Describe how Earl “Snake Hips” Tucker has a relation to the “Africanist aesthetics” outlined by Brenda Dixon Gottschild? Name at least two of the 5 “Africanist aesthetics” principles and specifically describe how the dancing of “Snake Hips” exemplify the Africanist aesthetic.
Describe how Earl “Snake Hips” Tucker has a relation to the “Africanist aesthetics” outlined by Brenda Dixon Gottschild? Name at least two of the 5 “Africanist aesthetics” principles and specifically describe how the dancing of “Snake Hips” exemplify the Africanist aesthetic.
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Describe how Earl “Snake Hips” Tucker has a relation to the “Africanist aesthetics” outlined by Brenda Dixon Gottschild? Name at least two of the 5 “Africanist aesthetics” principles and specifically describe how the dancing of “Snake Hips” exemplify the Africanist aesthetic.
Transcribed Image Text:Five Characteristics of Africanism in
American Dance
1) Embracing Conflict - the aesthetic of opposition that
expressed in African Dilemma stories that poses a
question rather than a solution.
2) Polycentrism/Polyrhythm - a) the idea that movement
can initiate from any part of the body. b) the layering of
different rhythms over one another.
3) Juxtaposition - when the mood, attitude, movement
and satire are together but with contrasting effects.
4) Ephebism - the quality of youthfulness such as
strength, flexibility, speed and intensity in ALL parts of the
body. This also reflects the cultural value on what the
youth has to offer.
5) "Aesthetic of the Cool" - the act that combines
composure with vitality, dancing with visibility and clarity.
Also, these characteristics occur in many forms of
American dance, including tap and hip hop.
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