The textbook claims that in the Studio era, seven-year contracts for performers were "entirely one-sided," in the studios' favor. Explain why these contracts gave studios an advantage, but ALSO, how could these contracts be good for performers?
The textbook claims that in the Studio era, seven-year contracts for performers were "entirely one-sided," in the studios' favor. Explain why these contracts gave studios an advantage, but ALSO, how could these contracts be good for performers?
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
Transcribed Image Text:The textbook claims that in the Studio era, seven-year
contracts for performers were "entirely one-sided," in
the studios' favor. Explain why these contracts gave
studios an advantage, but ALSO, how could these
contracts be good for performers?
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