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Match the term/element to its description. One method of making sculpture that involves removing, chipping away, or carving the medium (e.g. stone or clay) One of the most basic marks an artist can make on a surface, often connecting one point to another, and having characteristics of thickness, intensity, form, and function. The human subject of a painting or sculpture. Pieces that rely only on basic elements of line, form, color, texture - rather than depicting a recognizable image from life. When areas of a visual art piece are weighted evenly. The illusion of touch in a painting, the impression of a tactile feeling. The use of light and shadow on a particular form or figure to create the illusion of mass/volume/3- dimensionality. The name of a color, corresponding to a wavelength on the spectrum. When a painter gradually transitions between colors, shades, or texture to create a visual effect. Vantage point from which the spectator views the work; or, where the viewer feels like she is "placed" by the artist. Used to describe pieces that contain images, figures, and/or content that are identifiable/recognizable from life (e.g. a woman, a tree, a snake.) 1. Line 2. Texture 3. Representational 4. Chiarascuro 5. Dynamics 6. Perspective 7. Abstract 8. Hue 9. 10. Gradation 11. Subtraction 12. Figure The illusion of movement - or actual movement - in a work of art. Balance

Match the term/element to its description. One method of making sculpture that involves removing, chipping away, or carving the medium (e.g. stone or clay) One of the most basic marks an artist can make on a surface, often connecting one point to another, and having characteristics of thickness, intensity, form, and function. The human subject of a painting or sculpture. Pieces that rely only on basic elements of line, form, color, texture - rather than depicting a recognizable image from life. When areas of a visual art piece are weighted evenly. The illusion of touch in a painting, the impression of a tactile feeling. The use of light and shadow on a particular form or figure to create the illusion of mass/volume/3- dimensionality. The name of a color, corresponding to a wavelength on the spectrum. When a painter gradually transitions between colors, shades, or texture to create a visual effect. Vantage point from which the spectator views the work; or, where the viewer feels like she is "placed" by the artist. Used to describe pieces that contain images, figures, and/or content that are identifiable/recognizable from life (e.g. a woman, a tree, a snake.) 1. Line 2. Texture 3. Representational 4. Chiarascuro 5. Dynamics 6. Perspective 7. Abstract 8. Hue 9. 10. Gradation 11. Subtraction 12. Figure The illusion of movement - or actual movement - in a work of art. Balance

Social Psychology (10th Edition)
Social Psychology (10th Edition)
10th Edition
ISBN:9780134641287
Author:Elliot Aronson, Timothy D. Wilson, Robin M. Akert, Samuel R. Sommers
Publisher:Elliot Aronson, Timothy D. Wilson, Robin M. Akert, Samuel R. Sommers
Chapter1: Introducing Social Psychology
Section: Chapter Questions
Problem 1RQ1
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Match the term/element to its description. One method of making sculpture that involves removing, chipping away, or carving the medium (e.g. stone or clay) One of the most basic marks an artist can make on a surface, often connecting one point to another, and having characteristics of thickness, intensity, form, and function. The human subject of a painting or sculpture. Pieces that rely only on basic elements of line, form, color, texture - rather than depicting a recognizable image from life. When areas of a visual art piece are weighted evenly. The illusion of touch in a painting, the impression of a tactile feeling. The use of light and shadow on a particular form or figure to create the illusion of mass/volume/3- dimensionality. The name of a color, corresponding to a wavelength on the spectrum. When a painter gradually transitions between colors, shades, or texture to create a visual effect. Vantage point from which the spectator views the work; or, where the viewer feels like she is "placed" by the artist. Used to describe pieces that contain images, figures, and/or content that are identifiable/recognizable from life (e.g. a woman, a tree, a snake.) The illusion of movement - or actual movement - in a work of art. 1. Line 2. Texture 3. Representational 4. Chiarascuro 5. Dynamics 6. 7. Abstract 8. Hue 9. Balance Perspective 10. Gradation 11. Subtraction 12. Figure
Transcribed Image Text:Match the term/element to its description. One method of making sculpture that involves removing, chipping away, or carving the medium (e.g. stone or clay) One of the most basic marks an artist can make on a surface, often connecting one point to another, and having characteristics of thickness, intensity, form, and function. The human subject of a painting or sculpture. Pieces that rely only on basic elements of line, form, color, texture - rather than depicting a recognizable image from life. When areas of a visual art piece are weighted evenly. The illusion of touch in a painting, the impression of a tactile feeling. The use of light and shadow on a particular form or figure to create the illusion of mass/volume/3- dimensionality. The name of a color, corresponding to a wavelength on the spectrum. When a painter gradually transitions between colors, shades, or texture to create a visual effect. Vantage point from which the spectator views the work; or, where the viewer feels like she is "placed" by the artist. Used to describe pieces that contain images, figures, and/or content that are identifiable/recognizable from life (e.g. a woman, a tree, a snake.) The illusion of movement - or actual movement - in a work of art. 1. Line 2. Texture 3. Representational 4. Chiarascuro 5. Dynamics 6. 7. Abstract 8. Hue 9. Balance Perspective 10. Gradation 11. Subtraction 12. Figure
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