write an abstract on this.Thesis Statement: The essay explores Octavia E. Butler’s science fiction story “Bloodchild” as a narrative that constructs metaphors to delve into issues of gender, race, and species. The central thesis is that Butler employs metaphorical representations, such as the “pregnant man” and “Impregnating woman”, to challenge and deconstruct traditional societal norms and power structures. The essay examines the characters T’Gatoi and Gan to show how Butler uses metaphors to question and upset traditional gender roles, racial hierarchies, and species differences. It also talks about how popular culture can add to the postmodern state by filling in gaps and using tropes not covered in traditional philosophical and cultural discourse.Supporting Points:Metaphoric Exploration of Gender:Butler’s “Bloodchild'' employs the metaphor of male pregnancy to challenge traditional gender roles. The essay argues that the depiction of men experiencing the pains of childbirth and the reversal of sexual imagery complicates the disruptions of conventional gender norms.Intersectionality of Race and Gender:The analysis extends beyond gender to encompass the intersectionality of race and species. Butler's narrative, as exemplified by the Oankali in her Xenogenesis Trilogy, illustrates the interconnectedness of these constructs. By examining the historical construction of race in Butler's other work, "Kindred," the essay contends that Butler's use of metaphors extends to ethnesis, highlighting the importance of race in the textual representation and deconstruction of identity.Zoomorphesis and Species Construction: The essay introduces the concept of zoomorphism, emphasizing how Butler's exploration of non-human animal species in "Bloodchild'' contributes to the deconstruction of humanist biases. Drawing parallels with Mary Midgley's work on the symbolic value of animals, the analysis contends that Butler challenges traditional representations of species by emphasizing the threatening nature of the "vast non-human realm" through metaphoric constructions.Postmodern Feminist Engagement:The essay positions Butler's work within the realm of postmodern feminist engagement. It asserts that Butler's science fiction, situated within the highly metaphoric genre, provides a meeting point between "high" and popular culture. Drawing on feminist theorist Alice Jardine's examination of gynesis, the essay contends that Butler's metaphors exemplify the promises inherent in dissolving boundaries between contemporary cultural categories.Dissolving Boundaries in Popular Culture:Butler's use of metaphors in "Bloodchild" is presented as a means to dissolve boundaries between theoretical and literary discourse. The essay suggests that Butler's narrative challenges traditional representations and tropes, contributing to the postmodern condition by addressing gaps in philosophy and cultural discourse. Through metaphoric considerations of identity, the story navigates gender, race, and species, illustrating the potential of popular culture to engage critically with societal constructs. Imagine that you are now writing an abstract for your own essay. An abstract is a shortsummary of your (published or unpublished) research paper, usually about a paragraph. Awell-written abstract serves multiple purposes:1. an abstract lets readers get the gist or essence of your paper or article quickly, in orderto decide whether to read the full paper;2. an abstract prepares readers to follow the detailed information, analyses, and argumentsin your full paper;3. an abstract helps readers remember key points from your paper.Examples of abstract from the academic papers you annotated:Mama's Baby, Papa's Slavery? The Problem and Promise of Mothering in Octavia E.Butler's "Bloodchild" Get access ArrowKristen LillvisThis essay examines the mother as the primary agent of social change in Octavia E. Butler'sshort story, "Bloodchild" (1984). Drawing on the theory of maternal inheritance that Hortense J.Spillers introduces in her essay, “Mama's Baby, Papa's Maybe: An American Grammar Book"(1987), I argue that Butler presents mothering as a progressive force, allowing her marginalizedcharacters regardless of their sex-to destroy familial and communal hierarchies. I contendthat a history of reproductive oppression gives Butler's male protagonist access to the power ofmotherly love, what Spillers situates as a tradition of nonphallic maternal authority developedout of black women's experiences during slavery. Positioning Butler's male protagonist as aninheritor of this maternal authority gives prominence to Butler's philosophy of motherly love,which situates the father as an equal progenitor of maternal power and advances the largerscholarly project of putting psychoanalytic theories of psychosexual development in dialoguewith critical race and postcolonial theories."Would You Really Rather Die Than Bear My Young?": The Construction of Gender, Race,and Species in Octavia E. Butler's "Bloodchild." (Black Women's Culture Issue)Elyce Rae Helford"Did you use the rifle to shoot the achti?" "Yes." "And do you mean to use it to shoot me?" Istared at her, outlined in the moonlight--coiled graceful body. "What does Terran blood taste liketo you?" She said nothing. "What are you?" I whispered. "What are we to you?" She lay still,rested her head on her topmost coil. "You know me as no other does," she said softly. "Youmust decide." ("Bloodchild" 50) Although the invitation is to the character Gan, the questioninghuman voice in this conversation between human and alien from Octavia E. Butler's 1984 Hugoand Nebula Awardwinning story "Bloodchild," I am thoroughly invested in getting to decide who and what the aliens are--aliens so dangerous to humans that T'Gatoi, the gracefully coiledblood-sucker, fears she will be shot. From my perspective as a (human) reader, I work todiscover the powerful metaphors which control my understanding of who and what the aliens.can be: Their serpent-like quality evokes fears of the dangerous animal realm; the mention ofthe moon and blood in reference to this female character may allude to a mythic "feminine"power; the debate over the nature of a relationship which includes dependence, exploitation,and threats of violence conjures up a metaphoric representation of the relationship betweenmaster and slave. How I decide to read these figures is determined by my own subjectpositions--primarily that I am a child of popular culture and a white feminist scholar invested inissues of race and species. However, the conclusions I draw are ultimately less important thanis my investigation, inspired by Butler's ability to grab my attention and fire my imaginationthrough fiction written in subtle, provocative language and populated by complex, suggestivecharacters. The combination of emotional power and conceptual complexity central to"Bloodchild" makes this, like all of Butler's fiction, an excellent example of literature whichbridges the gap between "high" and popular culture in a manner as complex and unique as herposition as science fiction's most prolific--if not only--African American feminist writer."Bloodchild" tells of a group of humans who escape antagonism on Earth to arrive on a planetwhere, generations later, their progeny become the valued property of a powerful alien speciescalled the Tlic. Living on a protected Preserve, human families may be formed and childrenraised, but each family must offer at least one son to the Tlic. The young boy will serve as ahost body for alien eggs which will grow to a potentially lethal larval stage within him beforebeing removed by a female Tlic in a "blood ritual," a process in which the human is sliced openand the grubs are removed by probing Tlic limbs and mouth. The humans will never be free, butthe current arrangements are better than those for the first generations, when the Tlic druggedhumans and forced them to live in pens as no more than breeding stock. The story centers onthe complex relationship between T'Gatoi, the Tlic government official in charge of the Preserve,who struggles with her need to propagate and the simultaneous friendship with andenslavement of humans which such propagation necessitates; and Gan, the human boy raisedfrom birth to carry T'Gatoi's eggs, who must face both his love for this maternal figure and hisgrowing repulsion from her as a controlling alien being. Through these and other characters,and the setting in which Butler places them, we experience a text which simultaneously exploresouter space--in its focus on extraterrestrials and human adventures beyond planet Earth--andinner space, through metaphoric figures which illustrate and invite comment upon theconstruction of identity. The inner space of "Bloodchild," like that in all of Butler's fiction, is filledwith characters who highlight metaphoric considerations of gender, race, and speicies. IfBarbara Christian is right when she asserts that contemporary African American women writewithin a long tradition of struggles to represent the self in reaction to externalconceptualizations, and Samuel Delany is right to consider science fiction an ideal genrethrough which to challenge tradtional representations of subjectivity, then Butler is the writer toillustrate the best of both worlds.

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Social Psychology (10th Edition)

10th Edition

ISBN:9780134641287

Author:Elliot Aronson, Timothy D. Wilson, Robin M. Akert, Samuel R. Sommers

Publisher:Elliot Aronson, Timothy D. Wilson, Robin M. Akert, Samuel R. Sommers

Chapter1: Introducing Social Psychology

Section: Chapter Questions

Problem 1RQ1

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write an abstract on this. Thesis Statement: The essay explores Octavia E. Butler’s science fiction story “Bloodchild” as a narrative that constructs metaphors to delve into issues of gender, race, and species. The central thesis is that Butler employs metaphorical representations, such as the “pregnant man” and “Impregnating woman”, to challenge and deconstruct traditional societal norms and power structures. The essay examines the characters T’Gatoi and Gan to show how Butler uses metaphors to question and upset traditional gender roles, racial hierarchies, and species differences. It also talks about how popular culture can add to the postmodern state by filling in gaps and using tropes not covered in traditional philosophical and cultural discourse. Supporting Points: Metaphoric Exploration of Gender: Butler’s “Bloodchild'' employs the metaphor of male pregnancy to challenge traditional gender roles. The essay argues that the depiction of men experiencing the pains of childbirth and the reversal of sexual imagery complicates the disruptions of conventional gender norms. Intersectionality of Race and Gender: The analysis extends beyond gender to encompass the intersectionality of race and species. Butler's narrative, as exemplified by the Oankali in her Xenogenesis Trilogy, illustrates the interconnectedness of these constructs. By examining the historical construction of race in Butler's other work, "Kindred," the essay contends that Butler's use of metaphors extends to ethnesis, highlighting the importance of race in the textual representation and deconstruction of identity. Zoomorphesis and Species Construction: The essay introduces the concept of zoomorphism, emphasizing how Butler's exploration of non-human animal species in "Bloodchild'' contributes to the deconstruction of humanist biases. Drawing parallels with Mary Midgley's work on the symbolic value of animals, the analysis contends that Butler challenges traditional representations of species by emphasizing the threatening nature of the "vast non-human realm" through metaphoric constructions. Postmodern Feminist Engagement: The essay positions Butler's work within the realm of postmodern feminist engagement. It asserts that Butler's science fiction, situated within the highly metaphoric genre, provides a meeting point between "high" and popular culture. Drawing on feminist theorist Alice Jardine's examination of gynesis, the essay contends that Butler's metaphors exemplify the promises inherent in dissolving boundaries between contemporary cultural categories. Dissolving Boundaries in Popular Culture: Butler's use of metaphors in "Bloodchild" is presented as a means to dissolve boundaries between theoretical and literary discourse. The essay suggests that Butler's narrative challenges traditional representations and tropes, contributing to the postmodern condition by addressing gaps in philosophy and cultural discourse. Through metaphoric considerations of identity, the story navigates gender, race, and species, illustrating the potential of popular culture to engage critically with societal constructs.