Week 1 Projec4- Art Modern
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South University, Savannah *
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1002
Subject
Arts Humanities
Date
Jan 9, 2024
Type
docx
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6
Uploaded by ProfAlpaca2768
1
Week 1 Project
Ciara Mercado
South University
HUM1002-History of Art from Middle Ages to Modern Times
Professor Tammy Starzyk
December 4, 2023
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Week 1 Project
Early Renaissance (Fourteenth Century, 1300–1399):
Artist: Giotto di Bondone
Title: "The Lamentation"
Date: c. 1305
Medium: Fresco
Location: Scrovegni Chapel, Padua, Italy
Historical Facts:
Giotto is often considered a bridge between the medieval and Renaissance periods, and
"The Lamentation" reflects his break from the stylized Byzantine tradition.
This work is part of a series in the Scrovegni Chapel, showcasing the emotional intensity
and naturalism that foreshadows the Renaissance.
Depiction of the Human Figure:
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Giotto's figures exhibit more natural proportions and emotions, moving away from the
elongated and stylized forms of the medieval period. The use of chiaroscuro adds depth and
realism to the characters.
Northern European Renaissance (Fifteenth Century, 1400–1499):
Artist: Jan van Eyck
Title: "The Arnolfini Portrait"
Date: 1434
Medium: Oil on oak panel
Location: National Gallery, London
Historical Facts:
Van Eyck's mastery of oil painting is evident in this work, showcasing meticulous details
and symbolism.
"The Arnolfini Portrait" is believed to represent a wedding ceremony due to the intricate
symbolism, including the convex mirror and the dog.
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Depiction of the Human Figure:
Van Eyck's figures are detailed and realistic, reflecting the Northern Renaissance
emphasis on meticulous observation. The couple's clothing and the mirror contribute to the
narrative.
Italian Renaissance (Fifteenth Century, 1400–1499):
Artist: Sandro Botticelli
Title: "The Birth of Venus"
Date: c. 1484–1486
Medium: Tempera on canvas
Location: Uffizi Gallery, Florence, Italy
Historical Facts:
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Botticelli's "The Birth of Venus" is a masterpiece of mythological painting from the
Italian Renaissance.
Commissioned by the Medici family, the work reflects the revival of classical themes and
ideals during this period.
Depiction of the Human Figure:
Botticelli's Venus is an idealized figure, showcasing classical influences with her graceful
posture and idealized proportions. The flowing lines and ethereal quality convey a sense of
divine beauty.
Comparison and Contrast:
The depiction of the human figure evolved from the stylized, emotionally charged forms
of Giotto's "The Lamentation" to the meticulously detailed, symbol-laden portrayal in van Eyck's
"The Arnolfini Portrait" and finally to the idealized, classical beauty of Botticelli's "The Birth of
Venus." In the Northern Renaissance, artists focused on intricate details and symbolism, while
Italian Renaissance artists drew inspiration from classical antiquity, emphasizing idealized
proportions and grace.
Influencing Factors:
Factors influencing these changes include the rediscovery of classical texts and art,
advancements in techniques like oil painting, and the patronage of wealthy families supporting
artistic endeavors. The Northern Renaissance's emphasis on realism and symbolism may be
linked to the region's economic prosperity and burgeoning merchant class.
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References
Kliener, F. (2021).
Gardner’s art through the ages: The western perspective
(volume II (16th
ed.,)). Cengage.
https://digitalbookshelf.southuniversity.edu/reader/books/9780357939994/epubcfi/6/2[%
3Bvnd.vst.idref%3DM1]!/4/4/2%4051:1
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