Which are true about Carmen Miranda and the article "Carmen Miranda and Brasilidade" by Darién Davis? (click all that apply) She embraced Black popular rhythms and forms and sang of her pride in Brazil she was instrumental in popularizing Afro-Brazilian musical and dance styles nationally and internationally One of the reasons she received such national and international attention interpreting Afro- Brazilian musical and dance styles was that she was a white Brazilian woman (Portuguese- born) by her later US movie-star days in 1940s, Hollywood latched onto the idea of "exotic" Latin American women and "hot Latin" characters she was boycotted by Black Brazilian artists who resented her appropriating Black Brazilian cultural forms

Social Psychology (10th Edition)
10th Edition
ISBN:9780134641287
Author:Elliot Aronson, Timothy D. Wilson, Robin M. Akert, Samuel R. Sommers
Publisher:Elliot Aronson, Timothy D. Wilson, Robin M. Akert, Samuel R. Sommers
Chapter1: Introducing Social Psychology
Section: Chapter Questions
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Which are true about Carmen Miranda and the article "Carmen Miranda and
Brasilidade" by Darién Davis? (click all that apply)
She embraced Black popular rhythms and forms and sang of her pride in Brazil
she was instrumental in popularizing Afro-Brazilian musical and dance styles nationally and
internationally
One of the reasons she received such national and international attention interpreting Afro-
Brazilian musical and dance styles was that she was a white Brazilian woman (Portuguese-
born)
by her later US movie-star days in 1940s, Hollywood latched onto the idea of "exotic" Latin
American women and "hot Latin" characters
she was boycotted by Black Brazilian artists who resented her appropriating Black Brazilian
cultural forms
Transcribed Image Text:Which are true about Carmen Miranda and the article "Carmen Miranda and Brasilidade" by Darién Davis? (click all that apply) She embraced Black popular rhythms and forms and sang of her pride in Brazil she was instrumental in popularizing Afro-Brazilian musical and dance styles nationally and internationally One of the reasons she received such national and international attention interpreting Afro- Brazilian musical and dance styles was that she was a white Brazilian woman (Portuguese- born) by her later US movie-star days in 1940s, Hollywood latched onto the idea of "exotic" Latin American women and "hot Latin" characters she was boycotted by Black Brazilian artists who resented her appropriating Black Brazilian cultural forms
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