B. Write TRUE if the statement is correct; write FALSE if it is wrong. 1. Traditional Cordilleran weaving was a part of ritual life and the designs may embody certain magical function such as protection from harm or may symbolize status and wealth. 2. Thread counts in a blanket can be a deterrent from malevolent spirits. 3. Bontoc women wear a belt called siniwsiwan. 4. The embroidered yellow portions in the Kalinga textile symbolize the sky and the ground. 5. Ikat weaving in Ifugao uses synthetic materials. 6. A common design in the Abra textile is the snake, believed to give protection to the wearer. 7. Benguet textile designs show the lifestyle of the people and were largely influenced by traders and migrants from the lowlands. 8. A statue blanket in Benguet often have a combination of red, black, dark blue and dirty white and oftentimes carry a “X" design which may represent a shield, a man, or a snake.

Social Psychology (10th Edition)
10th Edition
ISBN:9780134641287
Author:Elliot Aronson, Timothy D. Wilson, Robin M. Akert, Samuel R. Sommers
Publisher:Elliot Aronson, Timothy D. Wilson, Robin M. Akert, Samuel R. Sommers
Chapter1: Introducing Social Psychology
Section: Chapter Questions
Problem 1RQ1
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B. Write TRUE if the statement is correct; write FALSE if it is wrong.
1. Traditional Cordilleran weaving was a part of ritual life and the designs may embody certain magical
function such as protection from harm or may symbolize status and wealth.
2. Thread counts in a blanket can be a deterrent from malevolent spirits.
3. Bontoc women wear a belt called siniwsiwan.
4. The embroidered yellow portions in the Kalinga textile symbolize the sky and the ground.
5. Ikat weaving in Ifugao uses synthetic materials.
6. A common design in the Abra textile is the snake, believed to give protection to the wearer.
7. Benguet textile designs show the lifestyle of the people and were largely influenced by traders and
migrants from the lowlands.
8. A statue blanket in Benguet often have a combination of red, black, dark blue and dirty white and
oftentimes carry a “X" design which may represent a shield, a man, or a snake.
9. The Kankana-eys have just one kind of g-string, the binoltong.
10. S-like shapes in the Ifugao textile denote the status of a landlord.
11. Tausug tapestry use geometric shapes and does not make use of human and animal forms.
Transcribed Image Text:B. Write TRUE if the statement is correct; write FALSE if it is wrong. 1. Traditional Cordilleran weaving was a part of ritual life and the designs may embody certain magical function such as protection from harm or may symbolize status and wealth. 2. Thread counts in a blanket can be a deterrent from malevolent spirits. 3. Bontoc women wear a belt called siniwsiwan. 4. The embroidered yellow portions in the Kalinga textile symbolize the sky and the ground. 5. Ikat weaving in Ifugao uses synthetic materials. 6. A common design in the Abra textile is the snake, believed to give protection to the wearer. 7. Benguet textile designs show the lifestyle of the people and were largely influenced by traders and migrants from the lowlands. 8. A statue blanket in Benguet often have a combination of red, black, dark blue and dirty white and oftentimes carry a “X" design which may represent a shield, a man, or a snake. 9. The Kankana-eys have just one kind of g-string, the binoltong. 10. S-like shapes in the Ifugao textile denote the status of a landlord. 11. Tausug tapestry use geometric shapes and does not make use of human and animal forms.
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