Pope Essay On Criticism Analysis
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Analysis of Alexander Pope's An Essay on Man
Analysis of Alexander Pope's An Essay on Man
There are three main issues that Pope talks about in his long poem "An Essay on Man." First, the
poet evokes a timeless vision of humanity in which the universe is connected to a great chain that
extends from God to the tiniest form of life. Secondly, Pope discusses God's plan in which evil must
exist for the sake of the greater good
, a paradox not fully understandable by human reason. Thirdly,
the poem accuses human beings of being proud and impious. Pope feels that man claims more
insight into the nature of existence then he possesses.
In "An Essay on Man" Pope is trying to make clear the relationship of humanity to the universe,
himself, society and also to happiness. He states
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Man knows that he possesses free will. In order for him to make the right choices, man must know
that there is a choice to make between good and evil, and that he has to accept responsibility for his
choices. Pope discuses the presence of evil throughout the universal chain: "If the great end be
human happiness then nature deviates; and can man do less?" (330). This implies that there is beauty
in nature, but there is also evil when nature destroys towns, homes and human life. If nature can be
evil, how can man be expected never to be evil? Man has the power of good to help feed the hungry,
care for the sick, and comfort the dying. Yet, man chooses to exercise his evil side: destroying,
killing and bringing down those that are weaker.
In addition to discussing evil, Pope also suggests that human beings are full of pride and impiety.
"All this dread order break–for whom? For thee? Vile worm!" laments Pope, "Oh madness! Pride!
impiety!" (332). He is saying that man sees himself as the center of the universe around which all
things revolve. Humanity cares about nothing but itself. Pope draws us into the poem by reminding
us that we too have tendencies to make assumptions and that we all have our own desire to see the
universe revolving around us. Pope discusses humanity's downfall, writing: "In pride in reasoning
pride, our error lies" (329). Here, Pope puts forth the
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Alexander Pope was a British poet well known for his very meaningful pieces that try to reach out to
the world and change it on of them is the essay on criticism which was a very impactful piece. We
can see this cling out to Ode to solitude on how he writes about solitude being so great and so
wonderful to him.Ode to solitude really describes the wonders of a relaxing, calm and solitary live
where a man can live in bliss. He instantly goes into a pleasant mood with "Happy the man,"
probably because he thinks the same way about solitude and wants to express his feelings about this
subject.All throughout the poem, he describes how someone can life in solitude wanting to spread
his opinions about it as well as praising it. He is able to write about the life of men in solitude in
such a wonderful way in makes the reader feel somewhat appreciation towards it. The first two
stanzas show the reader that the man living in bliss and happiness doesn't own much and was mostly
inherited by family in his birthplace, as well that he can live a humble life with just enough food and
attire but that solitude can really make it wonderful. The first stanza describes where he lives while
the second describes what he owns which altogether comes to just essentials.We can see how the use
of the words like "own" and "his"
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Alexander Pope and Women Essay example
Alexander Pope may have been the adversary of female behavior the extent of this has long been in
question. The writer's satirical style towards the women of his era is evidence of his opinions.
However, there are noticeable facts that generate a swaying effect on Pope's views and the meaning
of The Rape of the Lock. These details consist of the author's personal life and symbolism contained
in his mock epic poem, including the voices of Bella and Clarissa, which is an indication that he
may not have had the hardened heart towards women that everyone assumed he had. While any
evaluation on Alexander Pope
's personal opinion will conclude with a questioning of who he truly
was behind his literary persona, a thorough research provides solid
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Beauty was of utmost importance and to climb any social ladder, a pleasing outward appearance was
to be achieved.
The Rape of the Lock does an excellent job of portraying this thoughtlessness that the women had
during the Eighteenth Century. In the mock poem a woman who has her hair cut off and stolen
appears to be an action that expresses hilarious sarcastic wit. However this storyline was not just
humorous but has a sad underlying tone owing to the fact that a woman in the Eighteenth Century
would have taken these circumstances to a serious degree. Alexander Pope expressed his opinion of
women in a frank and aggressive manner. As Elizabeth King put it in her notes about The Rape of
the Lock, "it styled woman a goddess and regarded her as little better than a doll"(77), this clarifies
Pope's respect of women during his time.
The prime example of Pope's opinion is written through his character Belinda, in The Rape of the
Lock. In the poem, Belinda is the epitome of loveliness and femininity. The qualities she possesses
are not of intellect or wholesome attitude, but the beauty she was born with overpowers any need for
intelligence. Due to this, a Sylph named Ariel who was once a woman of similar beauty and class as
Belinda protects her, along with the nymphs who were once too, of pleasing disposition in their
human life. Throughout the story they keep watch over her and Ariel guards her heart from being
overtaken by
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An essay is, generally, a piece of writing that gives the author 's own argument – but the definition is
vague, overlapping with those of an article, a pamphlet, and a short story. Essays have traditionally
been sub–classified as formal and informal. Formal essays are characterized by "serious purpose,
dignity, logical organization, length," whereas the informal essay is characterized by "the personal
element (self–revelation, individual tastes and experiences, confidential manner), humor, graceful
style, rambling structure, unconventionality or novelty of theme," etc.[1]
Essays are commonly used as literary criticism, political manifestos, learned arguments,
observations of daily life, recollections, and reflections of the author. Almost
...show more content...
An essay has been defined in a variety of ways. One definition is a "prose composition with a
focused subject of discussion" or a "long, systematic discourse".[2] It is difficult to define the genre
into which essays fall. Aldous Huxley, a leading essayist, gives guidance on the subject.[3] He notes
that "the essay is a literary device for saying almost everything about almost anything", and adds
that "by tradition, almost by definition, the essay is a short piece". Furthermore, Huxley argues that
"essays belong to a literary species whose extreme variability can be studied most effectively within
a three–poled frame of reference". These three poles (or worlds in which the essay may exist) are:
The personal and the autobiographical: The essayists that feel most comfortable in this pole "write
fragments of reflective autobiography and look at the world through the keyhole of anecdote and
description".
The objective, the factual, and the concrete particular: The essayists that write from this pole "do not
speak directly of themselves, but turn their attention outward to some literary or scientific or
political theme. Their art consists of setting forth,
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Analysis Of Alexander Pope 's ' Frankenstein '
Throughout history, humans have been fascinated the inherent bond that exists between ourselves
and Nature. During the eighteenth century, known also as "the Reformation" period, there was a
push in European society towards science and reason being the epicenter of culture. During this
time, Alexander Pope wrote the poem 'Essay on Man' which was intended to be an outline of
perennial, universal truths. The emphasis was primarily on the nature of reason rather than Nature
itself. After this time period came the Romantic period, lasting from 1785–1832. It was in 1818 that
Mary Shelley wrote '
Frankenstein
', also known as 'The Modern Prometheus', an imaginative tale
about a monster created by man. The relationships between Nature and the characters are dynamic
in that they change frequently. They appear, in many instances, to be a vehicle for expressing
emotion
. By examining and writing about the way humans interact with the Nature surrounding
them, Pope and Shelley made it possible to analyze and highlight common relationships between
humans and Nature during their lifetime; for Pope and his peers, it was more about reason and ___
(word for only coming to conclusions based on ur five senses), while during Shelley's time period,
people tended to have a more emotional relationship with Nature.
Shelley utilized imagery, metaphor, simile, and personification relative to Nature, frequently paired
with tone, in many scenes throughout Frankenstein. Whether it be to uplift or depress
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Critical Analysis Of Olivia Pope's 'Scandal'
Introduction
Intersectionality can be referred to as a sociological theory that describes multiple threats of
discrimination when a person's identity overlaps with a number of minority classes in terms of
gender, age, race, health, ethnicity, and many other features (Vardeman–Winter & Tindall, 2010). In
essence, intersectionality is a framework employed in conceptualizing an individual, group of
people, or social problem as affected by a myriad of discriminations and disadvantages. The
intersectionality theory posits that people are usually disadvantaged by multiple sources of
oppression and other identity markers which do not exist independently of each other but rather
informs the others creating a complex convergence of oppression
...show more content...
Therefore, Olivia Pope is a manifestation that a black woman, like any other woman, can be a high
achieving entrepreneur, capable of breaking cultural barriers and male chauvinism, and excel in
fields general perceived to be male–dominated such as politics. To this extent, Olivia Pope is a great
character for analyzing intersectionality.
In Olivia Pope, we observe the intersection of race
, gender
, class, and even surrounding, which are
important ingredients that give rise to the intersectionality theory. Olivia is a black woman from a
humble background who finds herself in the middle of most powerful politicians, bureaucrats, and
chauvinistic men in Washington D.C. Ideally, this offers the multiple sources of oppression as
argued in the Intersectionality theory and you expect Olivia to go through a similar fate. However,
Olivia's character goes against the status quo because she manages to thrive and establish herself as
a successful entrepreneur who helps U.S. President Fitzgerald Grant (played by Tony Goldwyn) win
office regardless of all the things that should supposedly make her vulnerable to oppression.
Nonetheless, there is a stereotypical characterization of black women as promiscuous through her
involvement in President Grant's infidelity (Evans, 2014). This is a historically problematic
representation of black women as was explained by Cho, Crenshaw, and McCall (2013). They
argued that the dominant white population always regarded
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Jessie Pope was a journalist who wrote recruitment poems for the Daily Mail during the First World
War. The poems she did write were positive propaganda poems for the war; her objective was to
stimulate patriotism in the readers so that the men would join the forces. Pope wrote a persuasive
poem where she compared war to a game. This is illustrated in the title 'Who's for the game?' It
shows that her attitude toward war was that it was a great big event that everyone should take part in
one way or another. The title is a short and punchy question inviting anyone to answer. This gives
the wrong impression of the war, it is misleading. Pope was ridiculed for doing this, but if she did
write the
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This is compared to a game like rugby, which was a popular sport amongst men at this time, whilst
meaning who will rise to this duty with no fear, again appealing to masculine instinct and
encouraging men to recruit. The final line: 'And who thinks he'd rather sit tight?' In other words she
is asking who would rather be a coward and not do anything – the purpose of this line is to evoke
quilt within the men so when it comes to making the decision the questions will linger in their
minds. The 'quilt trip' was not uncommon at this time and was a useful strategy of putting them in
awkward positions felling embarrassed if they do choose not to fight but stay at home taking the
easy route. This corresponds with poetry such as 'For the Fallen' by Laurence Binyon.
The second verse talks of patriotism, 'who'll give his country a hand' in fighting against the enemy.
This was known as xenophobic or jingoistic poetry – a very popular form of poetry at the time as
posters such as the Kitchener appeal and other poets were alongside this. This is again is in
reference to the cowardice of those who do not join in comparison with those willing to give their
lives to their country. The cowards are the man with a 'seat in the stand' that are compared with the
men 'who want a turn to himself in the show'. The reference to war
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Rhetorical Analysis Of Pope Francis
I will be analyzing the speech of Pope Francis to a Joint Session of Congress from September of
2015 in Washington, D.C. for my final rhetorical analysis. This speech is important because it
addresses societal issues in the United States and the whole world such as poverty, religion, war, the
environment, immigration, and gun laws. The pope not only addresses the issues, but also
acknowledges many of the marvelous features of America. In this paper, I will provide a summary
of research I found on the context of the speech, the speaker, the audience, and the effects the speech
had on society. Pope Francis is the present day spiritual leader of the Catholic Church, also known
as the bishop of Rome or pontiff. He is the very first pope from Latin American, Argentina
specifically, and is now known as the first pope ever that has addressed Congress. According to the
guardian.com, Pope Francis, "electrified Congress with a call for action on climate change,
immigration, poverty and capital punishment, laying down a challenge for the United States to
transcend division and rediscover its ideals" (Carroll 1). He addressed these issues and drew a great
interest from the audience for fifty–one minutes in the chamber of the House of Representatives.
The audience of the speech consisted of a large number of lawmakers, aides, and invited guests. The
New York Times, referenced some of the people that attended: "Sitting behind Francis were Vice
President Joseph R. Biden Jr. and House Speaker John A. Boehner, both Catholics. Flanking the
aisle at the front were Secretary of State John Kerry and Chief Justice John G. Roberts Jr., and not
far behind them was Nancy Pelosi
, the House Democratic leader, all Catholics" (Baker, Yardley 17).
Others in the audience included three other Supreme Court associate justices, Justice Anthony
Kennedy, Justice Ruth Bader Ginsburg
, and Justice Sonia Sotomayor, other cabinet members,
senators, House members, presidential candidates, a few four–star generals, priests, nuns, and
bishops. According to the New York Times, the lawmakers interrupted Pope Francis about thirty
times applauding him, causing the speech to run fifty–one minutes when originally scheduled for
thirty. *****add
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Poe and Psychoanalytic Criticism Essay
The School of Psychoanalytic Criticism "The Cask of Amontillado" and its author Edgar Allan Poe
are excellent references for applying psychoanalytic interpretations to an author and his work.
Psychoanalytic criticism uses a Freudian theory of a three level psyche, the ego, the super–ego, and
the id to gain a better understanding of the deeper or hidden meaning within literature and an
understanding of the psychological identity of the author, the characters or the reader. Freud
theorized that our psyche has three levels. The ego is the rational part of our psyche known as the
consciousness. The super–ego is the part of our psyche that is dictated by the values of first our
parents and then later society known as the conscience. The
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Poe lost his mother at a young age and then was abandoned by his father. He then was adopted by a
wealthy merchant with an iron fist. Taking this into account critics might theorize that his inner
competition to please his father but also be a writer was repressed and then manifested itself in this
short story, where his father is Fortunato, walled away leaving him free to pursue his literary career.
This could also be a metaphor for when he broke all ties to his adopted father. Freudian theory deals
with the premise that some of our desires, wishes, fears and memories may be hard to cope with and
so we eliminate it from our conscious mind through repression. "But this doesn't make it go away: it
remains alive in the unconscious, like radioactive matter buried beneath the ocean" (Barry 96).
Fortunato is buried alive deep in the catacombs beneath the river where poisonous nitre grows. This
is a clever use of symbolism and metaphors to demonstrate the burying of our darkest human
motives, walling them up to hide from our ego or conscious being, hence repression is born. "My
heart grew sick–on account of the dampness of the catacombs. I hastened to make an end of my
labour. I forced the last stone into its position; I plastered it up. Against the new masonry I reerected
the old ramport of bones. For half a century no mortal has disturbed them" (Poe 62) Infantile
sexuality is a Freudian concept
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Reading Something Once Is Like Only Eating the Appetizer
In the poem An Essay on Man, Alexander Pope combines clever wordplay with common sense in an
attempt to justify the actions of God to man. In his poem pope argues that God does not operate in a
way in which only humanities interests are considered. He questions the reasoning behind the
doubtfulness of man and argues that we only think of ourselves and refuse to grasp the bigger
picture. The way of thinking that Pope displays in his poem is a brilliant perspective on faith and his
simple yet thoughtful poetry is infinitely engaging to the theologically curious, like myself.
The first time I read An Essay on Man I was very intrigued by the amount of thought Pope put into
some of his arguments in the defense of God. "Destroy all creatures for thy sport or gust, Yet cry, if
man's unhappy, God's unjust." (263) This quote left a big impression on me the first time I read
Pope's poem. Pope is using man's own actions to justify God's. To take the life of a living being is to
assume a Godlike privilege, yet man is selfish. Man doubts God and becomes angry with God
should what they do to animals happen to them. He is showing humanity that by being angry at God
whenever something bad befalls them they are setting a double standard for God. When I think of
this quote I think of the circle of life and I feel like Pope considered God to be an active part of it, a
force which kept order and maintains fairness for all.
The
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In the book Candide, by Voltaire and in the "Essay On Man" by Alexander Pope, both authors write
about similar ideas. However, they also have some drastic differences, such as Voltaire's sarcastic
over exaggeration of ideas that oppose his to make a point. Both Voltaire and Pope make conflicting
arguments for a general ideology but Voltaire depicts in opinion much stronger. In the Essay on
Man, Pope brings up many theories about the universe, Earth, and The Great Chain of Being. One of
the most significant ideas he brings up is the idea that "All partial evil, (is) universal good"(293).
What Pope is trying to say here is that perhaps the suffering of a few benefits everyone in the long
run. However, the true meaning of this quote isn't extremely clear to the eye from the reading, and
leaves the reader's mind open. Another one of Pope's ideas is the great chain of being, and
everything's position on it. He believes it is a law of the world and that breaking it would be nearly
impossible. He states that:
"Men would be angels, angels would be gods.
Aspiring to be gods, if angels fell,
Aspiring to be angels, men rebel:
And who but wishes to invert the laws
Of order, sins against the Eternal Cause"(125–130).
Pope is essentially saying that if anyone breaks, or tries to break the great chain of being, they are
committing a sin against the "Eternal Cause", or the cause of God
. Also, he is saying that all parts of
the chain are necessary. If angels didn't exist, men would try to
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The aim of this essay is to analyse the literary devices used in An Essay on Man by Alexander Pope,
which lead to the literariness of the text – its artistry, what makes it literary. To this purpose, I will
make use of Victor Skhlovsky's notion of defamiliarization, which he explains in "Art as
Technique", written in the first phase of the Russian Formalism. Defamiliariation is the process by
which ordinary language is modified in order to achieve an effect of "artificiality" and strangeness,
drawing attention not to the meaning, but to "the way it says that it has to say" (Bertens 27). Thus,
the formalist approach leaves aside the refferential function of a literary text ("the way it reflects the
world we live in" – Bertens 26) and focuses
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The symmetrical, circular character of the world is emphasised in an antimetabole in the third
Epistle: "Made beast in aid of man, and man of beast." (L 24) – by the means of inverting the two
opposed terms, they actually come in each other's completion. The entire world is ordered by a
rigorous plan, and similes underline the idea of the universe as a continuing flow of matter and ideas
("the nature of creation is unity" – Clark 87), in perfect balance: "Like Bubbles on the sea of matter
borne, / They rise, they break, and to that sea return." The world is intriguingly called "Mighty
maze! but not without a plan", the metaphor defamiliarizing the way in which the world appears,
making it appear complex and above everyday reality and casual
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Literary Criticism In Poetry
Formalist criticism is the literary theory that takes a look into works of literature for the message
and meaning, but gives a special focus on the form and structure, as well as the literary devices it
utilizes. This form of criticism is has a very straightforward approach, breaking down the text into
different component parts. Imagery, language, point of view, structure, motivation are all elements
this group examines when reading the text. The thing that differs this approach from other literary
schools of criticism, is its focus on the internal components, instead of the outside influences. The
critic must pay no attention the authors intent and read the text with a neutral or unemotionally. The
reader is interesting in determining who the protagonist is, the protagonist's conflicts, the climax,
setting, and theme of the literary works. This essay will discuss three poems "Wild Iris", "Lady
Lazarus", and "Aunt Jennifer's Tigers" and apply the Formalist literary criticism towards each of the
poem's text. "Wild Iris" is a poem by Louise Glück, that doesn't display its meaning clearly and
makes the reader work to find answers and understand the message of the poem. The part I noticed
first was that the protagonist and speaker of the poem was the flower itself. As said in an article
written by The Editors of Encyclopædia Britannica, personification is, "a type of metaphor and a
common literary tool. It is when you assign the qualities of a person to something that isn't
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An Essay On Criticism Essay
Pope's An Essay on Criticism
When Samuel Johnson ascribed to a new work "such extent of comprehension, such nicety of
distinction, such acquaintance with mankind, and such knowledge both of both ancient and modern
learning as not often attained by the maturest age and longest experience," he was speaking of
young Alexander Pope
's An Essay on Criticism (1711), written when he was about twenty, and
published when he was only twenty–three years old (in Mack 177).1 Others have not been as
generous in their comments about the prodigy's efforts. One history of criticism textbook describes
the work rather ingloriously: "There are repetitions and inconsistencies, some conventional
pronouncements along with injunctions of lasting value;
...show more content...
Also, De Quincey's remarks in the seventh edition of the Encyclopedia Britannica (1842) set the
pace for many future diagnoses of the work: "It is a collection of independent maxims, tied together
into a fasciculus [small bundle] by the printer, but having no natural order or logical dependency:
generally so vague as to mean nothing" (in Morris 145). John Dennis' immediate and hostile
response to Pope's contribution is perhaps the most celebrated. Clark tells the story (30–31): "The
`Essay' provoked an almost immediate attack and a vitriolic critique by John Dennis in his
Reflections Critical and Satyrical, upon a late Rhapsody , cal'd An Essay upon Criticism. This
abusive monograph was apparently stands as a monument to the principles of English neo–classical
poetics which revered the works of the ancients, recognized the validity of classical criteria and
genres, and desired to see the ancient criteria and genres applied to the eighteenth century English
literary scene (Isles 262). For this reason and others, many believe that An Essay on Criticism makes
an original and significant contribution to the history of critical theory (Morris 146).
Pope divided the work into three parts. Part one is an extended theoretical defense of the very
possibility of valid criticism which draws on Nature and the tradition of the ancients. The
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The destruction of the grand style of the epic is just what Pope was after in his mock epic, 'The Rape
of the Lock.' Pope had no such universal goal, or moral pronouncements to make as did Milton. His
purpose was merely to expose the life of the nobility of his time. While Milton chose blank verse to
express the immensity of the landscape of his epic, Pope chose to utilize the heroic couplet to
trivialize this grandeur. Pope's quick wit bounces the reader along his detailed description of his
parlor–room epic. His content is purposefully trivial, his scope purposefully thin, his style
purposefully light–hearted, and therefore his choice of form purposefully geared toward the smooth,
natural rhythm of the heroic couplet. The caesura, the
...show more content...
The stakes in this mock–heroic epic are Belinda's maidenhood, and the convention of the epic
warning comes by way of Ariel's reading of bad omens: 'Late as I ranged the crystal wilds of air,/ In
the clear mirror of thy ruling star/ I saw, alas! some dread event impend/ . . . Beware of all, but most
beware of Man!' (105–114). Belinda's performance of her toilette, assisted by Betty, her 'inferior
priestess' (127), is described as the arming of the epic hero: 'Now awful Beauty put on all its arms'
(138), and the images evoked in Pope's description of the various creams and perfumes on Belinda's
vanity invests them with a value and exoticism they don't deserve: 'Unnumbered treasures,'
'glittering spoil,' 'India's glowing gems,' 'all Arabia breathes from yonder box,' 'The tortoise here and
elephant unite' (129–135) By means of hyperbole, Pope manages to reveal the true worthlessness of
these substances.
Pope advocates the use of concrete, Saxonate words over abstract, Latinate ones in poetry
, and
offers numerous examples from eighteenth century poetry of how the effect of abstraction is to show
a lack
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Rhetorical Analysis Of Pope Francis's Speech
Listen. The Pope has something to say. The year 2015 will always be remembered as Pope Francis'
first visit to the White House during his papal post. This was a rather historic time as His Holiness
traveled from Washington, to New York, to the historic city of Philadelphia, Pennsylvania. During
this visit, the Pope delivered many powerful words of wisdom to the American people, including an
address to a joint session of Congress. On September 23, one day after his arrival, he addressed over
11,000 Americans on the South Lawn of the White House. The third pope to do so, Pope Francis
spoke on love, unity, and the importance of mending broken relationships. Via his use of the
rhetorical appeals and other stylistic devices, the Pope conveys a timely message to the American
people that goodwill and support are the key to a prosperous nation.
Pope Francis is viewed as a spiritual father figure to Catholics around the world. He is even
addressed as "Most Holy Father." Throughout the entire speech, the Pope speaks from this place of
fatherliness. While he is a political figure and head of the state of the Vatican, he is a man of God
first. As a result of these things, His Holiness relies rather heavily on his ethos and pathos during
this speech. There are many instances of ethos, or a good man speaking well, during this response to
the welcome. In his opening, he says, "As a son of an immigrant family, I am happy to be a guest in
this country, which was largely built by such families" (Francis). Born in Argentina, Pope Francis
was the son of an Italian immigrant. Here, he uses that connection to relate to many immigrants in
America. The country itself was built by immigrants––physically and culturally. The railroads and
many of the buildings that exist in this nation are the result of immigrant labor. Pope Francis,
however, is also talking about the figurative things built by immigrants. The entire American way of
life and culture is the result of immigrants. No one originated here except for pure Native
Americans. Everything else and everyone else is a foreigner by origin. In this introduction, the Pope
also makes one more emotional appeal. Unlike Pope John Paul II and Pope Benedict XVI before
him, Francis is the
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Political Influences Of Alexander Pope
One of the most influential poets of the 17th and 18th centuries, Alexander Pope significantly
influenced classical poetry through his didactic and satirical works. Born in 1688, Pope began his
life already facing many challenges through different facets of his life. Because his family were
practicing Catholics, the Pope's were forced to move onto the outskirts of town, and Alexander
wasn't able to attend school any longer, which challenged him to teach himself. Rising to the
challenge, Pope taught himself different languages, and wrote his first poem, Ode on Solitude, at the
age of twelve (Masters in English). With his satiric style, Alexander Pope was able to write about his
own experiences with Pott's disease, as well as his well–known translations of plays such as Illiad
and The Odyssey where he included some of his own ideas in their writing (notable biographies).
Alexander Pope shaped the writings of his time through the use of satire, drawing on his own life
and the situations around him for inspiration and support.
In 18th century England, poetry was mainly political and satirical. The main philosophical question
was "whether the individual or society took precedence as the subject of verse." (slideshare). This
time period was led by Alexander Pope because of his early start into writing and his continued
works throughout his life. Pope and most poets/authors of the time wrote with reason over feelings
and were typically written in rhymes and heroic couplets.
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Alexander Pope – a poet, landscape gardener, translator, and a satirist – is a famous public figure of
the Enlightenment Era. One of his famous satires would be "An Essay on Criticism" where Pope
rebukingly criticizes people who wrongly criticize. The work of a satire which has a blend of humor
and wit for the improvement of humanity and the use of these characteristics were a very popular
way of writing literature in the Enlightenment Era and the use of it was intended to inspire
remodeling of society (Johnathan J. Szwec). Although satires may vex some people, for others, it
may be seen as an observation and a suggestive way to fix a problem in society. The poem written
by Alexander Pope, "From an Essay Criticism," Pope expresses the idea that if one does not obtain
enough knowledge on a subject, then that person is not allowed to criticize. Written as heroic
couplets, Pope reveals that... shown through a mixture of diction, personification, and irony.
As Pope was writing his poem, he tends to use words that are more straightforward and doesn't
intend on mollifying any of his thoughts and ideas. An example of this is when Pope states that
some poets make up "dull rhymes" and are "languishingly slow" (lines 22 and 23). The use of the
word "dull" shows that
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Rhetorical Analysis Essay On Pope Francis
On Friday, April 10, Pope Francis announced an extraordinary Holy Year of Mercy,he wants to make
it evident that the Church's mission is to be a witness of compassion.said"Let us not forget that God
forgives and God forgives always," Francis said. "Let us never tire of asking for forgiveness." There
are lots of response
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