Style the page in a manner that is appropriate to the text you selected. Choose fonts that supplement the style. Apply each of the font and text properties to paragraphs or headings in your document. Use both positive and negative values where appropriate. Your page must include the following: Use at least one (1) hosted font library font (Google fonts or Adobe Typekit). The font should be aligned with the style that you have chosen. Select an additional Google font and using Font Squirrel(or other converter), convert that font into an @font-face kit and use it in your design- convert to at least three different font types. Do not add any ids or classes to your HTML file. Instead, use CSS selectors to select each element required. Include at least one image – do not forget to attribute the source Include a minimum of seven (7) of the following properties:  font-weight   font-style font-variant   line-height letter-spacing  word-spacing  text-align text-decoration   text-indent text-transform vertical-align Include the book.png file. You MUST place this image (book.png) at the very bottom of your HTML file before the closing body. Using CSS you MUST display this image in either the top left or top right of your page. It must scroll with the page. No divs, spans, hr, br, etc. Your CSS must be appropriately organized Your HTML must be appropriate and valid  Place your CSS in its own folder, images in their own folder CHECKLIST; Uses a minimum of one font from a hosted library  Uses a font that you generated with at a minimum three(3) different font types (ttf, woff, etc.)  Includes an image  CSS placed in an external file  CSS Organized as per Clean CSS and used the full reset THIS IS IMPORTANT. DO THIS.  You may not use presentational mark-up (br, hr) nor can you use any classes or ids  Minimum of seven (7) text and font properties USE THE FONT BELOW FOR THE PAGE; Heart of Darkness by Joseph Conrad I The Nellie, a cruising yawl, swung to her anchor without a flutter of the sails, and was at rest. The flood had made, the wind was nearly calm, and being bound down the river, the only thing for it was to come to and wait for the turn of the tide. The sea-reach of the Thames stretched before us like the beginning of an interminable waterway. In the offing the sea and the sky were welded together without a joint, and in the luminous space the tanned sails of the barges drifting up with the tide seemed to stand still in red clusters of canvas sharply peaked, with gleams of varnished sprits. A haze rested on the low shores that ran out to sea in vanishing flatness. The air was dark above Gravesend, and farther back still seemed condensed into a mournful gloom, brooding motionless over the biggest, and the greatest, town on earth. The Director of Companies was our captain and our host. We four affectionately watched his back as he stood in the bows looking to seaward. On the whole river there was nothing that looked half so nautical. He resembled a pilot, which to a seaman is trustworthiness personified. It was difficult to realize his work was not out there in the luminous estuary, but behind him, within the brooding gloom. Between us there was, as I have already said somewhere, the bond of the sea. Besides holding our hearts together through long periods of separation, it had the effect of making us tolerant of each other’s yarns—and even convictions. The Lawyer—the best of old fellows—had, because of his many years and many virtues, the only cushion on deck, and was lying on the only rug. The Accountant had brought out already a box of dominoes, and was toying architecturally with the bones. Marlow sat cross-legged right aft, leaning against the mizzen-mast. He had sunken cheeks, a yellow complexion, a straight back, an ascetic aspect, and, with his arms dropped, the palms of hands outwards, resembled an idol. The director, satisfied the anchor had good hold, made his way aft and sat down amongst us. We exchanged a few words lazily. Afterwards there was silence on board the yacht. For some reason or other we did not begin that game of dominoes. We felt meditative, and fit for nothing but placid staring. The day was ending in a serenity of still and exquisite brilliance. The water shone pacifically; the sky, without a speck, was a benign immensity of unstained light; the very mist on the Essex marsh was like a gauzy and radiant fabric, hung from the wooded rises inland, and draping the low shores in diaphanous folds. Only the gloom to the west, brooding over the upper reaches, became more sombre every minute, as if angered by the approach of the sun.

Database System Concepts
7th Edition
ISBN:9780078022159
Author:Abraham Silberschatz Professor, Henry F. Korth, S. Sudarshan
Publisher:Abraham Silberschatz Professor, Henry F. Korth, S. Sudarshan
Chapter1: Introduction
Section: Chapter Questions
Problem 1PE
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Style the page in a manner that is appropriate to the text you selected. Choose fonts that supplement the style. Apply each of the font and text properties to paragraphs or headings in your document. Use both positive and negative values where appropriate. Your page must include the following:
  • Use at least one (1) hosted font library font (Google fonts or Adobe Typekit). The font should be aligned with the style that you have chosen.
  • Select an additional Google font and using Font Squirrel(or other converter), convert that font into an @font-face kit and use it in your design- convert to at least three different font types.
  • Do not add any ids or classes to your HTML file. Instead, use CSS selectors to select each element required.
  • Include at least one image – do not forget to attribute the source
  • Include a minimum of seven (7) of the following properties: 
    • font-weight 
    •  font-style
    • font-variant 
    •  line-height
    • letter-spacing 
    • word-spacing 
    • text-align
    • text-decoration 
    •  text-indent
    • text-transform
    • vertical-align
  • Include the book.png file. You MUST place this image (book.png) at the very bottom of your HTML file before the closing body. Using CSS you MUST display this image in either the top left or top right of your page. It must scroll with the page.
  • No divs, spans, hr, br, etc.
  • Your CSS must be appropriately organized
  • Your HTML must be appropriate and valid 
  • Place your CSS in its own folder, images in their own folder


    CHECKLIST;

    Uses a minimum of one font from a hosted library
     Uses a font that you generated with at a minimum three(3) different font types (ttf, woff, etc.)
     Includes an image
     CSS placed in an external file
     CSS Organized as per Clean CSS and used the full reset THIS IS IMPORTANT. DO THIS.
     You may not use presentational mark-up (br, hr) nor can you use any classes or ids
     Minimum of seven (7) text and font properties

    USE THE FONT BELOW FOR THE PAGE;

    Heart of Darkness

    by Joseph Conrad

    I

    The Nellie, a cruising yawl, swung to her anchor without a flutter of the sails, and was at rest. The flood had made, the wind was nearly calm, and being bound down the river, the only thing for it was to come to and wait for the turn of the tide.

    The sea-reach of the Thames stretched before us like the beginning of an interminable waterway. In the offing the sea and the sky were welded together without a joint, and in the luminous space the tanned sails of the barges drifting up with the tide seemed to stand still in red clusters of canvas sharply peaked, with gleams of varnished sprits. A haze rested on the low shores that ran out to sea in vanishing flatness. The air was dark above Gravesend, and farther back still seemed condensed into a mournful gloom, brooding motionless over the biggest, and the greatest, town on earth.

    The Director of Companies was our captain and our host. We four affectionately watched his back as he stood in the bows looking to seaward. On the whole river there was nothing that looked half so nautical. He resembled a pilot, which to a seaman is trustworthiness personified. It was difficult to realize his work was not out there in the luminous estuary, but behind him, within the brooding gloom.

    Between us there was, as I have already said somewhere, the bond of the sea. Besides holding our hearts together through long periods of separation, it had the effect of making us tolerant of each other’s yarns—and even convictions. The Lawyer—the best of old fellows—had, because of his many years and many virtues, the only cushion on deck, and was lying on the only rug. The Accountant had brought out already a box of dominoes, and was toying architecturally with the bones. Marlow sat cross-legged right aft, leaning against the mizzen-mast. He had sunken cheeks, a yellow complexion, a straight back, an ascetic aspect, and, with his arms dropped, the palms of hands outwards, resembled an idol. The director, satisfied the anchor had good hold, made his way aft and sat down amongst us. We exchanged a few words lazily. Afterwards there was silence on board the yacht. For some reason or other we did not begin that game of dominoes. We felt meditative, and fit for nothing but placid staring. The day was ending in a serenity of still and exquisite brilliance. The water shone pacifically; the sky, without a speck, was a benign immensity of unstained light; the very mist on the Essex marsh was like a gauzy and radiant fabric, hung from the wooded rises inland, and draping the low shores in diaphanous folds. Only the gloom to the west, brooding over the upper reaches, became more sombre every minute, as if angered by the approach of the sun. 



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