the character of Wagner is instrumental in introducing the ad hominem logical fallacy, significantly affecting the trajectory of intellectual conversation within the story. Wagner's criticism of Faust is not directed at the intellectual pursuits of Faust but towards the man's sanity and moral standing. However, such an approach must be more accurate since it distracts and undermines the gravity of the issues. Wagner uses the ad hominem to illustrate what may have been wider intellectual disputations or social difficulties. Wagner's disparaging words, "Your mood, I fear, is not the best; / And if I do not guess amiss, / You're haunted by the dread of madness," is an illustration of this concern ( Goethe) . Wagner's ad hominem attack reveals the narrative's analysis of how personal assumptions and unjustified personal insults may hinder actual intellectual dialogue. Wagner presents a typical mistake in an argument: he attacks Faust's character to win without considering the intellectual part of what Faust embarks on. Beyond this, however, it highlights the complexity associated with the intrinsic nature of Faust's personality, wherein he is often confronted with opposition based on intellectual arguments and personal enmity. This case also acts as a warning note to any genuine discussion that may be side- tracked. In this story, the Ad hominem attack made by Wagner becomes part of the intellectual and moral conflict theme. It challenges readers to consider fairness and intellectual integrity when seeking the truth. *4. Gretchen's Appeal to Emotion: *
The character Gretchen utilizes an emotionally driven plea to create a heartbreaking story in Goethe's Faust, where she commits a logical misstep, also known as the appeal to emotion. Gretchen uses this as an emotional strategy to influence the sentiments of the jury and other people around her that she might convince ( ter Horst 449) . The emotional appeal behind Gretchen's testimony centers on the personal sufferings inflicted upon her and her child, seeking empathy from spectator judges. This fallacious strategy becomes crucial in explaining the more profound outcomes of Faust's decisions and effects on unblemished lives such as Gretchen's. The appeal to emotion fallacy, as used by Gretchen, is an effective tool that enriches the interrogation of moral and psychological aspects underlying Faust's transformation. Gretchen's poignant cry, "Ah, at my bosom thou / Wast wont to find repose and bliss; / A mother's love thou once couldst know, / But, woe, alas, exchanged for this!" illustrates this situation ( Goethe) . Using these emotions, Gretchen shows how much the people suffer out of that thirst that brings them knowledge and personal desire. The fallacy here can be read as a comment on the more general aspects of Faust's deeds, which reveal how these emotions and moral choices are intertwined with the story. Gretchen's emotions evoke sympathy from the audience, revealing the connection between reason and feeling in constructing moral space for Faust. *Conclusion:* Finally, the study of these fallacies in Goethe's Faust, 1st part, manifests the complexities associated with the characters' motives and the broader themes inherent in the work. The characters' inner psychological states are manifested in their equivocal statements (Mephistopheles), fallacious reasoning (Faust), ad hominems (Wagner), and appeals to emotions (Gretchen). A logical fallacy is used deliberately, becoming a literary device pushing the plot and forcing the readers on the complexity of human silliness. Exploring different fallacies makes it timeless for readers to engage in the ever-lasting questions about being human. Work Cited Goethe, Johann Wolfgang.   Faust: a tragedy . Project Gutenberg, 2020. ter Horst, Eleanor. "Learning Fear: German Romanticism, Translation, and Goethe’s Faust: Faust, A Tragedy, Part I, by Johann Wolfgang von Goethe, translated by Eugene Stelzig, Lewisburg, PA, Bucknell UP, 2019, ix+ 231 pp." (2021): 449-456. https://www.tandfonline.com/doi/full/10.1080/10509585.2021.1944464
Your preview ends here
Eager to read complete document? Join bartleby learn and gain access to the full version
  • Access to all documents
  • Unlimited textbook solutions
  • 24/7 expert homework help