Copy of Lab 4 - How Do Archaeologists Know How Old Something Is_ (Part 1)
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ARCH 2800 - Archaeological Science
Dr. Kara Fulton
Lab 4 - How Do Archaeologists Know How Old Something Is?
(Part 1)
Your Team Name:
Your Team Motto:
Remember:
this is a team assignment, so anything you write here should be the voice of the team
(i.e., use “we” NOT “I”)
Tip:
As you read through the introductory material in this lab,
highlight important
information as you go.
Resource
:
How to Use a Highlighter to Improve Your Grades.
Superposition and Stratigraphy
The
principle of superposition
tells us that strata or layers are deposited in sequence from
bottom to top and that the sequence represents progress across time.
Stratigraphy
is the
sequence of strata. Illustrations of the sequence of strata, like the one below in Figure 1, are
called
stratigraphic profiles
.
Association
is the relationship between artifacts based on their
proximity or location to one another. We use superposition to associate all the artifacts found
within a stratum as being of the same age. Artifacts in the layer above are younger; artifacts in
the stratum below are older. So, you’re
observing
where in the stratigraphic profile an artifact is
located (higher/lower), and you’re
inferring
relative ages (younger/older).
The examples of stratigraphic profiles in the readings and videos were fairly simple, like layered
cakes, one stratum on top of the other. However, archaeological sites often have lots of
“intrusions” into the strata because it is common for people to dig holes in the ground (e.g.,
postholes, fire pits, latrines or outhouses, burials, etc.). For example, in the profile in Figure 1, F
is some sort of pit dug into Stratum C, while E is a deeper pit dug down into Strata G and A. B is
likely an animal burrow that is going perpendicular to the profile, so the burrow goes into the
wall - it was dug into Stratum E.
Figure 1.
Example of a stratigraphic profile drawing.
The sequence of strata for the stratigraphic profile in Figure 1, from oldest to youngest, is as
follows:
ARCH 2800 - Archaeological Science
Oldest C - F - A - D - G - E - B Youngest
Any artifacts that were found in Stratum F are older than those in A, which are older than those
found in Stratum D, and so on.
The Scenario
The provided illustration below represents an idealized stratigraphic profile in which there are
several strata (layers), four burials, seven ceramic vessels, and the remains of one masonry
structure. With reference to the illustration, answer the questions that follow.
ARCH 2800 - Archaeological Science
Q1. In the spaces below, order the burials, vessels, and brick structure from youngest
(most recent) to oldest. Put items that are likely contemporaneous (the same age) on the
same line. You do not need to use all the spaces.
Youngest
Oldest
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ARCH 2800 - Archaeological Science
Q2. Is it possible to determine which ceramic vessel is the most recent of Vessel 4, 5, or
6? If so, which is most recent & why? If not, why not?
Explicitly state what your
observations
and
inferences
are (e.g., “Based on our
observations of [insert your specific observations ]…. we infer that… [insert your
specific inferences that connect to your observations]”).
Q3. Is it possible to determine which ceramic vessel is the oldest of Vessel 1, 2, 6, or 7? If
so, which is the oldest & why? If not, why not?
Explicitly state what your
observations
and
inferences
are (e.g., “Based on our
observations of [insert your specific observations ]…. we infer that… [insert your
specific inferences that connect to your observations]”).
Q4. Which is older, Burial Y or Vessel 3? Explain your answer.
Explicitly state what your
observations
and
inferences
are (e.g., “Based on our
observations of [insert your specific observations ]…. we infer that… [insert your
specific inferences that connect to your observations]”).
Q5. Was the brick structure built before or after Burial Y was placed? Explain your
answer.
Explicitly state what your
observations
and
inferences
are (e.g., “Based on our
observations of [insert your specific observations ]…. we infer that… [insert your
specific inferences that connect to your observations]”).
Artifact Seriation
Patterns of human behavior change constantly. As behavior changes, so do its material products.
In certain cases, artifact styles can be used to construct relative chronologies by studying how
styles gradually become more frequent, then lose frequency and are finally replaced by a new
style. In archaeology, arranging artifacts into stylistic and chronological order based on attributes
or style is referred to as
seriation
. Seriation is based on the fact that a cultural trait, like the type
of jeans worn by teens, experiences frequency peaks - in other words, an artifacts’ frequency
rises to a high point and then trails off, sometimes even to extinction. This rising or fading of
frequency may be rapid, while other times it may be gradual. Styles of music, dancing, fashion,
ARCH 2800 - Archaeological Science
and forms of speech all demonstrate this kind of frequency curve.
There are two types of seriation:
●
Stylistic seriation
– arranging artifact types according to their stylistic similarities based
on the assumption that decorative elements and form change slowly over time.
●
Frequency seriation
– arranging artifacts based on frequencies, assuming that styles
gradually become more frequent and then fade out (forming a battleship curve).
Figure 2.
Example of a bottle type frequency seriation.
The Scenario
You are an archaeologist studying colonial sites in the Mid-Atlantic region of the United States.
You’re currently interested in understanding change in form over time. These changes in form
include the material used to make the ceramics, the glazes used, and the decoration applied. You
have identified three major ceramic types (also see Figure 3 and Table 1):
●
Delftware
: The earliest ceramic remains found at sites in the Mid-Atlantic are soft-
bodied and colorfully hand-painted bowls and plates called Delftware. Delftware
ceramics have a pale blue cast to them due to their tin enamel finish.
●
Creamware
: Later, a hard-bodied clay ceramic called Creamware develops. Creamware
items are often plain but sometimes have hand-painted blue, brown and black decoration.
Creamware items have a yellowish cast produced by the glazes used to make them.
●
Pearlware
: After a few decades, still newer glazes were produced for ceramics along
ARCH 2800 - Archaeological Science
with harder, denser clay bodies and colorful decorative designs. These later ceramic types
are referred to as Pearlware. Pearlware items have a blue-ish cast to them as a result of
the glazes used in their production.
Figure 3.
Delftware teabowls (left), a creamware plate (middle), and a pearlware chamber pot
(right).
Table 1.
Ceramic Types.
Type
Relative age when it
was produced
Where it was produced
How it was produced
Delftware
oldest / earliest
Dutch made
Handmade by craftsmen
Creamware
middle
British made
Semi-machine/semi-hand
Pearlware
youngest / most recent
British/American made
Mass produced
The selection and use of these ceramic forms by colonial people reflects the preference for, or the
frequency of, these different ceramics over time. Sometimes a group of sites can be placed in a
chronological sequence using the seriation dating method. To do this, an archaeologist compares
the artifact frequency data from several sites that are located within the same region. This
comparison produces a regional distribution of artifact use and decline. The group of sites under
study can then be placed in a “chronological sequence” that orders them from the first, or earliest
dated site, to the last or most recent site.
The graph below illustrates such a distribution for the region you’re studying. Based on peaks of
ceramic frequency and decline, the sites in the region are ordered from earliest (left) to most
recent (right):
Site Name
St. Mary’s
Leonardtown
St. Charles
City
Annapolis
Baltimore
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ARCH 2800 - Archaeological Science
Ceramic
Type
Pearlware
x
xxxx
xxxxx
xxxxxx
Creamware
xxxxx
xxx
xx
Delftware
xxxxx
xx
x
You are analyzing 7 undated sites (Sites A-G) located across the state of Maryland. First, you
need to identify the frequency of ceramic types for these sites.
Q6. The following dataset of archaeological ceramics provides the number of pieces
(sherds) of each type of pottery found in assemblages from the 7 sites. Calculate the
relative frequency of each pottery style present in the assemblages (rows). For example,
Site A contains 126 pottery sherds and 63 of them are Delftware. To determine the
relative frequency of the Delftware sherds, you divide 63 by 126, then multiply by 100
(63/126 = 0.50 x 100 = 50%). If your result includes a decimal (e.g., 50.2%),
round the
frequencies to the nearest whole number
. Write the frequencies in the spaces provided to
the right of the numbers in the cells.
Ceramics Type Present
Total
Ceramics
Present
Site
Geographical
Location
Delftware
Creamware
Pearlware
#
%
#
%
#
%
A
Tidewater
63
50%
50
13
126
B
Coastal Edge
186
21
0
207
C
Mountains
0
0
98
98
D
Mountains
0
52
78
130
E
Piedmont
20
120
60
200
F
Mountains
0
22
88
110
G
Tidewater
102
44
0
146
Your next step in analysis is to group the sites in a chronological sequence using seriation.
ARCH 2800 - Archaeological Science
Q7. Construct a chronological sequence for the seven Maryland sites in the table below,
ordering the sites from most recent/youngest (top) to oldest (bottom). The youngest site
has been placed for you.
Note:
Be sure to include your frequencies from the previous table - it will help with
interpretation.
Ceramics Present
Site
Geographical Location
Delftware
Creamware
Pearlware
youngest
C
Mountains
0%
0%
100%
oldest
Q8. Based on your observations, make
one inference
about the people that lived in
colonial Maryland.
Explicitly state what your
observations
and
inferences
are (e.g., “Based on our
observations of [insert your specific observations ]…. we infer that… [insert your
specific inferences that connect to your observations]”).
Q9. How could you explain why
the ceramic type used by people in this area changed
over time?
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