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“Best in Show” Film Analysis
"Best in Show," a film directed by Christopher Guest and published in September 2000,
may be regarded as a remarkable comedy work that offers a distinctive perspective on the
representation of subcultures and countercultures within the framework of dog show contests
(Ebert, 10). Within canine exhibitions, a subculture materializes, characterized by its rules and
values that distinguish it from the broader societal context. The film provides a comedic
perspective through which one may examine the intricacies of these cultural phenomena. The
portrayal of subcultures emerges as a key thematic element throughout the film.
Individuals who own and have a strong affinity for dogs come together to establish a
collective group characterized by common interests, customary practices, and patterns of conduct
that revolve around the competitive domain of exhibiting their highly valued animal companions.
The subculture is enthusiastic about achieving canine superiority, establishing a distinct
framework of regulations and protocols that may seem idiosyncratic to others unfamiliar with its
practices. The video effectively captures the spirit of this particular subculture via its portrayal of
the distinctive rituals and terminology associated with dog shows. By showcasing the
prominence of grooming methods and conversations around pedigrees, the film provides
spectators with valuable insight into a world where these aspects play a central role.
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The film captures the dog show subculture's obsession with animal care and looks.
Breed-specific grooming techniques demonstrate this subculture's unique traditions. Sherri Ann's
thorough poodle grooming includes a two-hour session with a certified dog handler. This shows
how far people would go to prepare their pets for competitions. These events distinguish dog
shows and reflect the devotion and commitment beyond dog ownership. "Best in Show" uses
humor to highlight the fanaticism and oddities of dog show owners. The film satirizes and
analyzes the rise of a subculture in dog shows with its ideals, rituals, and obsession with
showcasing their beloved dogs.
The predominant culture is the diverse group of dog owners and caregivers. Pet
ownership is widespread in this society, where individuals enjoy and struggle with dogs. This
large dog-owning community has a subculture that loves showing canines in competitions. The
video depicts a subculture that evolved from dog ownership but is defined by a deep love of
animals. Dog show fans like Sherri Ann treat their pets like children. The video shows owners
who go to tremendous pains to treat their dogs as more than pets. Dog shows' competitive nature,
where winning is so satisfying, fuels the subculture's love of dogs. This subculture views dogs as
champions who can bring their owner's honor. This special bond turns the subculture into a
society focused on dog show success. These canines get special attention because their owners
are so dedicated to winning. The video depicts this subculture's rigorous grooming practices,
meticulous planning, and employing experienced handlers to display the dogs in the best light.
The prevalent practice within this particular culture is the ownership of animals, with a
particular emphasis on dogs. The history of caring for and appreciating animals is well ingrained
in culture, with individuals from many political, social, and economic backgrounds actively
participating in this practice. Societal norms and standards in the prevalent pet ownership culture
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define responsible and compassionate pet ownership. These conventions regulate how people
should respect and care for their pets. Responsible pet owners recognize the need for a healthy
diet, frequent veterinarian treatment, and love and attention. However, pet ownership has several
subcultures dependent on the animal one cares for. Cat owners belong to a separate culture, while
dog owners navigate the complex world of canine ownership. Each pet-owning subculture's
customs, rituals, and beliefs set it apart. By concentrating on dog show fans, the film shows how
these subcultures emerge inside the majority dog-owning society. The video explains how dog
shows develop inside pet ownership via painstaking grooming, specialized care, and competitive
goals. Despite its exclusivity, this subculture is founded in the majority ethos of responsible and
attentive pet ownership, with a competitive edge.
Pet ownership is firmly established in our culture, teaching children to be friendly to all
animals, whether their own or not. This culture emphasizes pet ownership's duty and care,
treating pets as family members. In the prevalent pet-owning culture, there are standards for
appropriate pet ownership. Love, attention, correct diet, and veterinary care are these standards.
Financial stability is essential to care for pets without financial burden (“BEST in SHOW
Review.”
Movieguide | the Family Guide to Movies & Entertainment,7)
. The movie "Best in
Show" is a comical yet realistic look at the problems of entering the dog show subculture without
considering their finances. The Flecks, a couple with a terrier puppy, are forced to downgrade
their hotel room since they don't have enough money. This shows the significance of financial
stability in pet ownership. While dog shows offer excitement and rivalry, the video indicates that
participation in the subculture demands economic stability beyond proper pet ownership. The
Flecks' misadventure shows the risks of deviating from pet ownership's financial stability-
focused mentality.
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Dog show contests provide these rules a unique taste by representing the specialized
realm of canine exhibiting. Watching "Best in Show," one can see how this subculture differs
from the mainstream pet-owning society. Dog shows have a tradition of meticulous grooming.
Owners take considerable pains to groom their dogs to meet show competition requirements.
Dog grooming becomes routine, reinforcing the subculture's focus on appearance. The standard
establishes anticipated activities and adds to the visual spectacle of dog shows. The film also
depicts a non-physical norm: treating pets like kings. Dog show owners treat their pups like
family, giving them extra care. Characters pamper their dogs throughout the film, stressing the
subculture's emotional bond and loyalty. I related to several of the movie's conventions rooted in
pet ownership's dominating culture. Responsible pet ownership includes regular grooming and
extreme care. However, subcultures like dog shows have more particular rules that meet the
competitive environment's needs. In addition, dog show owners are prepared to spend a lot on
training their dogs for competition. While the film exaggerates these expenses, the fact is that
competitive dog shows need a significant financial investment.
In conclusion, the "Best in Show" accurately and humorously portrays dog show culture.
Beyond the comic exaggerations, the video is an entertaining and educational look into
subcultures and their aspects. The movie's capacity to amuse and provide a view into dog shows
makes it helpful in understanding subcultures. Dog shows continue to draw fans, and this video
highlights their eccentricities and interests, making it an exciting and harmless subculture to
investigate. I highly suggest "Best in Show" to subculture enthusiasts since it mixes enjoyment
and knowledge. Satire is evident in exaggerated scenarios like a couple sending their dog to
therapy over worries about its exposure to their intimate moments. While pet therapy for such
situations may be unrealistic, the video shows dog show owners' profound care for their
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treasured dogs' emotional and physical well. The subculture's strong connection and care are
exaggerated for comedy. Movie competition sequences, especially backstage preparations, and
final grooming, are startlingly close to genuine dog shows. After seeing a dog show competition,
the film's representation matches the real thing. The video depicts the competitive world's
subtleties, from painstaking grooming to final backstage preparation, showing the subculture's
passion and attention to detail.
Works Cited
Ebert, Roger. “Best in Show Movie Review & Film Summary (2000) | Roger
Ebert.”
Https://Www.rogerebert.com/
,
www.rogerebert.com/reviews/best-in-show-2000.
Accessed 16 Nov. 2023
.
“BEST in SHOW Review.”
Movieguide | The Family Guide to Movies & Entertainment
, 13
Aug. 2012, www.movieguide.org/reviews/movies/best-in-show.html. It was accessed on
16 Nov. 2023.
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