Teaching Buddhism in a Confucian Society onks frequently told stories to teach ordi- nary people the tenets of Buddhism. The story of the Indian monk Maudgalyayana (mowd-GAH-lee-yah-yah-nah) survives in a Sanskrit version, composed between 300 B.C.E. and 300 C.E., and a much longer Chinese version from a manu- script dated 921. This story has enormous appeal in China (it is frequently performed as Chinese opera or on television) because it portrays the dilemma of those who wanted to be good Confucian sons as well as good Buddhists. Maudgalyayana may have been filial, but he was unable to fulfill his Confucian obligations as a son because he did not bear a male heir. The Buddhist narrator takes greatpains to argue that he can still be a good son because Confucian offerings have no power in a Buddhist underworld. In the Sanskrit version, Maudgalyayana, one of the Buddha's disciples, realizes that his mother has been reborn in the real world and asks the Buddha in every respect. The tale contrasts the behavior of the virtuous, if slightly dim, Maudgalyayana with his mother, who never gave any support to her local monastery and even kept for herself money that her son had asked her to give the monks. As a filial son, he cannot believe her capable of any crime, and he searches through all the different compartments of the Chinese hel to find her. Unrepentant to the very ME endof the tale, sheexplains that traditional Confucian offerings to the ancestors have no power in the un- derworld. Only offerings to the Buddhist order, such as paying monks to copy Buddhist texts, can help to ease her suffering. At the end of the story, the Buddha himself frees her from the underworld, a grim series of hels that do not exist in the Sanskrit original. to help her to attain nirvana. Maudgalyayana and the Buddha travel to find the mother, who attains nirvana after hearing the Buddha preach. In the Chinese version, the protagonist retains his Indian name but acts like a typical Chinese son Sources: John Strong, "Alial Piety and Bucdhism: The Indian Antecedents to a 'Chinese' Problem," in Traditions in Contact and Change: Selected Proceedings of the XIVth Congress of the Intemational As sociation for the History of Raligions, ed. Peter Slater and Donald Wiebe (Winnipeg, Man.: Wilfrid Laurier University Press, 1980), p. 180; from Tun-huang Popular Narratives, by Victor H. Mair. Copyright© 1983 Cambridge University Press. Reprinted with pemission of Cambridge University Press. Sanskrit Verslon were fostered by her; therefore she is my From afar, [Maudgalyayana's mother] Bhadrakanya [bud-DRAH-kahn-ee-ya] saw her son, and, as soon as she saw him, she rushed up to him exclaiming, "Ah! At long last I see my little boy!" There upon the crowd of people who had assembled sald: "He is an aged wandering monk, and she is a young girl-how can she be his mother?" But the Venerable Maha Maudgalyayana replied, "Sirs, these skandhas' of mine mother." Then the Blessed One, knowing the dis- position, propensity, nature and circum- stances of Bhadrakanya, preached a sermon fully penetrating the meaning of the Four Noble Truths. And when Bhadrakanya had heard it, she was brought to the realization of the fruit of entering the stream. "skandhas The five aggregates-form, feelings, percep- tions, karmic constituents, and consciousness-which in Buddhism are the basis of the personality.

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How do they portray the fate of the mother after her death?

Teaching Buddhism in a Confucian Society
onks frequently told stories to teach ordi-
nary people the tenets of Buddhism. The
story of the Indian monk Maudgalyayana
(mowd-GAH-lee-yah-yah-nah) survives in a Sanskrit
version, composed between 300 B.C.E. and 300 C.E.,
and a much longer Chinese version from a manu-
script dated 921. This story has enormous appeal in
China (it is frequently performed as Chinese opera
or on television) because it portrays the dilemma of
those who wanted to be good Confucian sons as
well as good Buddhists. Maudgalyayana may have
been filial, but he was unable to fulfill his Confucian
obligations as a son because he did not bear a male
heir. The Buddhist narrator takes greatpains to argue
that he can still be a good son because Confucian
offerings have no power in a Buddhist underworld.
In the Sanskrit version, Maudgalyayana, one of
the Buddha's disciples, realizes that his mother has
been reborn in the real world and asks the Buddha
in every respect. The tale contrasts the behavior of
the virtuous, if slightly dim, Maudgalyayana with his
mother, who never gave any support to her local
monastery and even kept for herself money that her
son had asked her to give the monks. As a filial son,
he cannot believe her capable of any crime, and he
searches through all the different compartments of
the Chinese hel to find her. Unrepentant to the very
ME
endof the tale, sheexplains that traditional Confucian
offerings to the ancestors have no power in the un-
derworld. Only offerings to the Buddhist order, such
as paying monks to copy Buddhist texts, can help to
ease her suffering. At the end of the story, the Buddha
himself frees her from the underworld, a grim series
of hels that do not exist in the Sanskrit original.
to help her to attain nirvana. Maudgalyayana and
the Buddha travel to find the mother, who attains
nirvana after hearing the Buddha preach.
In the Chinese version, the protagonist retains
his Indian name but acts like a typical Chinese son
Sources: John Strong, "Alial Piety and Bucdhism: The Indian
Antecedents to a 'Chinese' Problem," in Traditions in
Contact and Change: Selected Proceedings of the XIVth
Congress of the Intemational As sociation for the History of
Raligions, ed. Peter Slater and Donald Wiebe (Winnipeg,
Man.: Wilfrid Laurier University Press, 1980), p. 180;
from Tun-huang Popular Narratives, by Victor H. Mair.
Copyright© 1983 Cambridge University Press. Reprinted
with pemission of Cambridge University Press.
Sanskrit Verslon
were fostered by her; therefore she is my
From afar, [Maudgalyayana's mother]
Bhadrakanya [bud-DRAH-kahn-ee-ya] saw
her son, and, as soon as she saw him, she
rushed up to him exclaiming, "Ah! At long
last I see my little boy!" There upon the
crowd of people who had assembled sald:
"He is an aged wandering monk, and she is
a young girl-how can she be his mother?"
But the Venerable Maha Maudgalyayana
replied, "Sirs, these skandhas' of mine
mother."
Then the Blessed One, knowing the dis-
position, propensity, nature and circum-
stances of Bhadrakanya, preached a sermon
fully penetrating the meaning of the Four
Noble Truths. And when Bhadrakanya had
heard it, she was brought to the realization of
the fruit of entering the stream.
"skandhas The five aggregates-form, feelings, percep-
tions, karmic constituents, and consciousness-which in
Buddhism are the basis of the personality.
Transcribed Image Text:Teaching Buddhism in a Confucian Society onks frequently told stories to teach ordi- nary people the tenets of Buddhism. The story of the Indian monk Maudgalyayana (mowd-GAH-lee-yah-yah-nah) survives in a Sanskrit version, composed between 300 B.C.E. and 300 C.E., and a much longer Chinese version from a manu- script dated 921. This story has enormous appeal in China (it is frequently performed as Chinese opera or on television) because it portrays the dilemma of those who wanted to be good Confucian sons as well as good Buddhists. Maudgalyayana may have been filial, but he was unable to fulfill his Confucian obligations as a son because he did not bear a male heir. The Buddhist narrator takes greatpains to argue that he can still be a good son because Confucian offerings have no power in a Buddhist underworld. In the Sanskrit version, Maudgalyayana, one of the Buddha's disciples, realizes that his mother has been reborn in the real world and asks the Buddha in every respect. The tale contrasts the behavior of the virtuous, if slightly dim, Maudgalyayana with his mother, who never gave any support to her local monastery and even kept for herself money that her son had asked her to give the monks. As a filial son, he cannot believe her capable of any crime, and he searches through all the different compartments of the Chinese hel to find her. Unrepentant to the very ME endof the tale, sheexplains that traditional Confucian offerings to the ancestors have no power in the un- derworld. Only offerings to the Buddhist order, such as paying monks to copy Buddhist texts, can help to ease her suffering. At the end of the story, the Buddha himself frees her from the underworld, a grim series of hels that do not exist in the Sanskrit original. to help her to attain nirvana. Maudgalyayana and the Buddha travel to find the mother, who attains nirvana after hearing the Buddha preach. In the Chinese version, the protagonist retains his Indian name but acts like a typical Chinese son Sources: John Strong, "Alial Piety and Bucdhism: The Indian Antecedents to a 'Chinese' Problem," in Traditions in Contact and Change: Selected Proceedings of the XIVth Congress of the Intemational As sociation for the History of Raligions, ed. Peter Slater and Donald Wiebe (Winnipeg, Man.: Wilfrid Laurier University Press, 1980), p. 180; from Tun-huang Popular Narratives, by Victor H. Mair. Copyright© 1983 Cambridge University Press. Reprinted with pemission of Cambridge University Press. Sanskrit Verslon were fostered by her; therefore she is my From afar, [Maudgalyayana's mother] Bhadrakanya [bud-DRAH-kahn-ee-ya] saw her son, and, as soon as she saw him, she rushed up to him exclaiming, "Ah! At long last I see my little boy!" There upon the crowd of people who had assembled sald: "He is an aged wandering monk, and she is a young girl-how can she be his mother?" But the Venerable Maha Maudgalyayana replied, "Sirs, these skandhas' of mine mother." Then the Blessed One, knowing the dis- position, propensity, nature and circum- stances of Bhadrakanya, preached a sermon fully penetrating the meaning of the Four Noble Truths. And when Bhadrakanya had heard it, she was brought to the realization of the fruit of entering the stream. "skandhas The five aggregates-form, feelings, percep- tions, karmic constituents, and consciousness-which in Buddhism are the basis of the personality.
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