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A. Carefully analyze, clearly identify and thoroughly discuss the central moral issue of the two cases below. B. Clearly and systematically identify your main position/argument regarding the ethical issue using the following viewpoints: 1. Utilitarianism 2. Virtue Ethics C. Clearly indicate your awareness and thoughtful consideration of two viewpoints indicated above.

A. Carefully analyze, clearly identify and thoroughly discuss the central moral issue of the two cases below. B. Clearly and systematically identify your main position/argument regarding the ethical issue using the following viewpoints: 1. Utilitarianism 2. Virtue Ethics C. Clearly indicate your awareness and thoughtful consideration of two viewpoints indicated above.

Ciccarelli: Psychology_5 (5th Edition)
Ciccarelli: Psychology_5 (5th Edition)
5th Edition
ISBN:9780134477961
Author:Saundra K. Ciccarelli, J. Noland White
Publisher:Saundra K. Ciccarelli, J. Noland White
Chapter1: The Science Of Psychology
Section: Chapter Questions
Problem 1TY
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A. ( Atleast 3 to 5 sentences)

B. 1. ( Atleast 3 to 5 sentences)

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Directions: A. Carefully analyze, clearly identify and thoroughly discuss the central moral issue of the two cases below. B. Clearly and systematically identify your main position/argument regarding the ethical issue using the following viewpoints: 1. Utilitarianism 2. Virtue Ethics C. Clearly indicate your awareness and thoughtful consideration of two viewpoints indicated above.
Transcribed Image Text:Directions: A. Carefully analyze, clearly identify and thoroughly discuss the central moral issue of the two cases below. B. Clearly and systematically identify your main position/argument regarding the ethical issue using the following viewpoints: 1. Utilitarianism 2. Virtue Ethics C. Clearly indicate your awareness and thoughtful consideration of two viewpoints indicated above.
Moral Issue 1: Fire at the Louvre Paul is a scholar of Renaissance art history and a curator at the Louvre in Paris. One morning, a fire sweeps through the museum. As people are evacuating the museurn, Paul has an important decision to make. Should he risk his own life by attempting to rescue anything? He sees that he has at least two options. First, he could rescue Leonardo da Vinci's Mona Lisa, his favorite painting in the world and the museum's most prized work. Second, he could rescue a museum visitor who seems to have lost consciousness, and who therefore seems to be incapable of rescuing themselves. Paul realizes that no one would blame him if he did not attempt a rescue at all, given the personal risk involved. He also realizes that, if he does attempt a rescue, he faces a separate question: What /whom should he rescue? Paul thìnks of himself as a kind and humane person. Watching a human being die as he saves a painting would be devastating. But he has dedicated his entire life to studying and preserving Renaissance art, and he loves the Mona Lisa more than anything else in the world. Moreover, approximately six million people visit the painting every year, and its destruction would be an immeasurable cultural loss.
Transcribed Image Text:Moral Issue 1: Fire at the Louvre Paul is a scholar of Renaissance art history and a curator at the Louvre in Paris. One morning, a fire sweeps through the museum. As people are evacuating the museurn, Paul has an important decision to make. Should he risk his own life by attempting to rescue anything? He sees that he has at least two options. First, he could rescue Leonardo da Vinci's Mona Lisa, his favorite painting in the world and the museum's most prized work. Second, he could rescue a museum visitor who seems to have lost consciousness, and who therefore seems to be incapable of rescuing themselves. Paul realizes that no one would blame him if he did not attempt a rescue at all, given the personal risk involved. He also realizes that, if he does attempt a rescue, he faces a separate question: What /whom should he rescue? Paul thìnks of himself as a kind and humane person. Watching a human being die as he saves a painting would be devastating. But he has dedicated his entire life to studying and preserving Renaissance art, and he loves the Mona Lisa more than anything else in the world. Moreover, approximately six million people visit the painting every year, and its destruction would be an immeasurable cultural loss.
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