Essay On English Literature
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Essay on 20th Century English Literature
May 3, 2011
British Literature II Defining Literary Techniques of 20th Century English Literature During the
20th Century, much advancement and change occurred throughout English Literature. All of the
works we studied from this period were heavily influenced by current events in the world. The
writers all examined the world around them and tried to express it through their writings. The three
things that weave a common thread throughout all 20th Century English Literature are global
warfare, radical artistic experimentation, and the effects of colonial expansion. The first point of
global warfare is an easily identifiable and widespread one. All of the poetry we examined was
centered around warfare and the effects of it on
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It also uses magical realism as another form of artistic experimentation. In "The Moment Before the
Gun Went Off," the author Nadine Gordimer caught some flak for experimenting in her literature by
writing it about racism rather than focusing on the more feminist issues of the day, as were the norm.
She also wrote this story from several viewpoints, wanting to enable the reader to understand the
full scope of apartheid. One more literary experiment she incorporated was foreshadowing the twist
ending subtly throughout the entire story. Radical literary experimentation was a big part of 20th
Century English Literature. Lastly, the colonial expansion theme is perhaps the easiest and broadest
similarity to pick up on. Each story we studied is set in and has the culture of a foreign land. Usually
this land was one from England's massive colonial empire, but not always. Take "The Day They
Burned the Books" by Jean Rhys for example. This story being set in the Caribbean clearly shows a
foreign setting. They way the natives rebel in the story also brings out the oppressive nature of
colonialism and how they struggled against it. "Walker Brother's Cowboy" by Alice Munro is set in
depression era Canada and shows how the people struggled with the effects of colonialism even
during the Great Depression
. The third defining feature is possibly the greatest one of 20th Century
English Literature. In conclusion, the
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18th Century Literature Essay
18th Century Literature
The 18th century is a period of great literary works. The styles are different throughout the period,
but the unity of the work is still present.
Much of this period focused on public and general themes, until the Pre–
Romantic era when literary works began to focus upon personal expression. 18th century literature
can be broken down into three main parts: the Restoration, the Age of Pope, and Pre–Romantics.
The literature of the Restoration period covers a time span from
Charles's recovery of the throne to the years until the expulsion of James II in 1688 or until the death
of John Dryden in 1700. The literature of the
Restoration was characterized by
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This literary time period also included works from John Dryden, who used elegance and cleverness
in his writings. This period ended about 1700, and enabled a new age of literature.
In literary history, the first half of the 18th century is known as the
Age of the Pope. In this age, the writers expressed views of the public and restrained from writing
personal topics or expressions. In the Age of the Pope or the Neoclassical Age, most of the literary
themes were of social, political, and moral life. The Rape of the Lock and Epigrams by Alexander
Pope, and "A
Modest Proposal" and Gulliver's Travels by Jonathan Swift are some examples from the Age
of Pope or the Neoclassical age. Most of the literary works in this period used satirical styles to
express a concern in society. "Puffs, powders, patches, Bibles, billet–doux", from The
Rape of the Lock shows an example of pathos a satirical device used in this age of literature.
Jonathan Swift also uses satire in Gulliver's Travels to mock the Parliament, and in "Modest
Proposal" he writes about eating children as a solution to a socioeconomic problem. After the
writings, literature began to focus on private expressions rather than public thoughts and emotions.
The Age of Johnson or the Pre–
romantic era was shown in various ways.
Characteristics of the age included ballads, a new taste for ruins, Gothic
castles
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My Experience In Literature
I remember some of the first books I read as a child, before being introduced to the massive variety
of literature that can be found everywhere. I remember focusing on the images and drawings that the
illustrators made which brought these stories to life. I remember most significantly the author, Kevin
Henkes, and his different interpretations on dealing with solitude as a child. I remember relating to
the mice which he created within the stories. I remember imagining myself within the books, hoping
to join in on the endless adventures that the characters went on. I remember discovering my growing
interest in reading. I have never been someone who could get into a book without at first knowing
what I am jumping into. The idea of opening up a book, entering a world, not knowing what to
expect, always deterred me. But, fictional reading to me, has always brought to me a sense of
curiosity, for it pushes me to discover almost an entire new life through the eyes of another. All
throughout my childhood, my parents encouraged me to read as much as possible, where there was
never a time where we would not have a book checked out at the library near my house. We would
sit within the children's section of the library and just read. Whether reading Roald Dahl or R.L.
Stine, I was pulled into a whole nother world with each book that I read. It pushed me to imagine
what I now see as impossible and almost pushed me out of the reality which I was living in at the
time. I began my
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Essay on Romanticism In Literature
Romanticism In Literature
Romanticism in literature, began around 1750 and lasted until 1870. Different from the classical
ways of Neoclassical
Age(1660–1798), it relied on imagination, idealization of nature and freedom of thought and
expression.
Two men who influenced the era with their writings were
William Wordsworth and Samuel Taylor Coleridge
, both English poets of the time. Their edition of
"Lyrical Ballads';, stressed the importance of feeling and imagination. Thus in romantic
Literature the code was imagination over reason, emotion over logic, and finally intuition over
science. All of these new ways discouraged and didn't tolerate the more classic way of literature.
Other significant writers of the
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References to this can be found in
"Ode to Evening'; by William Collins, and "Elegy Written in a
Country Churchyard
'; by Thomas Gray
.
With the freedom that Romanticism brought came the broadening of the writers horizons. The
Middle Ages became topic of many stories and settings. The nostalgia of more Gothic times put
more exotic ideas into the author's minds. The supernatural became a substantial part of the
literature.
Outcomes of this new idea were "Lines Written a Few Miles Above
Tintern Abbey';, by Wordsworth, and "The Castle of Otranto';, written by Horace Walpole.
The world of the supernatural and exoticness was reinforced by two main things. One was pure
rebellion against the standards of the eighteenth–century rationalism, such as the structure of
neoclassical society. The second was the rediscovery of folk tales and ballads, particularly the ones
collected by Facob and Wilhelm Karl Grimm, also know as the Brothers Grimm.
These gave an inspiration to write many of the pieces of a supernatural nature for the writers of the
Romantic Age.
The Romantic Age started to lose it's glitter by the middle of the nineteenth–century. Literature
started to get serious again focusing on issues such as problems of religion and faith and politics of
the English democracy. Now instead of journeying to mythical places through the reading people
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Defining Literature Essay
The definition of literature has been discussed and argued over time and there is no precise answer
to be given. Any reader or author can define literature as whatever they wish it to be defined as. This
is more of an opinion of how one views certain pieces of work or writings and whether or not they
feel that is actually literature or not. Literature is any type of creative writing such as fiction or
poetry, for example. Literature is also any form of body of written works of language, which could
be from the English era or even as far back as the Shakespearean or Elizabethan era. It is also work
from a specific period or culture defining key elements or somehow relating to and/or expressing
how it is exactly from that time. The
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In her poem, "Dylan" in lines 4 and 5, she writes, "Her hair was a halo of warm light / and color
dripped off her tongue" (23). The reader can interpret just from those two lines the creativity and
imagination not only in that one poem, but also in all poetry. The description of hair being a halo of
warm light allows the reader to use his or her own imagination to perceive that image in whichever
way they would like. Creative writing can be determined by many other things not only image or
structure of how the poem is set into stanzas, but what is left up to the reader for interpretation.
Jewel writes in "Cautious" in lines 23–29, "an open vessel / whose function it was / to be filled /
until my consciousness / could return and / spit out / the bad seeds" (18). After reading these lines
the reader can be left with different feelings and emotions that vary from disgust or simplicity. This
is just another example of how poetry is creative writing. According to the American Heritage
Dictionary, literature is defined as being the body of written works of a language, period, or culture.
An author of any specific type of writing or works can include certain details pertaining to language
or other details, which allow the reader to develop a sensory image of that specific period or culture.
If the reader had no prior knowledge to the language, period, or culture of the writing he or she
would be reading, upon reading and analyzing
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The English Bildungsroman Essay
The English Bildungsroman
The novel has a strong tradition in English literature. In Great Britain, it can trace its roots back to
Daniel Defoe's Robinson Crusoe in 1719 (Kroll 23). Since then, the British novel has grown in
popularity. It was especially popular in Victorian England. The type of novel that was particularly
popular in Victorian England was the novel of youth. Many authors of the time were producing
works focused on the journey from childhood to adulthood: Charlotte Bronte wrote Jane Eyre,
George Eliot wrote The Mill on the Floss, and Charles Dickens wrote David Copperfield and Great
Expectations. All of these novels trace the growth of a child. In this respect, some of the most
popular novels of the nineteenth
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Similarly, the Bildungsroman is characterized by the growth, education, and development of a
character both in the world and ultimately within himself.
The Bildungsroman is subcategorized into very specific types of the genre, most often found in
German literature. There is the Entwicklungsroman, which can be defined as "a chronicle of a young
man's general growth rather than his specific quest for self–culture" (Buckley 13). In other words, a
story recounting a man's life rather than focusing on the inner changes that contribute to his
maturity. Another form within German literature is the Erziehungsroman; this form is primarily
concerned with the protagonist's actual educational process (Buckley 13). Again, the concern is not
the overall development of the main character, but a specific aspect of that character's life. Finally,
there is the Kunstlerroman. The root Kunstler translates as artist in English. Therefore, this is the
development of the artist from childhood until his artistic maturity, focusing on the man as artist
rather than the man in general. Dickens' David Copperfield and James Joyce's A Portrait of the Artist
as a Young Man are both examples of English Kunstlerroman, as the protagonists of both books are
writers (Buckley 13).
These categories, while strict within German literature, are more free within English literature
. For
the most part, it is (within English literature) a
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