How does Sirk use mise-en-scène to show us how women are limited by their social formation? Refer to specific scenes and examples from the film in your discussion

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The film All That Heaven Allows presents a unique view of the social lives of women in the 1950's. Indeed, we could say that this film is about the limits of gender (and class) within society (as Sirk articulated it, what "heaven," or rather society, allows women). How does Sirk use mise-en-scène to show us how women are limited by their social formation? Refer to specific scenes and examples from the film in your discussion

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