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1960s Music Packet
by Victor Pavao
1.
During a lull in her career, this musician sang backing vocals on Elton John’s song “Ballad of a
Well-Known Gun.” This musician’s highest-charting single was reworked from Pino Donaggio’s song “Io
Che Non Vivo (Senza Te)” (“yo kay non vivo senza tay”) by her collaborator Vicki Wickham. This
musician’s long-time partner Norma Tanega wrote “No Stranger Am I” for her, which appears on her
album titled [her]
... Definitely
. This musician recorded the first vocal version of Burt Bacharach’s song
(*)
“The Look of Love.” While recording for Atlantic in the US, this musician covered a Wexler-Marden-Dowd song
that Aretha Franklin had originally turned down. Late in her career, she was featured on the Pet Shop Boys song
“What Have I Done to Deserve This?.” This artist’s iconic blonde beehive hairstyle appears on the cover of an
album titled [her]
in Memphis
. For 10 points, name this British singer of “Son of a Preacher Man.”
ANSWER: Dusty
Springfield
[accept Mary (Isobel Catherine Bernadette)
O’Brien
]
2.
This song’s riff was inspired by the Chicano rock song “El Loco Cha Cha Cha,” and its Caribbean
English-inflected lyrics were inspired by Nat King Cole’s “Havana Moon.” After being featured on a
“worst records” radio program, this song sold 21,000 copies in Boston. While recording a cover of this
song, Lynn Easton shouted “Fuck!” after accidentally hitting his drum sticks together. After undergoing a
lineup change, the band that recorded the most successful version of this song followed it up with “The (*)
Jolly Green Giant.” This song’s riff uses a V (“five”) minor chord, unlike “Wild Thing.” After a successful garage
rock cover, this Richard Berry song was the subject of a two-year FBI investigation. This song’s narrator waits to
board a ship so he can see a “Fine little girl [that] waits for me.” For 10 points, name this song popularized by the
Kingsmen.
ANSWER: “
Louie Louie
”
3.
A 13-minute song from this album features a harmonica blown through a Kustom Electronics “bag” device,
possibly its first appearance in recorded music. This album’s title track states “You’ve been sitting much
too long / There’s a permanent crease in your right and wrong.” Cynthia Robinson and background
vocalists Little Sister are prominently featured on a song from this album that closed the band’s Summer of
Soul set; that song is centered on repeated shouts of “higher!”. A bizarre talk box solo is featured on a track
addressed to (*)
“Whitey” on this album. Slap bass was introduced to the public on the single “Thank You,”
which was released just after this album. A number-one single from this album pleads “We got to live together!”
after stating “Sometimes I’m right and I can be wrong.” “I Want to Take You Higher” and “Everyday People”
appear on, for 10 points, which 1968 album by Sly and the Family Stone?
ANSWER:
Stand
!
4.
A man sometimes called the first hippie, Eden Ahbez, recorded an album in which he reads beat poetry
over this genre. In the 2000s, Capitol Records released an 18-volume compilation titled “Ultra-” this genre.
Artists in this genre were the first to utilize stereophonic recording, which enhanced the sound effects made
by Augie Colón. The song “Mini Skirt” was recorded by the Mexican “king” of this genre, Esquivel. A
best-selling cover of the Haitian folk song “Choucoune” was recorded in this genre by Arthur Lyman under
the name “Yellow Bird.” A 1957 album by
(*) Martin Denny is credited with popularizing marimba in this
genre, whose origin is traced to
Ritual of the Savage
by Les Baxter and “Virgin of the Sun God” by Yma
(“imma”) Sumac. This broad genre was marketed to former servicemen who had served in the Pacific. For 10
points, name this easy listening genre that idealized foreign lands and the tropics.
ANSWER:
exotica
[accept
lounge
; accept
bachelor pad
music; accept
space age
pop; accept
cocktail
music;
prompt on “beautiful music”; prompt on “easy listening”]
(lounge and exotica are technically separate genres but
there’s enough overlap for them to be in the same answerline.)
5.
While writing songs for this album, its artist obsessively listened to Ray Charles’s album
The Genius Sings
the Blues
from his residence in Hydra, Greece. A song from this album states “Several girls embraced me,
then / I was embraced by men” after stating “I ate and ate and ate / No, I did not miss a plate.” Another
song from this album describes a gambler who “didn’t leave you very much, not even laughter” that was
“just some Joseph looking for a manger.” Another song from this album was inspired by the artist’s friend
who had the surname Verdal. The period of productivity that produced this album also produced the novel
Beautiful Losers
. This album contains “The (*)
Stranger Song,” “Sisters of Mercy,” and a song about a woman
who brings “tea and oranges that come all the way from China.” For 10 points, name this 1967 debut album that
contains “So Long, Marianne” and “Suzanne,” by a Canadian singer-songwriter.
ANSWER:
Songs of Leonard Cohen
6.
Rolf Harris’s wobble board instrument is featured in a long solo section in a song narrated by this
character’s son. This character laments the “Soft, white dreams with sugar coated outside” of his “young
and innocent days.” This character buys a hat “like Anthony Eden’s” while his wife buys one “like Princess
Marina” to distract from their family’s poverty. This character’s son Derek sings of a place with “no class
distinction [...] no drug addiction” on the song
(*) “Australia.” This working-class character praises the
“Croquet lawns, village greens” of a bygone era when Victoria was “[his] queen.” For 10 points, name this title
character of an album titled [him]
Or the Decline and Fall of the British Empire
, released in 1969 by the Kinks.
ANSWER:
Arthur
Morgan
7.
One track on an album that begins with this title word has a 9-bar B section in 3/4 time that is played over
the three pedal points of F, B-flat, and D-flat. In reviewing an album that begins with this title word, critics
like Lawrence Kart and Keith Waters drew connections between songs like “Freedom Jazz Dance” and the
avant-garde, despite the artist’s dismissal of Ornette Coleman. This is the first title word of the album that
contains the Wayne Shorter composition “Paraphernalia,” and the metrically ambiguous “Black Comedy,”
and was released the same year as the artist’s
(*)
Filles de Kilimanjaro
. This is the first title word of a 1967
album that contains “Dolores” and a metrically modular cover of “Footprints.” Tony Williams, Herbie Hancock,
and Wayne Shorter were part of the Second Great Quintet that recorded albums titled [this word]
in the Sky
and
[this word]
Smiles
. For 10 points, give the first name of the trumpeter who recorded
Kind of Blue
.
ANSWER:
Miles
[accept
Miles
Smiles
and
Miles
in the Sky
]
(the opening line refers to “Paraphernalia”)
8.
This song’s success inspired an odd remake of Waltzin’ Matilda by Jimmy Soul, and a Dovells song that
combined it with their hit “Bristol Stomp” and “Work with Me, Annie.” Dick Clark orchestrated this
song’s biggest success by ordering Cameo-Parkway Records to re-record a complete soundalike version of
the original. The original version of this song was the B-side to the ballad “Teardrops on Your Letter” by
Hank Ballard and the Midnighters, who had adapted it from a Sensational Nightingales song. The
impressionist who recorded the most successful version of this song followed it up with
(*) “Pony Time,”
“Limbo Rock,” and a song titled “Lets [do this song’s title action] Again.” This song began a second chart run
after the success of a Joey Dee and the Starliters song titled for “Peppermint.” “Take me by my little hand / And
go like this” is an instruction from, for 10 points, which biggest hit by Chubby Checker?
ANSWER: “The
Twist
”
9.
This type of “punk” is “goin’ up to Frisco to join a psychedelic band” in a Mothers of Invention parody of
“Hey Joe.” In a song by The Move titled for these items, the narrator “wake[s] up one morning half asleep /
with all [his] blankets in a heap.” The highest-charting single by the Statler Brothers is titled for these items
“on the wall.” A Simon and Garfunkel song titled for these items repeats “I’ll continue to continue to
pretend / My life will never end.” These items are “everywhere” in the highest-charting hit by the
(*)
Cowsills, “The Rain, the Park and Other Things.” Scott McKenzie sang that if you’re going to San Francisco, be
sure to have these items in your hair. For 10 points, name these things that named a nonviolent “power”
movement in the 1960s.
ANSWER:
flower
s [accept “
Flower
Punk” or “
Flower
s in the Rain”]
10.
Note to players: naming either side of this single is acceptable
.
The Japanese edition of this single’s B-side transcribed the incorrect lyrics “Stare it down and nourish”
from a vocal part that is played backwards into the song. This single’s B-side used varispeed to match it’s
G-flat vocals and A-flat instrumental to the final key of G major. This single’s A-side uses only two chords,
G7 and C, and includes a Motown-inspired bass line played by Paul McCartney. This single was kept from
the Billboard #1 spot by Frank Sinatra’s “Strangers in the Night.” This song’s B-side describes people who
(*)
“slip into the shade [...] and sip their lemonade,” while its A-side describes an author who “based [...] a novel
by a man named Lear.” For 10 points, name this 1966 non-album single by the Beatles whose A-side describes an
aspiring author writing a letter.
ANSWER: “
Paperback Writer
” / “
Rain
” [accept either underlined portion]
11.
Description acceptable
.
This sound effect is played at the beginning of the highest-charting single by a John
Gummoe-fronted vocal group, which features a celesta part played by Perry Botkin. This sound effect is
played at the beginning and end of the Ronettes’ second-highest-charting song; that song states “I’ll be
certain he’s my guy by the things he’ll like to do.” This sound effect is played at the beginning of the
highest-charting single by (*)
Dee Clark, “Raindrops.” For 10 points, name this sound effect played at the
beginning of “Walking in the Rain,” which suggests a storm.
ANSWER:
thunder
storm [accept reasonable equivalents; prompt on “storm” before it is read]
(the song
referenced in the first line is “Rhythm of the Rain” by the Cascades.)
12.
This song followed the artist’s Billboard top-ten hits “Dreams of the Everyday Housewife” and “I Wanna
Live.” Carol Kaye plays the unaccompanied six-note bass intro at the beginning of this song. This song’s
artist plays a melodic solo on Danelectro bass during a solo break. It’s not (*)
“By the Time I Get To
Phoenix,” but Al De Lory arranged The Wrecking Crew parts that backed this Jimmy Webb song. This song’s
narrator “need[s] a small vacation / But it don't look like rain,” and repeats that he is “still on the line.” For 10
points, name this country song about a lonely utility worker in Kansas, first recorded by Glen Campbell.
ANSWER: “
Wichita Lineman
”
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13.
A song that begins with this title word quotes the folk song “The Girl I Left Behind” and Julius Fučík’s
(“FOO-chik”)
“Entrance of the Gladiators,” and was inspired by King Curtis’s solo on a 1958 song. This
unique word precedes “axe” in the title of Chet Atkins’s version of a novelty song that was co-written by
Spider Rich. Dub Jones and Cornell Gunter fronted a comedic R&B vocal group whose highest-charting
single was a Lieber-Stoller song that began with this title word.
The Benny Hill Show
popularized a Boots
Randolph song beginning with this title word that often accompanied TV scenes of rapidly-paced,
time-lapse
(*) chases. A 1958 Billboard #1 hit that begins with this title word had the B-side “Zing! Went the
Strings of My Heart” and was followed up the group’s single “Charlie Brown.” “Take out the papers and the
trash!” begins a Coasters song whose title begins with, for 10 points, which unique word that precedes “yak” in
that title?
ANSWER: “
yakety
”
14.
A group titled for these items recorded an odd cover of Cousin Emmy’s “Ruby (Are You Mad),” and was
later sued by Pan Am for using its logo on the cover of their album
Contact.
A 1967 album titled for these
items required its artist to work 10-hour days to set up various patchcord configurations, and took its title
from W.B. Yeats’s poem “The Song of Wandering Aengus.” An album titled for these items was the most
successful release by a composer who co-founded the San Francisco Tape Music Center with Ramon
Sender. An album commissioned by Nonesuch Records to showcase the
(*) Buchla 100 synthesizer was titled
[these items]
of the Moon
, which was recorded by Morton Subotnick. A group titled for these items was formed
by Dan Taylor and Simeon Coxe, whose music mostly featured oscillators backed by unrelenting drum beats. For
10 points, name this two-word term that names a pioneering experimental electronic band from New York City
that released a 1968 self-titled album.
ANSWER:
silver apples
[prompt on “apples”]
15.
A 2019 paper by Brian F. Wright discusses how a member of this group’s acolytes in music history unduly
overlook the contributions of Carol Kaye. That member of this group almost exclusively played a 1961
Fender Precision model alongside member Bob Babbitt. An early lineup of this group backed The
Contours’ “Do You Love Me.” This group often recorded demo versions of
(*) Holland-Dozier-Holland
songs. This group was virtually unknown to the public until a 2002 documentary whose title plays on the name of
the Four Tops’ hit “Standing in the Shadows of Love.” Earl van Dyke and James Jamerson were members of this
group, which was often seen as Detroit’s version of the Wrecking Crew. For 10 points, name this group of
Motown session musicians.
ANSWER: The
Funk Brothers
[accept reasonable equivalents like “session
musicians
at
Motown
” or “
rhythm
section at
Motown
” before “Motown”]
16.
This song’s bass part repeats two-five note sequences, the first of which begins with a low pickup up to the
following dotted quarter notes – G, F#, F, E. This song was written by an eccentric folk-rock singer who
later co-wrote the “Most Original Soft Drink” jingle for Dr. Pepper, and it appeared on album titled for his
Above Ground Sounds
. After Jim McCarty heard this song, the Yardbirds added a bowed guitar part and
began playing it live. This song, which is said to reference a bad acid trip, has a dirge-like verse section in
12/8 time. This song was written by (*)
Jake Holmes, who was left uncredited when Jimmy Page included it on
his band’s debut album. For 10 points, name this Led Zeppelin album track that also titles a 1993 film directed by
Richard Linklater.
ANSWER: “
Dazed and Confused
”
17.
A critic from this country called for an “anticonsumerist underground” that allowed for “complete
autonomy” of producers and bands in a book that criticized his country’s pop music. Referencing an LSD
producer, a band from this country named three tracks after “Garden Sandosa” on their album
Psychedelic
Underground
. A group of Situationists that attempted to “pudding assassinate” Hubert Humphrey called
Kommune 1 were part of this non-France country’s “68er generation.” The nursery rhyme “Mary Mary,
So Contrary” inspired Malcolm Mooney’s improvised lyrics on
(*)
Monster Movie
, the debut album by a band
from this country that was led by Holger Czukay (“shoo-KAI”). A genre that developed in this country spawned
bands like Popol Vuh, Amon Düül II, and Can. For 10 points, name this country where krautrock was developed
in the late 1960s.
ANSWER: West
Germany
(the opening line refers to Rolf-Ulrich Kaiser’s
Book of the New Pop Music
.)
18.
John Barry’s characteristic “James Bond progression” originated in his string arrangement for this
singer’s second number-one single. This singer’s appearance on the program
Face to Face
resulted in him
being frequently invited as the “voice of the youth” on network television. This singer imitated Buddy
Holly’s “hiccup” vocals on his early singles, which were the first UK number-one hits on the Parlophone
label. This singer of “I’ve Just Fallen For Someone” caused an international incident when he refused to
perform for segregated audiences in South Africa. Like
(*) Billy Fury, this British singer recorded eleven UK
number-one hits before The Beatles broke through in 1963. For 10 points, name this teen idol who recorded the
hits “Poor Me” and “What Do You Want?”
ANSWER: Adam
Faith
[accept Terence (Nelhams)
Wright
]
19.
According to his daughter, the singer of this song thought it was “self-serving and self-indulgent” and hated
it. An album titled for this song includes Rod McKuen’s English-language version of Jacques Brel’s “Ne me
quitte pas” and Jimmy Webb’s song “Didn’t We?,” which were both backed by Don Costa’s orchestra.
David Bowie attempted to write the English version of this song under the title “Even a Fool Learns to
Love.” This Jacques
(*) Revaux, Gilles Thibaut, and Claude François song was translated into English by Paul
Anka. A string of karaoke-related murders in the Philippines are tied to overperformance of this song. This song’s
narrator states he “planned each charted course / Each careful step along the byway.” For 10 points, name this
sentimental song about an individual’s life by Frank Sinatra.
ANSWER: “
My Way
” [accept “
Comme d’habitude
”]
20.
A reharmonization of “Taps” opens “Vaseline Machine Gun,” a 1969 song in this genre. An album in this
genre contains long elusive track subtitles like “From an old Etruscan drawing of a sperm cell” and is
nicknamed for the Armadillo on its black-and-white cover. A musician who recorded this genre led the
short-lived Takoma Records while studying at UCLA. Musicians in this genre like (*)
Leo Kottke
(“kaat-kee”) incorporated the styles of their country blues idols like Bukka White.
Death Chants, Breakdowns &
Military Waltzes
and
The Transfiguration of Blind Joe Death
are two albums in this genre. Musicians who play
this genre often play 12-string guitars with intricate fingerpicking, often with open tunings. For 10 points, name
this genre of instrumental guitar music pioneered by John Fahey.
ANSWER:
American Primitive
guitar [accept
American Pritivism
; prompt on “primitive guitar” or
“primitivism” or “fingerstyle guitar”]
21.
According to David Crosby, business-minded executive David Geffen had “another side” to him in that he
“loved” this musician. The Blossoms and Barbra Streisand both covered a song by this musician that
describes a narrator “raised on the Good Book of Jesus,” whose “poor mother worked the mines.” On their
album
Suitable for Framing
, Three Dog Night covered a song by this musician that repeats “hide your
heart, girl.” This notoriously difficult-to-work-with songwriter composed “Stoney End” and
(*) “Eli’s
Coming.” The Fifth Dimension covered this musician’s songs “Stoned Soul Picnic” and “Wedding Bell Blues,”
while Blood, Sweat & Tears covered her song “And When I Die.” For 10 points, name this songwriter who
recorded the albums
Eli and the Thirteenth Confession
and
New York Tenderberry
.
ANSWER: Laura
Nyro
(“neero”) [accept Laura
Nigro
]
22.
Note: specific term required
.
A one-hit-wonder in this subgenre shouts out the girls in Frisco, New York, and
“Texican.” An “Orchestral Cirkus” supergroup that performed songs in this subgenre recorded “Quick
Joey Small.” In their early CBGBs performances, Talking Heads covered a song from this subgenre titled
“1,2,3 Red Light.” Buddah Records pushed Ohio-based garage bands like The Music Explosion and The
Lemon Pipers to record this subgenre, which spawned many records produced by Joey Levine. Jerry
Kasenetz and Jeffrey Katz focused their production on songs in this subgenre after the success of
(*)
“Simon Says” by 1910 Fruitgum Company. Songs in this subgenre often featured organ over guitar, and
incorporated simple, childish lyrics. For 10 points, “Sugar, Sugar” by the Archies exemplifies what subgenre of
late ‘60s pop, named for a substance that kids chew?
ANSWER:
bubblegum
pop
23.
After this album was released, King and Smash Records had a legal dispute over its artist that prevented
him from recording music, but eventually released the single “Out of Sight.” This album’s expanded edition
includes single remixes of “I'll Go Crazy” and “Lost Someone.” This album’s success led to the creation of
Billboard
’s Live Albums Chart. This album begins with an announcement by organist Fats Gonder. After
this album’s success, its artist headlined the
(*) T.A.M.I. Show with the Rolling Stones. This album contains
live versions of “Try Me” and “Night Train.” For 10 points, name this 1963 album recorded at a Harlem theater,
by James Brown.
ANSWER:
Live at the Apollo
!
24.
D. A. Pennebaker captured this band’s performance of “Rollin’ and Tumblin’” at the Monterey Pop
Festival. The “quills” part on Henry Thomas’s recording of “Bull Doze Blues” was adapted into a flute part
on this band’s highest-charting single. In 1970, this band’s vagrant lead singer, who was likely (*)
autistic,
was found dead of a secobarbitol overdose in Topanga Canyon. A Tommy Johnson blues song gave its name to
this band, whose members included Henry Vestine, Bob Hite, and Alan Wilson. The lyrics of a song by this band
state “I’m going where the water tastes like wine.” For 10 points, name this blues rock band that recorded “On the
Road Again” and “Going Up the Country.”
ANSWER:
Canned Heat
25.
Al Hirt’s most successful single was recorded by a songwriter from this city who also wrote five top-ten hits
for Lee Dorsey. Another musician from this city was featured on “Return of the Son of Monster Magnet”
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by the Mothers of Invention before being sacked by Zappa for heroin use. This city’s Minit Records
released Ernie-K-Doe’s hit “Mother-in-Law.” “Big Chief” and “Tipitina” are piano blues standards from
this city that were first recorded by (*)
Professor Longhair. Second line drumming is featured on songs from
this city like “Hey Pocky-a-Way” by The Meters. A musician from this city born Malcolm Rebennack wrote “I
Walk On Guilded Splinters,” which was released on his 1968 album
Gris Gris
(“gree gree”). For 10 points, name
this home city of Allen Touissant, Aaron Neville, and Dr. John.
ANSWER:
New Orleans
, Louisiana
(the opening line refers to songs written by Allen Touissant.)
26.
This band covered a Bennie Benjamin-Horace Ott jazz ballad that was first recorded on Nina Simone’s
album
Broadway-Blues-Ballads
. Graham Bond helped this band secure their first gig outside the Newcastle
scene. After being discovered by Mickey Most, this band reworked the blues standard “Don’t Tear My
Clothes” into their first single, “Baby Let Me Take You Home.” A song by this band was the first Billboard
number-one song to feature the Vox Continental organ, which was played by band member Alan
(*) Price
on a song whose chord progression begins A minor–C major–D major–F major. This British band recorded “We
Gotta Get Outta This Place,” “Don’t Let Me Be Misunderstood,” and a folk song about a “ruin for many poor
boys.” Eric Burdon fronted, for 10 points, which band that recorded a best-selling cover of “House of the Rising
Sun”?
ANSWER: The
Animals
27.
Horace Clarence Boyer credited this state’s Echoes of Eden Choir as the “first true gospel choir.” That
group recorded the hit “Yield Not to Temptation” while under the leadership of this state’s mainstay
songwriter J. Earle Hines. James Cleveland, who later moved to this state, borrowed his “Peace, Be Still”
arrangement from its influential gospel figure Gwendolyn Lightner. Joe Ligon’s Mighty Clouds of Joy
originated in this state, also home to the choir that backed
(*) Aretha Franklin’s
Amazing Grace
performance.
A group of gospel singers from this state recorded the 1969 crossover hit “Oh Happy Day.” Larry Norman and
other musicians from this state originated Christian rock and Jesus music. The birth of traditional black gospel is
sometimes traced to this state’s Azusa Street Revival. For 10 points, the mainstreaming of gospel music in the
1960s was facilitated by musicians in which state’s city of Los Angeles?
ANSWER:
California
28.
On her album
To Love Somebody,
Nina Simone recorded a two-part “answer” to a song titled for this type
of event that states “Its not as simple as talkin’ jive / The daily struggle just to stay alive.” Jean
Luc-Godard also criticized that song, stating its performers were “corrupted by money.” Pee Wee
Crayton’s song “Do Unto Others” inspired the remake of a song titled for this type of event, which features
distorted fuzz guitar and excludes the original “bom-shoo-bee-doo-wop” background vocals. The line
“Take this brother, may it serve you well” is played after a list of dances on a (*)
sound collage titled for this
type of event that was inspired by Yoko Ono’s ‘secret diary tape’. The B-side to “Hey Jude” was titled for this
type of event, which repeats “Don't you know it’s gonna be alright.” For 10 points, name this type of event that
titles John Lennon’s “#9” sound collage on The Beatles’ White Album.
ANSWER:
revolution
[accept “
Revolution
#1” and “
Revolution
#9”]
29.
This musician convinced Stax to record his backing musicians Oscar Mack and Eddie Kirkland. A song by
this artist that begins with the chord changes “G major, B major, C major, A major” was inspired by his
stay in Sausalito, California. This artists stands in a cap and gown on the cover of an album whose A-side is
covers and B-side is mostly originals. This singer ad-libbed most of his version of “Satisfaction” after not
being able to transcribe the full song. This singer was backed by Booker T. and the M.G.’s at the (*)
Monterey Pop Festival, where he was introduced to a national audience. Isaac Hayes began his session career
while recording this musician’s “Come to Me” and “Security.” This musician drowned after the Beechcraft plane
he was traveling in crashed into a Wisconsin lake. For 10 points, name this singer of “Sittin’ on the Dock of the
Bay.”
ANSWER: Otis
Redding