Engaging Art History Quizzes for Chapters 18 & 19

ART HISTORY QUIZZES CHAPTER 18 & 19  Question 1 5 out of 5 points Duccio's painted __________ for the Siena Cathedral is known as the Maestà (Fig. 18-10). Selected Answer: altarpie ce  Question 2 5 out of 5 points The ______________ erupted between France and England. Selected Answer: Hundred Years' War  Question 3 0 out of 5 points Which of the following probably influenced Giotto's emphasis on human empathy and emotion seen in his painting? Selected Answer: the writings of Cennino Cennini  Question 4 5 out of 5 points In Germany, devotional images, known as __________, inspired the worshipper to contemplate Jesus's first and last hours. Selected Answer: Andachtsbil der  Question 5 5 out of 5 points What characteristic introduced by the Parler family came to dominate central European architecture during the Renaissance? Selected Answer: intricately patterned vaults that unify interior space  Question 6 5 out of 5 points What factor contributed to the mystical religiosity in Germany during the fourteenth century that inspired images emphasizing both ecstatic joy and extreme suffering?

Selected Answer: famine, wars, and plagues  Question 7 5 out of 5 points __________ was commissioned to paint the Scrovegni (Arena) Chapel (Fig. 18-7). Selected Answer: Giott o  Question 8 5 out of 5 points The governing body for the city of Florence met in the __________. Selected Answer: Palazzo Della Signoria  Question 9 5 out of 5 points The Book of Hours of Jeanne d'Evreux by __________ contains special prayers to be recited during the day and into the evening. Selected Answer: Jean Pucelle  Question 10 5 out of 5 points Which artist in the court of Charles IV of Bohemia was known for combining his preference for substantial bodies, oversized hands and heads, and dour faces with the graceful quality of French Gothic style? Selected Answer: Master Theodoric  Question 11 5 out of 5 points Which naturalistic device did Hugo van der Goes use in the Portinari Altarpiece (Fig. 19-19)? Selected Answer: atmospheric perspective in the landscape  Question 12 0 out of 5 points What detail of the Mérode Altarpiece indicates that the scene of the Annunciation is a religious vision of the donors? Selected Answer: the turned pages of Mary's book

 Question 13 5 out of 5 points What element of Claus Sluter's Well of Moses (Fig. 19-3) signaled a break with the International Gothic style? Selected Answer: the individualized figures  Question 14 5 out of 5 points The printing technique of engraving probably derived from workers in what trade? Selected Answer: goldsmithi ng  Question 15 0 out of 5 points Which of the following was NOT a reason that the Flemish style of art became popular outside Flanders? Selected Answer: The influence of the Flemish court was powerful.  Question 16 5 out of 5 points Étienne Chevalier and St. Stephen (Fig. 19-21) and __________ by Jean Fouquet were originally the two wings of a diptych. Selected Answer: Virgin and Child  Question 17 5 out of 5 points The major work of the Limbourg brothers was __________ commissioned for Jean, the Duke of Berry. Selected Answer: the Tres Riches Heures (Very Sumptuous Book of Hours)  Question 18 0 out of 5 points How does an engraving differ from a woodcut? Selected Answer: A press must be used to transfer the image onto paper.  Question 19 5 out of 5 points

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A contemporary of Robert Campin, __________, was a painter of renown in the court of Philip the Good. Selected Answer: Jan van Eyck  Question 20 5 out of 5 points A __________ was a selection of prayers and readings to be used in daily prayer and meditation; it also included a calendar of holy days. Selected Answer: Book of Hours CHAPTER 20 AND 21 Question 1 5 out of 5 points Which sculpture by Donatello embodies the ideal of the condottieri during the Renaissance? Selected Answer: Equestrian Statue of Erasmo da Narni (Gattamelata) (Fig. 20-15) Question 2 5 out of 5 points Through careful formal correspondences in the Baptism of Christ (Fig. 20-30), Piero della Francesca created _____________ which characterizes his art. Selected Answer: calm and peaceful stasis Question 3 5 out of 5 points Pollaiuolo's primary concern in The Battle of the Nudes (Fig. 20-36) seems to have been ______________. Selected Answer: the detailed analysis of anatomical form and movement Question 4 5 out of 5 points What fostered the extensive production of art in Florence during the fifteenth century? Selected Answer: all of the above

Question 5 5 out of 5 points A city of waterways, __________, emerged as a major Renaissance art center in the latter part of the fifteenth century. Selected Answer: Venice Question 6 5 out of 5 points In The Battle of San Romano (Fig. 20-1), Uccello arranged every detail of the intense fighting to conform with ____________. Selected Answer: linear perspective Question 7 5 out of 5 points Wealthy patrons of the arts, like Federico da Montefeltro, often had a __________ in their residence, a room for private conversation and the collection of fine books and art objects. Selected Answer: studiolo Question 8 5 out of 5 points Pollaiuolo's Battle of the Nudes (Fig. 20-36) is a(n) ____________________. Selected Answer: engraving Question 9 5 out of 5 points __________'s keen understanding of linear perspective can be appreciated in his frescoes in the Camera Picta (Fig. 20-32). Selected Answer: Mantegna Question 10 5 out of 5 points The figure of ____________ was important in Florence as a symbol of a citizens' resolve to oppose tyrants, regardless of their superior power. Selected Answer: David Question 11 5 out of 5 points The ________________ of Fontana's Noli me Tangere (Fig. 21-35) is typical of Late Mannerist painting.

Selected Answer: diagonal plunge into depth Question 12 5 out of 5 points Leonardo's famous drawing of a man inscribed within a circle and a square derives from his study of the Roman architect _________. Selected Answer: Vitruvius Question 13 5 out of 5 points The Last Supper (Fig. 21-3, Fig. 21-4) by Leonardo da Vinci was painted at a monastery in __________. Selected Answer: Milan Question 14 5 out of 5 points What was the function of the exquisitely crafted sculpture with figures of Neptune and Earth that Cellini made for the King of France? Selected Answer: It was a dispenser for salt and pepper. Question 15 5 out of 5 points Several changes, including ___________ in the final product suggest that tapestry weavers did NOT slavishly follow Raphael's cartoons. Selected Answer: making Christ's garment more elaborate Question 16 5 out of 5 points Raphael's portrait of Maddalena Strozzi imitates _____________. Selected Answer: the Mona Lisa Question 17 5 out of 5 points ____________ was the first pope to pursue church reform in response to Protestants. Selected Answer: Paul III Question 18 5 out of 5 points Charles V was elected __________ in 1519. Selected Answer: Holy Roman Emperor Question 19

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5 out of 5 points A variant of chiaroscuro, Leonardo's _____________ is characterized by subtle transitions between light and dark in shading. Selected Answer: sfumato Question 20 0 out of 5 points How does Michelangelo's David differ from the classical sculpture that inspired it? Selected Answer: the figure's muscular physique CHAPTER 22  What image from the Isenheim Altarpiece (Fig. 22-5, Fig. 22-6) emphasizes human emotion and suffering through Grunewald's graphic realism? Selected Answer: the Crucifixion Correct Answer: the Crucifixion  Question 2 5 out of 5 points Why did painters in the Netherlands begin producing smaller-scale paintings during the sixteenth century? Selected Answer: Patrons wanted paintings appropriate for homes. Correct Answer: Patrons wanted paintings appropriate for homes.  Question 3 5 out of 5 points The Flemish artist __________ found favor in France as the royal portrait painter. Selected Answer: Clou et

Correct Answer: Clou et  Question 4 5 out of 5 points What motivated the building of many lavish country residences in England during the sixteenth century? Selected Answer: newly created aristocrats wanting to display their wealth and status Correct Answer: newly created aristocrats wanting to display their wealth and status  Question 5 5 out of 5 points Juan de Herrera was the second architect on __________. Selected Answer: The Escorial Correct Answer: The Escorial  Question 6 5 out of 5 points Landscape painting became popular among ____________ in the sixteenth century because, although it had no overt religious content, it could be seen as a reflection of God's works on earth. Selected Answer: Protesta nts Correct Answer: Protesta nts  Question 7 5 out of 5 points In the Netherlands, the sixteenth century was an age of religious and political __________. Selected Answer: confli

Correct Answer: confli ct  Question 8 5 out of 5 points Dürer openly expressed his ______________ in the Four Apostles (Fig. 22-9). Selected Answer: Lutherani sm Correct Answer: Lutherani sm  Question 9 5 out of 5 points Although Martin Luther never supported __________, many Protestant zealots destroyed sculpture, stained glass, and religious paintings they felt was idolatrous. Selected Answer: iconocla sm Correct Answer: iconocla sm  Question 10 5 out of 5 points Nicholas Hilliard was a renowned painter of __________. Selected Answer: miniatur es Correct Answer: miniatur es  Question 11 5 out of 5 points The Edict of __________ granted toleration to Protestants. Selected Answer: Nant es

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Correct Answer: Nant es  Question 12 5 out of 5 points Lucas Cranach the Elder was the favorite painter of __________. Selected Answer: Luth er Correct Answer: Luth er  Question 13 0 out of 5 points The entrance hall at Hardwick Hall (Fig. 22-30) includes all of the following decorative details EXCEPT: Selected Answer: a set of Flemish tapestries Correct Answer: mosaic floors in the Roman style  Question 14 5 out of 5 points The German-born painter Hans Holbein shaped the tastes of the ____________ courts. Selected Answer: Englis h Correct Answer: Englis h  Question 15 5 out of 5 points Foreign influence appears most prominently in what art form of England during the sixteenth century? Selected Answer: visual art

Correct Answer: visual art  Question 16 5 out of 5 points __________ carved an altarpiece for the Abbey of Saint Anthony in Isenheim. Selected Answer: Hagena uer Correct Answer: Hagena uer  Question 17 5 out of 5 points Dürer's The Four Horsemen of the Apocalypse (Fig. 22-7) is a(n) __________. Selected Answer: woodc ut Correct Answer: woodc ut  Question 18 5 out of 5 points How did the development of an art market impact artists in Antwerp? Selected Answer: They began to specialize in specific genres. Correct Answer: They began to specialize in specific genres.  Question 19 5 out of 5 points What did Dürer see on his trip to Italy in 1494 that is clearly reflected in his Self- Portrait of 1500 (Fig. 22-1)? Selected Answer: a conception of artists as noble intellectuals

Correct Answer: a conception of artists as noble intellectuals  Question 20 5 out of 5 points The important role of women patrons during the Renaissance is particularly evident at __________. Selected Answer: Chenonc eau Correct Answer: Chenonc eau CHAPTERS 24-27  Question 1 5 out of 5 points The Taj Mahal (Fig. 24-1, Fig. 24-10) was commissioned as a __________ for the emperor's wife. Selected Answer: mausole um  Question 2 5 out of 5 points __________ is the bodhisattva of greatest compassion. Selected Answer: Avalokiteshv ara  Question 3 5 out of 5 points Viewing themselves as defenders of the faith, the Hindu rulers in the south expressed their religious zeal, as well as secular power, by building enormous temple complexes, such as the __________. Selected Answer: Minakshi-Sundareshvara Temple (Fig. 24-4)  Question 4 5 out of 5 points Before the fourteenth century, most painting in India had been on __________ or __________.

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Selected Answer: walls; palm leaves  Question 5 5 out of 5 points The emperor, __________, commissioned the Taj Mahal (Fig. 24-1, Fig. 24- 10) and is thought to have had a major part in overseeing its design and construction. Selected Answer: Shah Jahan  Question 6 5 out of 5 points The symmetrical layout of the Forbidden City intentionally emphasizes the emperor's role as _____________, who maintains the cosmic order from his throne in the center of the world. Selected Answer: the Son of Heaven  Question 7 5 out of 5 points Who was the primary audience of literati paintings? Selected Answer: close friends and scholars  Question 8 5 out of 5 points A major literati painter from the Ming period, _________ painted Poet on a Mountaintop and composed a poem to accompany it. Selected Answer: Shen Zhou  Question 9 5 out of 5 points Among silhak painters, __________ typically depicted aristocratic figures in native Korean garb, as in Picnic at the Lotus Pond (Fig. 25-20). Selected Answer: Sin Yunbok  Question 10 5 out of 5 points The decorative arts, especially __________, thrived during the Ming dynasty. Selected Answer: porcela in

 Question 11 0 out of 5 points Why did eighteenth-century artists in Kyoto begin to use Western methods of shading and perspective? Selected Answer: Commodore Perry opened Japanese ports allowing for greater access to Western art  Question 12 5 out of 5 points The highly disciplined samurai of the Muromachi period particularly admired the austere ideals of __________. Selected Answer: Zen Buddhism  Question 13 0 out of 5 points What influence was introduced into Japanese ink painting during the Muromachi period? Selected Answer: Zen Buddhism's emphasis on historical figures  Question 14 5 out of 5 points __________ was the first artist to design woodblock prints to be printed in more than one color. Selected Answer: Suzuki Harunobu  Question 15 5 out of 5 points Maruyama Okyo perfected methods to incorporate western shading and perspective into his mid-eighteenth century paintings of a more native Japanese decorative style. Who was his most famous pupil? Selected Answer: Nagasawa Rosetsu  Question 16 5 out of 5 points The __________ abruptly changed life on the Great Plains in 1869. Selected Answer: railw ay  Question 17 5 out of 5 points

Northwest painting and weaving images are composed of two basic elements: the __________ and the formline. Selected Answer: ovoi d  Question 18 5 out of 5 points What did the Navajo find most controversial about shaman-singer Hosteen Klah's woven tapestries? Selected Answer: He was incorporating images from sand-paintings into his weavings.  Question 19 0 out of 5 points Aztec religion was based on __________. Selected Answer: idolat ry  Question 20 5 out of 5 points Woodlands art focused on personal adornment and fragile arts such as __________. Selected Answer: quillwo rk CHAPTER 28  Question 1 5 out of 5 points People in the Marshall Islands relied on stick charts called wapepe or mattang (Fig. 28-9), which ____________. Selected Answer: all of the above  Question 2 5 out of 5 points The structure of the Maori meetinghouse ( whare nui) stands on an open plaza called a ____________. Selected Answer: mar ae  Question 3

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5 out of 5 points What feature is NOT characteristic of Polynesian art objects? Selected Answer: They are made of ephemeral materials.  Question 4 5 out of 5 points The Asmat culture's production of Bisj spirit poles reflects their belief that _______________. Selected Answer: Relatives must avenge the death of their ancestors.  Question 5 5 out of 5 points What natural resource was used by the people of Nan Madol to construct an architectural complex of 92 artificial islands set within a network of canals that was protected by massive seawalls and breakwaters? Selected Answer: basalt from nearby cliffs  Question 6 5 out of 5 points The people of New Ireland, Papua New Guinea create a special structure called a Malagan Display (Fig. 28-7) to house elaborately carved and painted sculptures for what purpose? Selected Answer: honor the dead  Question 7 5 out of 5 points Loosely woven netted work bags called bilum (Fig. 28-5) indicate __________ among the Wahgi tribe of New Guinea. Selected Answer: whether a woman is eligible to marry  Question 8 0 out of 5 points How might the use of tufa in the production of moai reflect their function as memorials to ancestral chiefs? Selected Answer: It can be carved with great detail.  Question 9 0 out of 5 points

The wooden design tablet used by Samoan artists to create siapo bark cloths is called a(n) ______. Selected Answer: tap a  Question 10 5 out of 5 points Maori men in New Zealand prized __________ and considered it to have sacred powers. Selected Answer: jadei te  Question 11 5 out of 5 points The "Time of the Tubuan" ceremony (Fig. 28-8) in New Britain involves all of the following EXCEPT ____________________. Selected Answer: a ceremony related to a headhunting raid  Question 12 5 out of 5 points Which Micronesian site known for its extensive architectural complex had been abandoned before Europeans discovered it in the nineteenth century? Selected Answer: Nan Madol  Question 13 5 out of 5 points The bargeboards in the Maori meeting house are symbolic of the outstretched arms of the tribe's __________. Selected Answer: founding ancestor  Question 14 5 out of 5 points What restrictions apply to paintings sold by Aboriginal artists in the central and western Australian desert? Selected Answer: They only depict stories that can be known by uninitiated audiences.  Question 15 5 out of 5 points The people of New Guinea are as __________ as its lands.

Selected Answer: diver se  Question 16 5 out of 5 points What element of tattooing is most sacred to people of the Marquesas islands? Selected Answer: the process of shedding blood  Question 17 5 out of 5 points A yam cult has a __________ place in Abelam society. Selected Answer: centr al  Question 18 5 out of 5 points What is unusual about women's role in the construction of Maori meeting houses? Selected Answer: Ritual prohibitions prevent them from entering the building.  Question 19 5 out of 5 points The Maori tradition of building a large wooden meeting house evolved after _______________. Selected Answer: contact with Westerners  Question 20 5 out of 5 points Raharuhi Rukupo was a nineteenth-century master __________ of the Maori. Selected Answer: carv er CHAPTER 29-30  Question 1 0 out of 5 points When first carved, nkisi nkonde are __________, but then gain power through use. Selected Answer: toy s

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 Question 2 5 out of 5 points Olodumare of the __________ peoples is almost never depicted or portrayed in art. Selected Answer: Yorub a  Question 3 5 out of 5 points The __________ care for a spirit spouse in hopes that life unfolds more smoothly. Selected Answer: Baul e  Question 4 5 out of 5 points The Nankani people have gender-specific projects when creating domestic architecture. Men build the structures, what main role do women undertake? Selected Answer: decorate the structure  Question 5 0 out of 5 points How were colonialist administrators in the Congo and Angola depicted in the art of the Nkanu peoples? Selected Answer: hieratic scale suggested their colonialist authority  Question 6 5 out of 5 points Why do many African cultures emphasize the importance of maintaining relationships with ancestral spirits? Selected Answer: They could cause harm if they are displeased.  Question 7 5 out of 5 points What is the function of nkisi nkonde ? Selected Answer: It is an object that harnesses powers that will alleviate the specific problems of its owner.  Question 8 5 out of 5 points

The Fang people use what type of wooden sculpture as a point of mediation between ancestors and the living? Selected Answer: reliquary guardian  Question 9 5 out of 5 points Why are major deities rarely depicted in African art? Selected Answer: Deities are too far removed from the everyday problems of people.  Question 10 5 out of 5 points Olowe of Ise was a highly regarded __________ woodcarver. Selected Answer: Yorub a  Question 11 5 out of 5 points What aspect of Bwa initiation rites developed in response to the threat of slave raiders in the nineteenth century? Selected Answer: the use of wooden masks with geometric designs  Question 12 5 out of 5 points Considered among the great masterpieces of African art, bieri sculptures served what function in Fang society? Selected Answer: All of the above.  Question 13 0 out of 5 points Performed as part of __________ for men in the Kuba region, the Ngady mwaash masquerade reflects the culture's gender roles. Selected Answer: initiation ceremonies  Question 14 0 out of 5 points The Yoruba Palace Door by Olowe of Ise (29-20) depicts _____________. Selected Answer: all of the above

 Question 15 5 out of 5 points What does the term Erie Ibeji mean? Selected Answer: image of a twin  Question 16 5 out of 5 points Thomas Gainsborough's style of portraiture reflects the influence of ____________. Selected Answer: Flemish artists such as Van Dyck  Question 17 5 out of 5 points English artist William Hogarth believed that art should contribute to ______________. Selected Answer: the moral improvement of society  Question 18 5 out of 5 points Goya hoped to connect his Family of Charles IV (Fig. 30-43) to _____________? Selected Answer: an earlier Spanish royal portrait  Question 19 5 out of 5 points Which country embraced Gothic Revival architecture in the early nineteenth century as symbolic of its national tradition? Selected Answer: Engla nd  Question 20 5 out of 5 points Becoming one of the most important stops on the Grand Tour, Cardinal Albani built the Villa Albani to _____________. Selected Answer: display his vast collection of antique artifacts  Question 21 5 out of 5 points

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With his success as a moralizing painter, the artist __________ was able to give up portraiture, which he considered a deplorable form of vanity. Selected Answer: Hogar th  Question 22 5 out of 5 points The academicians were so impressed with Watteau's Pilgrimage to the Island of Cythera that they created a new category of painting for it called ___________. Selected Answer: fête galante  Question 23 5 out of 5 points In England, __________ played a significant role in the production of silver during the Georgian period. Selected Answer: wom en  Question 24 5 out of 5 points __________ were really only honorary members of the academies. Selected Answer: Wom en  Question 25 5 out of 5 points Rococo paintings reflected the aristocratic life of leisure and pleasure in subjects taken from __________. Selected Answer: classical love stories  Question 26 5 out of 5 points How do the landscape paintings of John Constable evoke themes of Romanticism in art? Selected Answer: the nostalgic emphasis on nature as idyllic and untouched  Question 27 5 out of 5 points The most successful producer of __________ decorative arts was Wedgwood.

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Selected Answer: Neoclassi cal  Question 28 5 out of 5 points When she moved to London, Angelica Kauffmann was welcomed into the inner circle of artist __________. Selected Answer: Joshua Reynolds  Question 29 5 out of 5 points __________ developed in France when the regent of Louis XV moved the French court from Versailles to Paris. Selected Answer: Rococ o  Question 30 5 out of 5 points What about Ingres's work in the early nineteenth century demonstrates the ongoing interest in Neoclassicism? Selected Answer: his academic line and formal structure CHAPTER 31-32  Question 1 5 out of 5 points While most of the Impressionists were born in France, Mary Cassatt was born in __________. Selected Answer: Ameri ca  Question 2 5 out of 5 points Important to the works of Seurat _________ observed that adjacent objects cast reflections on their neighbors and create the effect of their complementary color. Selected Answer: Michel-Eugène Chevreul  Question 3 5 out of 5 points

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Although known best for his lithographed posters, Toulouse-Lautrec's organic forms and hand-drawn letters can be linked most closely to which art movement? Selected Answer: Art Nouveau  Question 4 5 out of 5 points During the nineteenth century, who were major patrons of the arts? Selected Answer: industrialists and entrepreneurs  Question 5 5 out of 5 points Winslow Homer employed an unadorned realism in depicting the heroic struggles of ____________. Selected Answer: the working poor  Question 6 5 out of 5 points Cézanne's professed aim of painting was to ______________. Selected Answer: make of Impressionism something solid and durable  Question 7 5 out of 5 points Manet's Olympia (Fig. 31-18) was based on a(n) __________ Renaissance source. Selected Answer: Italia n  Question 8 5 out of 5 points __________ was devoted to anarchist philosophies and developed an exhibition for Impressionists apart from the official Salon. Selected Answer: Pissa ro  Question 9 5 out of 5 points Which of the following was NOT part of Impressionist's painting technique? Selected Answer: grinding and mixing his own paint

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 Question 10 5 out of 5 points __________ and his compatriots designed furniture, stained glass, tiles, wallpaper, and fabrics. Selected Answer: Morri s  Question 11 5 out of 5 points How did Walter Gropius's design for the Bauhaus building convey the dynamism of modern life? Selected Answer: The three large cubic areas had a balanced asymmetry.  Question 12 5 out of 5 points The manner in which Picasso and Braque broke objects into parts initiated ____________. Selected Answer: analytic cubism  Question 13 5 out of 5 points A member of the Blue Rider Group, Kandinsky believed that abstraction would lead humanity to a deeper awareness of _________________. Selected Answer: spirituali ty  Question 14 0 out of 5 points Why did the U.S. Government hire Dorothea Lange and other photographers during the Great Depression? Selected Answer: All of the above.  Question 15 5 out of 5 points Kandinsky believed that looking at a painting should be comparable to experiencing ____________. Selected Answer: mus ic  Question 16 5 out of 5 points

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Surrealist painters employed a variety of techniques, known collectively as __________. Selected Answer: automati sm  Question 17 5 out of 5 points Though he lived in France most of his life, __________ was originally from Spain. Selected Answer: Picas so  Question 18 5 out of 5 points The __________ of Gerrit Rietveld's Schröder House created the radical asymmetry sought after in the De Stijl movement. Selected Answer: the white planes and horizontal and vertical accents in primary colors  Question 19 5 out of 5 points How did Picasso's treatment of space in Les Demoiselles d'Avignon (Fig. 32-6) dramatically change the practice of painting in the west? Selected Answer: It was an alternative to traditional systems of perspective.  Question 20 5 out of 5 points How does Synthetic Cubism reference the real world? Selected Answer: The suggestion of discernible subjects.

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ART HISTORY QUIZZES

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