How these four images about Self-Expression, Fashion, Gender, and Sexuality relate to each other?
How these four images about Self-Expression, Fashion, Gender, and Sexuality relate to each other?
Social Psychology (10th Edition)
10th Edition
ISBN:9780134641287
Author:Elliot Aronson, Timothy D. Wilson, Robin M. Akert, Samuel R. Sommers
Publisher:Elliot Aronson, Timothy D. Wilson, Robin M. Akert, Samuel R. Sommers
Chapter1: Introducing Social Psychology
Section: Chapter Questions
Problem 1RQ1
Related questions
Question
How these four images about Self-Expression, Fashion, Gender, and Sexuality
relate to each other?
![Berlin Fashion, after a drawing by Jeanne Mammen (1923)
Jeanne Mammen (1890-1976) was a Berlin-born artist and graphic illustrator whose work helped define the city during
the Weimar era. In the 1920s, she designed film posters for UFA (Universum Film AG) and published her work in
fashion periodicals and popular satirical magazines such as Simplicissimus, Ulk and Uhu. Her primary subject was
women, whom she depicted in a variety of contexts and styles. Her oeuvre included portraits of stylish and socially
assimilated garçonnes and flappers, as well as explicit illustrations of prostitutes and women in Berlin's lesbian bars.
Her racier scenes appeared in The Guide to "Naughty" Berlin [Führer durch das "lasterhafte" Berlin] (1930) and in
Magnus Hirschfeld's Moral History of the Post-War Period [Sittengeschichte der Nachkriegszeit] (1931). The fashion
print below, after a drawing by Mammen, appeared in Die Modenschau in 1923.
print version
return to image list
SPORT UND GESELLSCHAFT
STRICKJACKEN UND HUT VON AUGUSTE MÜNZER
BERLIN WO. MARKGRAPEN STRASSE 20-
ZEICHNUNG VON J. MAMMEN
< previous image
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From Resurrection of the Lady by Paula von Reznicek (1928)
Paula von Reznicek (1895-1976) was an internationally-ranked tennis player, journalist, and writer. In 1928, she
published Resurrection of the Lady [Auferstehung der Dame], an illustrated book that served as a kind of compendium
of contemporary views on feminine identity. Among other points, Reznicek argued that women needed to participate in
sports, which she viewed as energizing and life-affirming. Additionally, she encouraged the "resurrected lady" to take a
more active role in social and public life, since male leaders had let women down.
print version
return to image list
< previous image
next image >](/v2/_next/image?url=https%3A%2F%2Fcontent.bartleby.com%2Fqna-images%2Fquestion%2Fc4436f5f-01e3-4d46-baa5-3f23cf388ae7%2F0f61aaaa-7e20-411e-8bff-9b303fb23262%2Fues91hc_processed.png&w=3840&q=75)
Transcribed Image Text:Berlin Fashion, after a drawing by Jeanne Mammen (1923)
Jeanne Mammen (1890-1976) was a Berlin-born artist and graphic illustrator whose work helped define the city during
the Weimar era. In the 1920s, she designed film posters for UFA (Universum Film AG) and published her work in
fashion periodicals and popular satirical magazines such as Simplicissimus, Ulk and Uhu. Her primary subject was
women, whom she depicted in a variety of contexts and styles. Her oeuvre included portraits of stylish and socially
assimilated garçonnes and flappers, as well as explicit illustrations of prostitutes and women in Berlin's lesbian bars.
Her racier scenes appeared in The Guide to "Naughty" Berlin [Führer durch das "lasterhafte" Berlin] (1930) and in
Magnus Hirschfeld's Moral History of the Post-War Period [Sittengeschichte der Nachkriegszeit] (1931). The fashion
print below, after a drawing by Mammen, appeared in Die Modenschau in 1923.
print version
return to image list
SPORT UND GESELLSCHAFT
STRICKJACKEN UND HUT VON AUGUSTE MÜNZER
BERLIN WO. MARKGRAPEN STRASSE 20-
ZEICHNUNG VON J. MAMMEN
< previous image
next image >
From Resurrection of the Lady by Paula von Reznicek (1928)
Paula von Reznicek (1895-1976) was an internationally-ranked tennis player, journalist, and writer. In 1928, she
published Resurrection of the Lady [Auferstehung der Dame], an illustrated book that served as a kind of compendium
of contemporary views on feminine identity. Among other points, Reznicek argued that women needed to participate in
sports, which she viewed as energizing and life-affirming. Additionally, she encouraged the "resurrected lady" to take a
more active role in social and public life, since male leaders had let women down.
print version
return to image list
< previous image
next image >
![Women of the Red Front Fighters' League Demonstrate against the
Prohibition of Abortion (August 19, 1928)
Paragraph 218 of the Weimar Constitution criminalized abortion in Germany. The legal provision was opposed by a
large popular movement that cut across class, gender and political lines. The Red Women's and Girl's League [Rote
Frauen und Mädchenbund] was part of the Red Front Fighters' League [Rotfrontkämpferbund], a paramilitary
organization of the German Communist Party (KPD). On August 19, 1928, its members organized a protest march in
Leipzig against Paragraph 218. It was the last mass rally of the Red Front Fighters' League. Their banner reads: "Away
with Paragraph 218."
print version
bp bildarchiv preussischer
k kulturbesitz
return to image list
bp bildarchiv preussischer
kulturbesitz
Hinweg
Paragraph218
< previous image
Striped Bathing Suit (1925)
Fashion played an important role in defining modern femininity and the "New Woman" [neue Frau] of the Weimar era.
The pageboy haircut [Bubikopf] reached Germany in the early 1920s and was immediately controversial. Conservatives
saw it as a sign of cultural decline, liberals as a symbol of modernity and emancipation. New women's fashions
promised sexual liberation, social mobility, and an escape from the confinements of tradition. Berlin, the center of both
the fashion industry and the illustrated press, was alternatively glorified and vilified as the embodiment of the modern.
print version
return to image list
< previous image
next image >
next image >
|](/v2/_next/image?url=https%3A%2F%2Fcontent.bartleby.com%2Fqna-images%2Fquestion%2Fc4436f5f-01e3-4d46-baa5-3f23cf388ae7%2F0f61aaaa-7e20-411e-8bff-9b303fb23262%2Fy7dyrui_processed.png&w=3840&q=75)
Transcribed Image Text:Women of the Red Front Fighters' League Demonstrate against the
Prohibition of Abortion (August 19, 1928)
Paragraph 218 of the Weimar Constitution criminalized abortion in Germany. The legal provision was opposed by a
large popular movement that cut across class, gender and political lines. The Red Women's and Girl's League [Rote
Frauen und Mädchenbund] was part of the Red Front Fighters' League [Rotfrontkämpferbund], a paramilitary
organization of the German Communist Party (KPD). On August 19, 1928, its members organized a protest march in
Leipzig against Paragraph 218. It was the last mass rally of the Red Front Fighters' League. Their banner reads: "Away
with Paragraph 218."
print version
bp bildarchiv preussischer
k kulturbesitz
return to image list
bp bildarchiv preussischer
kulturbesitz
Hinweg
Paragraph218
< previous image
Striped Bathing Suit (1925)
Fashion played an important role in defining modern femininity and the "New Woman" [neue Frau] of the Weimar era.
The pageboy haircut [Bubikopf] reached Germany in the early 1920s and was immediately controversial. Conservatives
saw it as a sign of cultural decline, liberals as a symbol of modernity and emancipation. New women's fashions
promised sexual liberation, social mobility, and an escape from the confinements of tradition. Berlin, the center of both
the fashion industry and the illustrated press, was alternatively glorified and vilified as the embodiment of the modern.
print version
return to image list
< previous image
next image >
next image >
|
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