ANOTATED BIBLIOGRAPHY
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ANOTATED BIBLIOGRAPHY
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Renaissance Art
Victoria Charles
Charles, Victoria.
Renaissance Art
, Parkstone International, 2010.
ProQuest Ebook Central
,
https://ebookcentral-proquest-com.ezproxy.sunyocc.edu/lib/onondaga-ebooks/detail.action?
docID=887044
.
The source "Renaissance Art" by Victoria Charles is a book that explores the art
and culture of the Renaissance period. The main idea of the book is to provide an
overview of the artistic movements, styles, and techniques that emerged during
this period, which spanned from the 14th to the 17th century in Europe. The book
argues that Renaissance art was a product of the social, political, and economic
changes that occurred during this period, and that it reflected the values, beliefs,
and aspirations of the people who created it. The book uses a combination of
textual analysis, historical research, and visual examples to support its argument.
The author, Victoria Charles, is a respected art historian and author with over
twenty years of experience in the field.
This source will be used to explain the
history and background necessary to understand the debate.
Renaissance : A Very Short Introduction
Jerry Brotton
Brotton, Jerry.
Renaissance : A Very Short Introduction
, Oxford University Press, 2006.
ProQuest
Ebook Central
,
https://ebookcentral-proquest-com.ezproxy.sunyocc.edu/lib/onondaga-
ebooks/detail.action?docID=430697
.
"Renaissance: A Very Short Introduction" is a book written by Jerry Brotton, a
professor of Renaissance studies at Queen Mary University of London. The book
provides an overview of the Renaissance period, highlighting its cultural, political,
and economic significance. The main argument of the book is that the Renaissance
was a complex and multifaceted period that cannot be reduced to a simple
narrative of progress and enlightenment. The book examines the diverse cultural,
political, and economic forces that shaped the Renaissance, including humanism,
patronage, religious reform, and the development of new technologies. Brotton's
argument is supported by a wide range of primary and secondary sources, as well
as by his own extensive research and expertise in the field of Renaissance studies.
This source will be used to explain the history and background necessary to
understand the debate.
Modern Art : A Very Short Introduction
David Cottington
Cottington, David.
Modern Art : A Very Short Introduction
, Oxford University Press, 2005.
ProQuest
Ebook Central
,
https://ebookcentral-proquest-com.ezproxy.sunyocc.edu/lib/onondaga-
ebooks/detail.action?docID=3052610
.
"Modern Art: A Very Short Introduction" is a book written by David Cottington, a
professor of art history at Kingston University in London. The book provides a
concise overview of modern art, exploring its origins, development, and key
movements and artists. The main argument of the book is that modern art
represents a radical break from traditional forms of representation, and that it
reflects the profound social, cultural, and political changes of the modern era.
Cottington's argument is supported by a wide range of examples, including key
artworks and historical events, and is informed by his extensive research and
expertise in the field of modern art history.
This source will be used to explain
the history and background necessary to understand the debate from the
contrary perspective.
-----------------------------------
Painting Outside the Lines : Patterns of
Creativity in Modern Art
David W. Galenson
David W. Galenson.
Painting Outside the Lines : Patterns of Creativity in Modern Art
. Harvard University
Press, 2001.
EBSCOhost
, search.ebscohost.com/login.aspx?
direct=true&db=nlebk&AN=281913&site=eds-live.
"Painting Outside the Lines: Patterns of Creativity in Modern Art" is a book by
David W. Galenson, a prominent economist and art historian. The book explores
the different patterns of creativity observed in modern art, with a particular focus
on the contrasting approaches of experimental innovators and conceptual
innovators. Galenson argues that experimental innovators tend to develop their
ideas through trial and error and their work is often characterized by spontaneity
and intuitive exploration. In contrast, conceptual innovators tend to have a more
deliberate and cerebral approach, planning their work in advance and executing it
with precision. The book draws on a wealth of empirical data to support its claims
and is widely regarded as a seminal contribution to the study of creativity in the
arts.
This source will be used to argue the two different sides of the debate.
Realism in the Age of Impressionism : Painting
and the Politics of Time
Young, Marnin
Young, Marnin.
Realism in the Age of Impressionism : Painting and the Politics of Time
. Yale University
Press, 2015.
EBSCOhost
, search.ebscohost.com/login.aspx?
direct=true&db=nlebk&AN=1018955&site=eds-live.
"Realism in the Age of Impressionism: Painting and the Politics of Time" is a book
written by Marnin Young, a Professor of Art History at Yeshiva University in New
York. The book explores the tension between Realism and Impressionism in the
late 19th century and how this reflected the political and social climate of the time.
The main argument of the book is that Realism was not simply replaced by
Impressionism but rather continued to exist alongside it, and that the two styles
were used by artists to explore different aspects of modernity and the passage of
time. The book draws on a wide range of primary sources, including contemporary
art criticism and the writings of artists themselves, to make its argument. Overall,
the book is well-regarded within the field of art history and has been praised for its
nuanced and original approach to the subject matter.
This source will be used to
argue the two different sides of the debate.
Lasting Impressions : The Legacies of
Impressionism in Contemporary Culture
Jesse Matz
Jesse Matz.
Lasting Impressions : The Legacies of Impressionism in Contemporary Culture
. Columbia
University Press, 2016.
EBSCOhost
, search.ebscohost.com/login.aspx?
direct=true&db=nlebk&AN=1821409&site=eds-live.
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"Lasting Impressions: The Legacies of Impressionism in Contemporary Culture" is
a book written by Jesse Matz that explores the ongoing influence of impressionism
in modern art, literature, and culture. Matz argues that the impressionist
movement, which emerged in the late 19th century, continues to shape
contemporary art and culture, particularly in the way we perceive and represent the
world around us. The book draws on a range of examples, from the work of
contemporary artists to popular culture, to demonstrate the ongoing relevance of
impressionism. Jesse Matz is a professor of English and Comparative Literature at
the University of North Carolina at Chapel Hill, and has published widely on
modernist literature and culture, making him a credible source in this field.
This
source will be used to argue the two different sides of the debate.
Renaissance Art & Science @ Florence
Susan B. Puett
J. David Puett
Susan B. Puett, and J. David Puett.
Renaissance Art & Science @ Florence
. Penn State University Press,
2016.
EBSCOhost
, search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=1395579&site=eds-live.
The source "Renaissance Art & Science @ Florence" by Susan B. Puett and J.
David Puett is an article that explores the interconnection between art and science
during the Renaissance in Florence. The authors argue that the artistic
achievements of the Renaissance period were not isolated from scientific
advancements, but rather were deeply interconnected. They use examples such as
Leonardo da Vinci's anatomical drawings and the use of perspective in art to
support their argument. The authors establish their credibility by providing
extensive references to primary sources and scholarly works in the field of
Renaissance art and science. Overall, the article provides a well-researched and
insightful exploration of the relationship between art and science during the
Renaissance.
This source will be used to argue the two different sides of the
debate.
---------------------------------------
Neret, Gilles, and Gilles Lambert. Caravaggio. Taschen, 2015.
Michelangelo Merisi, called the
Caravaggio
,
(Milan 1571 - Porto Ercole 1610)
Deposition
, circa1600-1604
Oil on canvas, 300 x 203 cm
Cat. 40386
The source is an artwork titled "Deposition" created by the Italian painter Caravaggio in
1604. The painting depicts the moment when the lifeless body of Jesus Christ is taken
down from the cross, surrounded by grieving figures. The main idea explored in the
painting is the emotional and physical suffering of Christ, as well as the grief of those
who loved him. The artwork is widely considered a masterpiece of Baroque painting and
is housed in the Vatican Museums in Rome. The credibility of the source is established
through the recognition of Caravaggio as one of the most influential painters of the
Baroque era and the importance of "Deposition" in the canon of Western art.
Raw data
Dr. Joseph Dauben, "Early applications of linear perspective," in
Smarthistory
, August 9,
2015, accessed April 25, 2023,
https://smarthistory.org/early-applications-of-linear-
perspective/
.
Brunelleschi, elevation of
Santo Spirito
, 1434-83, Florence
The source is a drawing by Filippo Brunelleschi depicting the elevation of Santo Spirito
in Florence, Italy. The drawing was created between 1434 and 1483 and showcases
Brunelleschi's innovative use of classical architectural principles to create a harmonious
and balanced facade. The main idea explored in the drawing is the use of proportion and
mathematical principles to create a visually pleasing and functional design. The argument
being made is that the use of these principles in architecture can create a sense of order
and harmony. Brunelleschi establishes his credibility as an architect and engineer through
his previous works, including the design and construction of the dome of the Florence
Cathedral.
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File : The Taking of Christ-Caravaggio (c.1602).Jpg
,
commons.wikimedia.org/wiki/File:The_Taking_of_Christ-Caravaggio_(c.1602).jpg.
Accessed 10 May 2023.
"The Taking of Christ" is a painting by Italian artist Caravaggio, completed in 1602. The painting
depicts the scene from the New Testament in which Jesus Christ is arrested in the Garden of
Gethsemane by the soldiers of the Roman Empire, led by Judas Iscariot. One of the most striking
features of the painting is Caravaggio's use of chiaroscuro, a technique in which strong contrasts
of light and dark are used to create a sense of depth and three-dimensionality in a two-
dimensional work of art. In "The Taking of Christ," the figures are shown in dramatic and intense
light, with deep shadows that create a sense of tension and drama in the scene.