READING QUIZ Q's

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Apr 3, 2024

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Week 3 Q’s Joshua Mark describes how psychologist Carl Jung uses the labyrinth to symbolize the deep problem solving that human beings experience, specifically the necessity of facing and penetrating the darkness in order to emerge changed and enlightened. Which of the characters from the mythos of the Cretan labyrinth most embodies the transformative potential of the labyrinth? a. Ariadne b. Daedalus c. Theseus d. King Minos Antonis Kotsonas' emphasis on "counter-memory" means that he gives priority to ____________________ as he traces the cultural history of speculation regarding the possible location and significance of the Cretan Labyrinth. a. the writings of Arthur Evans and other early excavators of the possible sites of the Cretan Labyrinth b. localized knowledge and informants, sometimes anonymous \ c. vetted scholars in the field of archeology and classical antiquity Week 4 Q’s A tsukubai is an element of the tea house landscape that corresponds to which of the virtues associated with tea practice in Japan? a. Sei b. Wa c. Kei d. Jaku According to Joy Hendry, ____________________ refers to the inner or domesticated realm of Japanese life and spatial organization. a. uchi
b. soto Week 5 questions William Cronon uses William Wordsworth's poem The Prelude to illustrate the 18th century Romantic doctrine of the sublime. According to Cronon, Wordsworth's experience in the wilderness as expressed in this poem is ________________. a. a sojourn in the gentle lap of non-human nature b. similar to the biblical view of nature as a place of danger and bewilderment c. a pleasurable, joy-inspiring experience Thoreau makes the extreme statement that "in ___________________ is the preservation of the World." a. Wildness b. Humanity c. Grace d. Civilization When John Muir says, "Our flesh-and-bone tabernacle seems transparent as glass to the beauty about us," he is referring to ______________________. a. the beauty and power of Heaven to overcome the terrors Nature b. the inseparability of all nature, including human beings Week 6 Q’s / notes metaphor - a figure of speech in which a word or phrase is applied to an object or action to which it is not literally applicable; a thing regarded as representative or symbolic of something else, especially something abstract anaphora - repeating a sequence of words at the beginnings of neighboring clauses, thereby lending them emphasis; in this case, also emphasizing differences across the neighboring clauses by juxtaposition through repetition resistance to grammar and style conventions - related to the content of her work, namely articulating the fracturing and unintelligibility of Native experiences, cultures, and memories.
Harjo's resistance to English language conventions is connected to a broader commitment among activists, writers, artists, scholars, teachers, ritualists, and communities to decolonize language, lands, memories, cultures, the list goes on. Decolonizing means both embracing and resisting the dominant culture, retrieving and co-creating what was lost, being honest about surplus suffering, and deploying various strategies - art, storytelling, organizing, education, healing - to dismantle social relationships that depend on inequitable power distribution and exploitation. Related to the last two, what we might call personification if we are using conventional literary terminology, in Harjo's work we might call animism, the recognition of distinct spiritual essences and/or sentience in objects, places, creatures, and natural phenomena. The view that all things—animals, plants, rocks, rivers, weather systems, human handiwork, and perhaps even words—are awake and alive is characteristic of many Native lifeways and cultures. This view challenges colonizing demarcations and hierarchies of value between people and nature, for example, or civilization and the wilderness. In an interview with Layli Long Soldier, Joy Harjo recalls a contemplative experience she had as a child through her encounter with _______________________. Group of answer choices a. the people depicted on her grandmother's Chinese engraved pots Why did Joy Harjo envy her non-Native classmates in her first writing workshop as the University of New Mexico (UNM)? Group of answer choices a. Because they wrote about anything they wanted Antonis Kotsonas' aim in his essay "A Cultural History of the Cretan Labyrinth" is to establish the definitive location of Daedalus' maze. False __________ refers to the small entrance of a Japanese tearoom which is reminder of humility and mutual respect for those attending the ceremony. a. Tsukubai b. Nijiriguchi c. Matcha Which of the following is something Nick Cave, Céline Sciamma, and Joy Harjo have in common? Both of these They are all artists with a conscience. (Not these two) They all work interdependently with others across mediums. (Not these two) Neither of these
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Dr. Viau's Notes for Antonis Kotsonas
Week 7 Quiz Soundsuits What was the first one made out of and why did Nick Cave make it? - The first soundsuit was made out of twigs. He started making the soundsuits because of gun violence and and racism in this country. The soundsuit masks the gender, race and class of the individual behind the sount suit. What does he mean when he says he became an artist with a conscience? - That incident was so profound in terms of how it made me feel. I felt that I needed to do something, as a Black male living in this country. That’s when I knew that there was a shift in my purpose. [The beating was a sign] for me to take responsibility. From that moment, I became an artist with a conscience. I am an artist with a civic responsibility. I [am invigorated] by dealing with these really hard issues around race and gun violence. There’s an urgency I feel, as an artist, as an African American man, as a citizen of the United States, and as a resident of Chicago. The Rodney King beating put me in the position to be the voice of the innocent. Lives matter, not just Black lives. All lives matter. - I FEEL CALLED TO ACTION, AND I’M TRYING TO FIND A WAY, AS A VISUAL ARTIST WITH A SPECIFIC SENSE OF RESPONSIBILITY, TO BE PROACTIVE what is it like to be inside one of these sculptures? - How is this experience related to our broader conversation about the inner and outer dimensions of contemplative practice? - What was the instigator object of Nick Cave's first soundsuit? Group of answer choices a. a twig b. a necklace c. a button d. a toy Nick Cave is a reclusive artist and tends to work alone on his projects. True False Nick Cave compares his process to ________________________. a scientist experimenting a poet sewing words together a collector scavenging for treasures
Week 8 Yoga in the classroom Which of the following is NOT one of the similarities between Christian evangelical and Hindu nationalist approaches to contemporary yoga? Group of answer choices a. They both promote ties between their national identities and a specific religious worldview. b. They both want to prohibit yoga from school settings anywhere, keeping it strictly in its appropriate sacred domain. c. They both want the religious roots of yoga in Hinduism acknowledged. Shreena Gandhi and Lillie Wolff argue that white Americans should stop practicing yoga because it is a form of cultural appropriation rooted in colonialism. True False Andrea Jain argues that postural yoga in the West is a corruption of traditional Vedic understandings of these practices and therefore should be interrogated as disrespectful to the origin culture. True False 1 / 1 pts The primary objective of mindfulness as discussed in the Satipatthana Sutta is to transcend or overcome the physical body because this is understood as a deterrent to understanding. True False The three poisons in Buddhism are _____________________. ignorance, feeling, and fear ignorance, anger, and fear ignorance, pleasure, and anger ignorance, desire, and aversion In her article for TIME, Kate Pickert acknowledges the scientific data showing the efficacy of Mindfulness Based Stress Reduction (MBSR) and other mindfulness approaches, but she says that the MBSR class that she attended for eight weeks did not have a big impact on her life. True False Buddahism
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https://www.worldhistory.org/Four_Noble_Truths/ The Four Noble Truths are: Life is suffering The cause of suffering is craving The end of suffering comes with an end to craving There is a path which leads one away from craving and suffering The four truths are called “noble” from the original arya meaning the same but also “worthy of respect” and suggesting “worth heeding”. The path alluded to in the fourth of the truths is The Eightfold Path which serves as a guide to live one's life without the kind of attachment that guarantees suffering: Right View Right Intention Right Speech Right Action Right Livelihood Right Effort Right Mindfulness Right Concentration Truth 1 The first truth is known as duhkha, meaning "suffering". Life is suffering and will remain so as long as one refuses to recognize its true nature. People understood that they suffered, of course, but believed this was an unavoidable aspect of living. Buddha explained that it was not but arose from the skandhas (Sanskrit for "heaps" or "aggregates") which he identified as "the five aggregates of attachment" and further as "the five aggregates of suffering". These are: Rūpa – form, material impression Vedanā – sensations produced by form, one’s feelings Samjñā – perceptions derived from form Sańkhāra – psychological activity in response to form Vijñāna – one’s consciousness shaped by psychological activity Truth 2 The second truth is samudaya, meaning "origination" , and addresses the cause of suffering. The cause of suffering is the craving for permanence in an impermanent world. Believing one is a permanent entity, one constructs a false world of illusion which, because it is not real, cannot
satisfy and leads to continual pain and disappointment. Buddha defines this craving as a passionate desire for things one cannot have Truth 3 The third truth is nirodha meaning "cessation" . In order to stop craving, one must understand what one is actually craving and recognize that the illusion of permanence cannot satisfy one’s needs. The end of suffering comes with an end to craving when one realizes that what one is craving is true reality, not illusions of reality. Buddha encourages an abrupt stop to the craving behavior along the lines of abandoning a bad habit: Truth 4 The fourth truth is marga, meaning "the path", by which Buddha means his "middle way" in navigating life. He begins by simply stating that there is a path which leads one away from craving and suffering and then explains what that path is: Week 10 Reading Quiz Rhonda Magee's strategy "ColorInsight" does NOT involve ________________. a. avoiding difficult conversations about racialized suffering b. developing more nuanced capacity to perceive and understand how race and racism operate in our lives c. listening without judgment and with compassion d. having the courage to examine the role of race and racism in our lives Racism, according to Rhonda Magee ____________________. a. is generally about individual bad actions aimed at harming others, or people who consciously endorse beliefs about the inferiority of others b. encompasses individual, collective, and systemic beliefs and acts that justify the assertion of power against racially maligned people and their allies Rhonda Magee is known for her work applying mindfulness in ___________________. a. policing and judicial contexts b. mental health and therapeutic settings c. treating chronic pain Week 11 Benedict of Nursia was inspired by _______________________ when he conceived the Liturgy of the Hours. his reading of scripture, specifically Psalm 118/119 God's command that he dedicate equal hours to prayer and work by Anthony of Egypt's record of his daily devotional practice
Peter Nissen speaks positively about projects like Philip Gröning's film because it offers a complex and realistic view of Carthusian monasticism. True False "Rather than relying on cinematic tricks to manipulate the emotions, they seek through cinematic restraint to engage the spirit, to leave the viewer room to ponder larger questions of meaning rather than simply responding to stimuli." This quote from Steven Greydanus' review of Into Great Silence refers to what approach to filmmaking? elevated minimalism documentary realism contemplative realism Week 12 Marianne describes her interpretation of Orpheus looking back at Eurydice as the poet's choice, meaning ___________________. he chooses the memory of her he was curious to see what would happen if he looked back, and his curiosity was more powerful than his love for her his passion for her overcame him so that he didn't have a choice but to look back According to Céline Sciamma, what is at the center of the philosophy of love expressed in Portrait of a Lady on Fire? tragedy devotion Emancipation Céline Sciamma describes the female gaze as ______________________. a vigilant and deliberate thought process aimed at breaking free of convention a view arising from the inherent and unique experience of being a woman Both of these Week 13 "We are insane - bonkers. We believe in the existence of people who aren't there, we hear their voices..."
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Who is Ursula Le Guin referring to in the observation above? anyone who reads fiction science fiction writers all fiction writers What is the primary occupation on the planet Whileaway? farming policing teaching Engineering How does Jia Tolentino extinguish self-doubt? by writing by reading and synthesizing a variety of sources by talking to her therapist by spending time online