The history of Russian and Eastern European Animation is rich in art styles and creative visuals. Much of the content we have seen comes from State-run studios and therefore it can be viewed as simply a tool of governments

The history of Russian and Eastern European Animation is rich in art styles and creative visuals. Much of the content we have seen comes from State-run studios and therefore it can be viewed as simply a tool of governments

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Question

The history of Russian and Eastern European Animation is rich in art styles and creative visuals. Much of the content we have seen comes from State-run studios and therefore it can be viewed as simply a tool of governments. How fair is this assumption to our wider understanding of world animation?

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