(An) aspect of medieval Arabic aesthetics (can be) characterised by a strong reliance upon other fields of knowledge (that) manifests itself in particular in the great dual problem of physical beauty and divine beauty, and sensor perception and inner perception. Observable beauty refers to, or is necessarily understood in relation to, the concept of God's beauty. As a result, the visual experience of the beautiful implies, in some way, a spiritual resonance through a noetic perception of a metaphysical nature. - Valerie Gonzalez (2001) "Beauty and Islam: Aesthetics in Islamic Art and Architecture" London I. B. Tauris Publishing. Pg 7 In 150-250 words, reflect, research, and respond to Gonzalez's claim that Islamic belief in the Middle Ages, aligns the divine with the beautiful. Use early Islamic art examples (from 700-1300 CE) to help support your response. You can include image links.

Social Psychology (10th Edition)
10th Edition
ISBN:9780134641287
Author:Elliot Aronson, Timothy D. Wilson, Robin M. Akert, Samuel R. Sommers
Publisher:Elliot Aronson, Timothy D. Wilson, Robin M. Akert, Samuel R. Sommers
Chapter1: Introducing Social Psychology
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(An) aspect of medieval Arabic aesthetics (can be) characterised by a strong
reliance upon other fields of knowledge (that) manifests itself in particular in the
great dual problem of physical beauty and divine beauty, and sensor perception
and inner perception. Observable beauty refers to, or is necessarily understood
in relation to, the concept of God's beauty. As a result, the visual experience of
the beautiful implies, in some way, a spiritual resonance through a noetic
perception of a metaphysical nature.
- Valerie Gonzalez (2001) "Beauty and Islam: Aesthetics in Islamic Art and Architecture" London I. B.
Tauris Publishing. Pg 7
In 150-250 words, reflect, research, and respond to Gonzalez's claim that Islamic belief in
the Middle Ages, aligns the divine with the beautiful. Use early Islamic art examples (from
700-1300 CE) to help support your response. You can include image links.
Transcribed Image Text:(An) aspect of medieval Arabic aesthetics (can be) characterised by a strong reliance upon other fields of knowledge (that) manifests itself in particular in the great dual problem of physical beauty and divine beauty, and sensor perception and inner perception. Observable beauty refers to, or is necessarily understood in relation to, the concept of God's beauty. As a result, the visual experience of the beautiful implies, in some way, a spiritual resonance through a noetic perception of a metaphysical nature. - Valerie Gonzalez (2001) "Beauty and Islam: Aesthetics in Islamic Art and Architecture" London I. B. Tauris Publishing. Pg 7 In 150-250 words, reflect, research, and respond to Gonzalez's claim that Islamic belief in the Middle Ages, aligns the divine with the beautiful. Use early Islamic art examples (from 700-1300 CE) to help support your response. You can include image links.
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