n the late 1800s "wildcat banks," which were easy to charter and largely unregulated, sprang up across the American West Some new banks chose to operate out of simple and inexpensive wooden structures, but others built elaborate buildings out tone, with lots of gilding and other adornments. a. Why might the variety of building types that sprung up be attributed, at least partly, to the potential for moral hazard? Expending resources constructing beautiful buildings demonstrates that a bank intends to remain in business for a lo time and will not leave after receiving clients' deposits. The elaborate architecture suggests deep pockets on the part of the bank's owners, and thus a capacity to honor all withdrawal requests, even if there were a run on the bank. Well-designed buildings show a refined aesthetic sensibility on the part of a bank's owners and thus a high level of
n the late 1800s "wildcat banks," which were easy to charter and largely unregulated, sprang up across the American West Some new banks chose to operate out of simple and inexpensive wooden structures, but others built elaborate buildings out tone, with lots of gilding and other adornments. a. Why might the variety of building types that sprung up be attributed, at least partly, to the potential for moral hazard? Expending resources constructing beautiful buildings demonstrates that a bank intends to remain in business for a lo time and will not leave after receiving clients' deposits. The elaborate architecture suggests deep pockets on the part of the bank's owners, and thus a capacity to honor all withdrawal requests, even if there were a run on the bank. Well-designed buildings show a refined aesthetic sensibility on the part of a bank's owners and thus a high level of
Chapter1: Making Economics Decisions
Section: Chapter Questions
Problem 1QTC
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Transcribed Image Text:Asymmetric Information - End of Chapter Problem
In the late 1800s "wildcat banks," which were easy to charter and largely unregulated, sprang up across the American West.
Some new banks chose to operate out of simple and inexpensive wooden structures, but others built elaborate buildings out of
stone, with lots of gilding and other adornments.
a. Why might the variety of building types that sprung up be attributed, at least partly, to the potential for moral hazard?
Expending resources constructing beautiful buildings demonstrates that a bank intends to remain in business for a long
time and will not leave after receiving clients' deposits.
The elaborate architecture suggests deep pockets on the part of the bank's owners, and thus a capacity to honor all
withdrawal requests, even if there were a run on the bank.
Well-designed buildings show a refined aesthetic sensibility on the part of a bank's owners and thus a high level of
moral rectitude.
O More ornately designed buildings connote a high nobility of purpose, mitigating the likelihood that bank managers
would cheat their customers.
b. The building choices of bankers in late 1800s America illustrate
the sagacity of the bankers in developing beneficial innovations in banking services.
the cultural benefits of signaling, since the adornments thereby created are almost invariably of high aesthetic quality.
the inherent wastefulness of signaling, since the adornments thereby created are necessarily trivial.
the corruption and greed endemic to the banking industry.
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