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Q5. Which of the following features support projection of the singing voice? You may choose multiple options. A.Vocal tract shapes which transmit low notes with high amplitudes for tenors and sopranos. B. Vocal tract shapes to transmit lower formants of high notes with high amplitudes for sopranos. C. The lower ratio of formant frequencies to the fundamental frequency for tenors than sopranos. D. A broad peak centred at 3 kHz to project the voice above the accomponiment Submit

Q5. Which of the following features support projection of the singing voice? You may choose multiple options. A.Vocal tract shapes which transmit low notes with high amplitudes for tenors and sopranos. B. Vocal tract shapes to transmit lower formants of high notes with high amplitudes for sopranos. C. The lower ratio of formant frequencies to the fundamental frequency for tenors than sopranos. D. A broad peak centred at 3 kHz to project the voice above the accomponiment Submit

Introductory Circuit Analysis (13th Edition)
Introductory Circuit Analysis (13th Edition)
13th Edition
ISBN:9780133923605
Author:Robert L. Boylestad
Publisher:Robert L. Boylestad
Chapter1: Introduction
Section: Chapter Questions
Problem 1P: Visit your local library (at school or home) and describe the extent to which it provides literature...
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Q5. Which projection of the following features support of the singing voice? You may choose multiple options. A.Vocal tract shapes which transmit low notes with high amplitudes for tenors and sopranos. B. Vocal tract shapes to transmit lower formants of high notes with high amplitudes for sopranos. C. The lower ratio of formant frequencies to the fundamental frequency for tenors than sopranos. D. A broad peak centred at 3 kHz to project the voice above the accomponiment Submit
Transcribed Image Text:Q5. Which projection of the following features support of the singing voice? You may choose multiple options. A.Vocal tract shapes which transmit low notes with high amplitudes for tenors and sopranos. B. Vocal tract shapes to transmit lower formants of high notes with high amplitudes for sopranos. C. The lower ratio of formant frequencies to the fundamental frequency for tenors than sopranos. D. A broad peak centred at 3 kHz to project the voice above the accomponiment Submit
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