n The White Man’s Burden,” what portrait does Rudyard Kipling paint of non-Western peoples? A. A population that has reached a point of civilization in which they need commercial ties to the Western world in order to be competitive. B. As intelligent and culturally superior, it is the white man’s burden to go and learn from them. C. As adversaries that are joining Britain’s call to get into the imperialist game. D. As inferior “half devil” and “half child” as mongrels that need the white men of Europe in order to become civilized.
n The White Man’s Burden,” what portrait does Rudyard Kipling paint of non-Western peoples? A. A population that has reached a point of civilization in which they need commercial ties to the Western world in order to be competitive. B. As intelligent and culturally superior, it is the white man’s burden to go and learn from them. C. As adversaries that are joining Britain’s call to get into the imperialist game. D. As inferior “half devil” and “half child” as mongrels that need the white men of Europe in order to become civilized.
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n The White Man’s Burden,” what portrait does Rudyard Kipling paint of non-Western peoples?
A. A population that has reached a point of civilization in which they need commercial ties to the Western world in order to be competitive.
B. As intelligent and culturally superior, it is the white man’s burden to go and learn from them.
C. As adversaries that are joining Britain’s call to get into the imperialist game.
D. As inferior “half devil” and “half child” as mongrels that need the white men of Europe in order to become civilized.
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