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1102
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Arts Humanities
Date
Jan 9, 2024
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docx
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3
Uploaded by hochki13
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Brief Overview of Violin Growth depicted by Niccolò Paganini and Franz Liszt
Question 1
Their performance was engaging and interactive, with the audience participating in
special occasions. The influence of Niccolò Paganini was objective in integrating a situational
context using a violin (McMichael 3). This attracted the best out of Franz Liszt, whose rock
star music gained purpose and attraction (Friddle 2). Dynamic audiences attended their
shows, and their reaction to violin and rock star music depicted amusement and music
purpose.
Question 2
David Garett presents a similar approach to the virtuosic performance approach as
Paganini and Liszt. His mode of violin music by the German performance entices audiences
through tactical integration of modern music (McMichael 3). This showmanship by Garett is
traced back to a music school where professional teachers shared their knowledge to a
potential performer as a legendary violinist.
Question 3
A successful showmanship approach entails fundamental features which describe
David Garett’s virtuosic attributes. For instance, the music performer ensures deep
concentration, which allows him to connect with an audience using the violin. In addition, his
performances are memorable as Garett’s approach of integrating modern music with violin
sounds keeps his audience entertained (McMichael 3). Most fundamentally, his ability to
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engage the audience's emotions using a musical instrument makes his performances
significantly memorable.
Question 4
From a comparative overview, David Garett’s performance style depicts both
similarities and differences compared with Paganini. For example, the former integrates
modern music sounds with the violin making performance relevant and consistent. Similarly,
Paganini influenced Liszt’s rock music, which attracted a specific audience during the 19th
century (Friddle 2). However, their performances present imminent differences since Garett’s
approach can either require another artist or not. Paganini had to perform with Liszt to
maintain high entertainment levels among the audience.
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Works Cited
Friddle, David. "Franz Liszt and Hector Berlioz: Conducting, Interpretation and Two
Underappreciated Legacies 1."
American Choral Review
58.1 (2019): 1-13.
McMichael, Anna. “Violin Effects from the Early Nineteenth Century: the Extended
Techniques of Pierre Baillot.”
Nineteenth-Century Music Review
, 2021, pp. 1–22.,
doi:10.1017/S147940982000049X.
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