Q001) Historicism suggests that Question 1 options: a) innovation is inevitably linked to changes in popular culture. b) music should comment on contemporary politics and history. c) artistic works arise independently of history. d) creativity in the present is inextricably bound to the past. Question 2 (Mandatory) (1 point) (Q002) Which of the following count(s) as jazz historicism in action? Question 2 options: a) original music that celebrates music of the past b) All of the answers are correct. c) modernist interpretations of jazz classics d) the revival of entire idioms, such as traditional jazz or swing Question 3 (Mandatory) (1 point) (Q006) Who was the director of the Lenox School of Jazz? Question 3 options: a) Ornette Coleman b) Wynton Marsalis c) George Wein d) John Lewis Question 4 (Mandatory) (1 point) (Q009) Jazz historicism was promoted as early as the 1970s by Question 4 options: a) Wynton Marsalis's Lincoln Center Jazz Orchestra. b) New Orleans revivalists. c) the federal government. d) musicians from the Loft Era. Question 5 (Mandatory) (1 point) (Q010) "Neoclassical" jazz meant Question 5 options: a) treating older styles as a canon of masterpieces for contemporary jazz. b) considering jazz as independent from historical context. c) the whimsical use of older styles as resources in a "free jazz" context. d) an approach to jazz as a form of popular culture. Question 6 (Mandatory) (1 point) (Q011) Neoclassical jazz is strongly associated with the presidency of Question 6 options: a) Ronald Reagan. b) Barack Obama. c) Jimmy Carter. d) Franklin D. Roosevelt. Question 7 (Mandatory) (1 point) (Q013) Wynton Marsalis plays the Question 7 options: a) congas. b) trumpet. c) piano. d) tenor saxophone. Question 8 (Mandatory) (1 point) (Q014) Wynton Marsalis is known for Question 8 options: a) coining the term "mainstream" to denote jazz that is neither old-fashioned nor avant-garde. b) serving as artistic director for the Lincoln Center Jazz Orchestra in New York City. c) winning Grammy awards for his performances of both jazz and classical music. d) winning Grammy awards for his performances of both jazz and classical music and serving as artistic director for the Lincoln Center Jazz Orchestra in New York City. Question 9 (Mandatory) (1 point) (Q015) Wynton Marsalis's quintet from the 1980s, featuring his brother Branford Marsalis on tenor saxophone, is understood to be modeled on Question 9 options: a) the Mahavishnu Orchestra. b) the Art Ensemble of Chicago. c) the Modern Jazz Quartet plus Sonny Rollins. d) the Miles Davis Quintet of the 1960s. Question 10 (Mandatory) (1 point) (Q021) Jason Moran plays the Question 10 options: a) piano. b) tenor saxophone. c) trumpet. d) bass. Question 11 (Mandatory) (1 point) (Q022) Jason Moran's first album, Soundtrack to Human Motion, was released in Question 11 options: a) 1978. b) 1988. c) 2008. d) 1998. Question 12 (Mandatory) (1 point) (Q023) Jason Moran's sense of keyboard touch, rhythmic intensity, and melodic playfulness was inspired by the jazz composer Question 12 options: a) Miles Davis. b) Jelly Roll Morton. c) Thelonious Monk. d) Duke Ellington. Question 13 (Mandatory) (1 point) (Q024) On "You've Got to Be Modernistic," Jason Moran performs his version of a piece by Question 13 options: a) James P. Johnson. b) Thelonious Monk. c) Duke Ellington. d) Jelly Roll Morton. Question 14 (Mandatory) (1 point) (Q025) Jason Moran's "You've Got to Be Modernistic" uses which traditional jazz form? Question 14 options: a) boogie-woogie b) twelve-bar blues c) march/ragtime d) thirty-two-bar AABA

Q001) Historicism suggests that Question 1 options: a) innovation is inevitably linked to changes in popular culture. b) music should comment on contemporary politics and history. c) artistic works arise independently of history. d) creativity in the present is inextricably bound to the past. Question 2 (Mandatory) (1 point) (Q002) Which of the following count(s) as jazz historicism in action? Question 2 options: a) original music that celebrates music of the past b) All of the answers are correct. c) modernist interpretations of jazz classics d) the revival of entire idioms, such as traditional jazz or swing Question 3 (Mandatory) (1 point) (Q006) Who was the director of the Lenox School of Jazz? Question 3 options: a) Ornette Coleman b) Wynton Marsalis c) George Wein d) John Lewis Question 4 (Mandatory) (1 point) (Q009) Jazz historicism was promoted as early as the 1970s by Question 4 options: a) Wynton Marsalis's Lincoln Center Jazz Orchestra. b) New Orleans revivalists. c) the federal government. d) musicians from the Loft Era. Question 5 (Mandatory) (1 point) (Q010) "Neoclassical" jazz meant Question 5 options: a) treating older styles as a canon of masterpieces for contemporary jazz. b) considering jazz as independent from historical context. c) the whimsical use of older styles as resources in a "free jazz" context. d) an approach to jazz as a form of popular culture. Question 6 (Mandatory) (1 point) (Q011) Neoclassical jazz is strongly associated with the presidency of Question 6 options: a) Ronald Reagan. b) Barack Obama. c) Jimmy Carter. d) Franklin D. Roosevelt. Question 7 (Mandatory) (1 point) (Q013) Wynton Marsalis plays the Question 7 options: a) congas. b) trumpet. c) piano. d) tenor saxophone. Question 8 (Mandatory) (1 point) (Q014) Wynton Marsalis is known for Question 8 options: a) coining the term "mainstream" to denote jazz that is neither old-fashioned nor avant-garde. b) serving as artistic director for the Lincoln Center Jazz Orchestra in New York City. c) winning Grammy awards for his performances of both jazz and classical music. d) winning Grammy awards for his performances of both jazz and classical music and serving as artistic director for the Lincoln Center Jazz Orchestra in New York City. Question 9 (Mandatory) (1 point) (Q015) Wynton Marsalis's quintet from the 1980s, featuring his brother Branford Marsalis on tenor saxophone, is understood to be modeled on Question 9 options: a) the Mahavishnu Orchestra. b) the Art Ensemble of Chicago. c) the Modern Jazz Quartet plus Sonny Rollins. d) the Miles Davis Quintet of the 1960s. Question 10 (Mandatory) (1 point) (Q021) Jason Moran plays the Question 10 options: a) piano. b) tenor saxophone. c) trumpet. d) bass. Question 11 (Mandatory) (1 point) (Q022) Jason Moran's first album, Soundtrack to Human Motion, was released in Question 11 options: a) 1978. b) 1988. c) 2008. d) 1998. Question 12 (Mandatory) (1 point) (Q023) Jason Moran's sense of keyboard touch, rhythmic intensity, and melodic playfulness was inspired by the jazz composer Question 12 options: a) Miles Davis. b) Jelly Roll Morton. c) Thelonious Monk. d) Duke Ellington. Question 13 (Mandatory) (1 point) (Q024) On "You've Got to Be Modernistic," Jason Moran performs his version of a piece by Question 13 options: a) James P. Johnson. b) Thelonious Monk. c) Duke Ellington. d) Jelly Roll Morton. Question 14 (Mandatory) (1 point) (Q025) Jason Moran's "You've Got to Be Modernistic" uses which traditional jazz form? Question 14 options: a) boogie-woogie b) twelve-bar blues c) march/ragtime d) thirty-two-bar AABA