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University of Wisconsin, Madison *

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MISC

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History

Date

Nov 24, 2024

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2

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Surname 1 Student Name Professor Name Course Date How "Portrait of Reverend John Atwood and His Family" and "Shake Hands?" Reflect the Cult of Domesticity The works of art "Portrait of Reverend John Atwood and His Family" by Henry F. Darby (1845) as well as "Shake Hands?" by Lilly Martin Spenser (1854) both portray the Cult of Domesticity in various ways. In the first picture, the patriarchal power of the male figure in charge of the family is emphasized. Still, in the second, the woman's function as a nurturer and housewife is highlighted. In "Portrait of Reverend John Atwood and His Family," the hierarchy of the family unit is depicted, with the male figure serving as the main character. The father, Reverend Atwood, is positioned amid the composition and is dressed in conventional clerical clothing despite having his wife and kids arrayed around him. In a cozy setting, with books, musical instruments, and other mementos of their education and culture all about them, the photograph shows Atwood, his wife, and their six children. This image fosters the love of homelife (Bjelajac 190). Shadows, as well as light, are employed to create atmosphere and depth in the scenario. At the same time, each family member's clothing, accessories, and facial expressions are displayed in the painting in exquisite detail and with excellent realism. The positioning of the art pieces highlights the father's position of authority and the importance of the family in upholding social order. Contrarily, "Shake Hands?" portrays women as caretakers and caregivers. A cheerful woman is seated next to the kitchen table in the picture. She is dressed fashionably, wearing a
Surname 2 fashionable frock and cap, and is surrounded by luxurious fabrics and furnishings. In the artwork, contrast is emphasized. The illustration emphasizes how the two women are different from one another and highlights the idea that a woman's worth is based on her ability to nurture others in addition to caring for her home. Both artworks reflect the Cult of Domesticity, a 19th-century societal movement that emphasized the importance of women's domestic as well as nurturing responsibilities (Bjelajac 189). Although "Portrait of Reverend John Atwood and His Family" exemplifies the importance of the patriarchal setup, "Shake Hands?" emphasizes the importance of women's domestic tasks. These artworks, when viewed collectively, provide a glimpse into the norms and values of 19th- century American society.
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