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71. Through both their subject matter and souroe material, Faith. Ringgəld's Dancing at the Louvre and Cindy Sherman's Untitled (#228) comment on (A) race relations (B) folk art traditions (C) the domestic sphere (D) the history of art

71. Through both their subject matter and souroe material, Faith. Ringgəld's Dancing at the Louvre and Cindy Sherman's Untitled (#228) comment on (A) race relations (B) folk art traditions (C) the domestic sphere (D) the history of art

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71. Through both their subject matter and source material, Faith Ringgold's Dancing at the Louvre and Cindy Sherman's Untitled (#228) 72. The black-on-black ceramic vessels by Maria Martínez and Julian Martinez demonstrate continuity with Ancestral Puebloan ceramics in the use of comment on (A) lost-wax casting and hand polishing to form the work (A) race relations (B) folk art traditions (B) fired terra cctta and transparent glazing to (C) the domestic sphere finish the work (D) the history of art (C) naturalistic depictions of battle narratives and local creation myths (D) vessel forms and abstracted iconography unique to local communities
Transcribed Image Text:71. Through both their subject matter and source material, Faith Ringgold's Dancing at the Louvre and Cindy Sherman's Untitled (#228) 72. The black-on-black ceramic vessels by Maria Martínez and Julian Martinez demonstrate continuity with Ancestral Puebloan ceramics in the use of comment on (A) lost-wax casting and hand polishing to form the work (A) race relations (B) folk art traditions (B) fired terra cctta and transparent glazing to (C) the domestic sphere finish the work (D) the history of art (C) naturalistic depictions of battle narratives and local creation myths (D) vessel forms and abstracted iconography unique to local communities
Jaune Quick-to-See Smith (Confederated Salish and Koctenai Nation, MT) and Garth Greenan Gallery, NY 73. In Trade (Gifts for Trading Land with White People), Jaune Quick-to-See Smith both critiques the political relationship between Native North Americans and non-native populations and comments on the (A) commercialization of indigenous North American cultures (B) Native American pride associated with athletic-team mascots in the United States (C) cultural and ecological changes caused by an overreliance on imported goods (D) importance of maintaining individual identity in the information age
Transcribed Image Text:Jaune Quick-to-See Smith (Confederated Salish and Koctenai Nation, MT) and Garth Greenan Gallery, NY 73. In Trade (Gifts for Trading Land with White People), Jaune Quick-to-See Smith both critiques the political relationship between Native North Americans and non-native populations and comments on the (A) commercialization of indigenous North American cultures (B) Native American pride associated with athletic-team mascots in the United States (C) cultural and ecological changes caused by an overreliance on imported goods (D) importance of maintaining individual identity in the information age
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