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Phil Alden Robinson and the Auteur Theory
Kimberly Selby
The University of Arizona Global Campus
ENG225: Introduction to Film
Instr. Naimah Abdelwahab
17 April 2023
Phil Alden Robinson and the Auteur Theory
Auteur Theory states that the movie's creation is primarily a result of the director's
creative vision. According to the Auteur theory, films reflect their directors' artistic vision;
therefore, a film directed by a particular director will have a recurring theme and a consistent
visual style throughout his or her career that will tell the audience who the director is. Andrew
Sarris outlined three specific ways to distinguish an auteur in the Auteur Theory section, figure
8.1; technical competency, which means films must be well made; distinguishable personality,
which means films must have a distinctive style and attitude; and interior meaning, which means
the work should convey consistent world perspectives (Goodykoontz, B., et al., 2019). Phil
Alden Robinson is the director I chose to analyze, and I have chosen his films Field of Dreams
(1989) and Sneakers (1992)
as examples of how each meets Sarris's three ways of defining an
auteur.
Technical competence is the first element of Sarris's theory and can be summed up as
how well the film is made. "Artfulness is implicit in the analysis of technical competence -
artistry, craft, aesthetic mastery, but it is, of course, subjective - we each have a different
appreciation of and criteria for artfulness" (Goodykoontz, B., et al., 2019). Field of Dreams
explores the possibility of second chances and forgiveness while restoring our faith in humanity;
while Sneakers
explores a revenge scenario that is more intensely passionate. The quality of the
communication and the appropriateness of the message must also be considered. Diverse
approaches were taken to answering these questions. A crossroads in Ray's life is the subject of
the first film, which follows him on a fantasy journey. With the second film, viewers will be kept
on their toes through a fast-paced action film filled with twists and turns. It is evident that despite
the differences between the two films, there is a common theme.
Distinguishable personality is the second element of Sarris's theory. A journey into the
meaning of life and a journey through Ray Kinsella's life are explored in Field of Dreams
. Along
the way, he meets several characters with unresolved issues whom he traveled back through time
to find. Helping the other players gives Ray a chance to reconnect with his father. In Sneakers,
Martin Brice escapes arrest while running out for pizza with his college friend Cosmo. As the
plot unfolds, Cosmo is sentenced to prison for hacking, while Martin becomes a fugitive,
changes his name, and rebuilds his life. After a successful mission for the National Security
Agency, he leads a security team to retrieve a mathematician's "black box." Cosmo sets him up
as the culprit before embarking on the mission. If Martin can retrieve the box, he can earn his
freedom.
Interior meaning is the third element of Sarris’s theory. Using our textbook as a
reference, the definition of this concept encompasses the distinct personality of a director across
a collection of works (Goodykoontz, B., et al., 2019). Second chances are recurring themes in
both films. To move forward in life, Ray has to heal his relationship with a younger version of
his deceased father. A second chance at freedom was offered to Martin by the NSA. He would
no longer be considered a fugitive once he completed this job with the NSA.
Cinematography and narration are among the elements in creating a film, along with
audio, videography, editing, and mise-en-scene. This analysis examined the Auteur theory,
which argues that films reflect their directors' artistic vision, which means that every film by that
director has recurring themes and visual elements that indicate who the director is and show a
consistent artistic identity through the years. In addition, we analyzed the directing style of Field
of Dreams and Sneakers director Phil Alden Robinson. Despite their differences in approach,
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both films share a common theme of reconciliation and second chances. While the first film uses
a feel-good approach, the second uses an action-packed approach. Although it is an important
part of the study of film, some film critics oppose the auteur theory.
References
Goodykoontz, B., Jacobs, C.P., Meetze, J., & Pritts, N. (2019). Film: From watching to seeing (3rd ed.)