Homework 8_ Rock and Its Myths
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University of California, Berkeley *
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26AC
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Arts Humanities
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Dec 6, 2023
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Uploaded by DoctorRockLobster39
Answer the following questions after reading Tracy McMullen's article “Bring it on Home:
Robert Plant, Janis Joplin and the Myth of Origin"?
1.
What is the main argument made by McMullen in this article? (4-7 sentences).
Tracy McMullen’s main argument centers on challenging conventional narratives in rock
history, particularly regarding the origin of heavy metal vocals and the influence of Janis Joplin
on Robert Plant of Led Zeppelin. McMullen questions the idea of a singular origin story,
criticizing categorical thinking that perpetuates gender and racial hierarchies in rock discourse.
McMullen contends that Joplin’s influence on Plant, particularly in vocal style and mannerisms,
has been downplayed and overlooked in favor of a narrative that emphasizes Led Zeppelin’s
originality. McMullen critiques the band’s practices of concealing influences and argues for a
more nuanced understanding of the diverse inspirations shaping rock music. Ultimately, the
article challenges established norms, advocating for a more inclusive and accurate representation
of the complex influences contributing to the evolution of rock.
2.
What are the aspects/characteristics that McMullen uses to show Joplin’s influence on
Plant? (bullet points will suffice).
McMullen highlights similarities in Plant’s early stage performances, including dance
moves and vocal delivery, reminiscent of Joplin’s style. She points to Plant’s androgynous
appearance in the early 1970s, drawing parallels with Joplin’s powerful and flamboyant stage
presence. McMullen also examines specific vocal traits, such as the gravelly timbre and
overextension of the voice, which are identified as shared elements between the two singers.
Additionally, she emphasizes the homoeroticism and hypersexuality present in both artists’
performances.
3.
What were the characteristics that rock critics developed in order to choose who was
worthy of attention? (3- 4 sentences).
Two key criteria, “authenticity” and “originality,” served as benchmarks for rock critics
to evaluate the merit of musicians and bands. Authenticity, associated with attributes like
sincerity and a genuine connection with the audience, was deemed crucial. Originality, described
as daring, imaginative, or singular, was another key factor. McMullen suggests that these criteria
were often applied in a way that favored white male rockers, contributing to the dismissal or
categorization of acts that did not align with the perceived norms of authenticity and originality.
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