Ozymandias

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University of Nairobi *

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CLF 519

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Arts Humanities

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Nov 24, 2024

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docx

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4

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1 Ozymandias Sonnet Student’s name Institution Course Professor Date
2 Ozymandias Sonnet Question #1 After reading and watching the poetry "Ozymandias" by Percy Shelley, my understanding changed decisively. I could understand how earthly things like power shed with time, leaving the nations the way they were initially. The poem brought an impression of a falling sculpture in a desert, representing an idea of human accomplishments that come into existence with time. A deeper exploration of the sonnet revealed key points on royal arrogance and the decline of the power that is expected at the end. Just as the Egyptian sand spreads in various directions of the desert and the stone with two stays firm, the poem explains the nature of life, fame, and fortune based on Pharaoh's powers that came to shade. Question #2 I feel that first reading by Smith and the second by Shelley differed in several ways. First, Smith's approach was equal to the essential structure of the demolished sculpture. However, the sonnet reveals a gap that could be filled by profound significance and unpretentious treatment of subjects in Shelley's style. Smith's work best portrayed the expelled leader and his disintegrating domain, which could seem more convincing than Shelley's magnum opus communicating the human subjects' vanity and conciseness. Shelley's sonnet was more intriguing in terms of language used that was more clear and emotional – " My name is Ozymandias King of Kings; Look on my works, ye Mighty, and despair!' Nothing beside remains (Line 7). Question #3 I think writers' composition styles, the depth of their imagination, and typical worries shaping their perceptions are critical contributors to the identified differences between Smith's work and Shelley's sonnet. Shelley's sonnet reveals an exemplary illustration of hearty reasons
3 using distinctive symbolism and emotion-inducing language. For instance, Ozymandias shows our brief existence, what survives, fades, or vanishes (Line 8). Ideally, the featured top rulers hit but, in the end, declined despite their desire and brevity of force. However, Smith's case seems different since the author needs to consider the overwhelming inclinations that reflect scholarly profundity. Smith reproduces similar scenes to that of Shelley without significantly investigating the thoughts, even for little subtleties.
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4 Reference Shelley, P. B. (2014). Ozymandias. In The Poems of Shelley: Volume Two (pp. 307-311). Routledge.