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Which of these statements is true? Select all that apply. In Art Cinema, comparisons and parallelism are much more prominent than in CHC. In Art Cinema, the director becomes the person to whom we ascribe the narration. In Art Cinema, we find more limitations on character knowledge, which offer psychological depth, but also justify restricting story information. In Art Cinema, the "open" ending becomes a way of not revealing the outcome of the causal chain.

Which of these statements is true? Select all that apply. In Art Cinema, comparisons and parallelism are much more prominent than in CHC. In Art Cinema, the director becomes the person to whom we ascribe the narration. In Art Cinema, we find more limitations on character knowledge, which offer psychological depth, but also justify restricting story information. In Art Cinema, the "open" ending becomes a way of not revealing the outcome of the causal chain.

Applications and Investigations in Earth Science (9th Edition)
Applications and Investigations in Earth Science (9th Edition)
9th Edition
ISBN:9780134746241
Author:Edward J. Tarbuck, Frederick K. Lutgens, Dennis G. Tasa
Publisher:Edward J. Tarbuck, Frederick K. Lutgens, Dennis G. Tasa
Chapter1: The Study Of Minerals
Section: Chapter Questions
Problem 1LR
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Which of these statements is true? Select all that apply. In Art Cinema, comparisons and parallelism are much more prominent than in CHC. In Art Cinema, the director becomes the person to whom we ascribe the narration. In Art Cinema, we find more limitations on character knowledge, which offer psychological depth, but also justify restricting story information. In Art Cinema, the "open" ending becomes a way of not revealing the outcome of the causal chain.
Transcribed Image Text:Which of these statements is true? Select all that apply. In Art Cinema, comparisons and parallelism are much more prominent than in CHC. In Art Cinema, the director becomes the person to whom we ascribe the narration. In Art Cinema, we find more limitations on character knowledge, which offer psychological depth, but also justify restricting story information. In Art Cinema, the "open" ending becomes a way of not revealing the outcome of the causal chain.
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