week 3, 2 & 7 (1)
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Herzing University *
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Arts Humanities
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Nov 24, 2024
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Week 2
Aesthetic Analysis:
The film "Street of Crocodiles" has a discernible style characterised by the fusion of elaborate
stop-motion animation techniques with a disquieting plot. The Quay Brothers demonstrate a
discernible commitment to precision and thoroughness in their manipulation of puppets and
items, resulting in the creation of a strange and evocative realm. The use of sombre and
deteriorating environments, along with the unsettling motions of the puppets, together lead to a
disquieting but captivating encounter. The film uses a non-linear narrative framework, hence
enhancing its surreal characteristics. The deliberate control of light and shadow, in conjunction
with the evocative sound design, enhances the unsettling ambiance, beckoning spectators into an
enigmatic and bewildering realm..
Additional Context:
It is important to comprehend the creative influences that have shaped the Quay Brothers' work,
as well as the socio-cultural context that prevailed throughout the latter half of the 20th century.
The creative output of the individual often draws inspiration from the literary traditions of
Eastern Europe, the experimental and innovative nature of avant-garde art, as well as the
philosophical and artistic principles of the surrealist movement. The creative environment in
question demonstrates a reflection of the cultural and political disruptions that occurred during
the period of the Cold War. This is evident via the incorporation of aspects such as ambiguity,
existentialism, and socio-political criticism within their animated works. An in-depth
examination of the Quay Brothers' past, including their collaborative efforts, sources of
inspiration, and the wider creative trends that characterised their era, offers a multifaceted
understanding of the film's profound thematic depth..
Application of Theory:
Klein's theoretical framework about "animorphs" proposes the occurrence of a phenomena
whereby inanimate objects undergo a transformative process, resulting in their metamorphosis
into living organisms. The Quay Brothers adeptly use animorphic techniques in their artistic
creation titled "Street of Crocodiles," successfully infusing commonplace objects with energy
and blurring the boundaries between the living and the inanimate. Inanimate objects undergo
remarkable metamorphoses, resulting in a bizarre dance defined by complicated motions and
deep alterations. An analysis of specific occurrences involving metamorphosis or unforeseen
changes might provide insight on the film's portrayal of Klein's theory. The examination of the
symbolic importance of these modifications may aid in uncovering deeper levels of meaning
inherent in the narrative, thereby facilitating a more sophisticated comprehension of the thematic
components shown in the image.
Summarizing the Author's Argument:
The film "Street of Crocodiles" by the Quay Brothers serves as a prime example of their
distinctive animation style, which is distinguished by the meticulous use of stop-motion methods
in conjunction with an unsettling storyline. The precise and methodical manipulation of puppets
and surroundings by the artist results in the creation of a disconcerting but captivating realm. The
film's surreal environment is enhanced by its non-linear narrative, purposeful use of light,
shadow, and sound design.
Presenting Your Argument in Relation to the Reading:
After doing a thorough analysis of the film and situating it within the socio-cultural factors
prevalent throughout the mid-20th century, I have identified a notable connection to Klein's
theoretical framework of "animorphs." The Quay Brothers skillfully use animorphic techniques
to create a visual experience that challenges the distinction between inanimate things and live
beings, therefore presenting bizarre changes. The examination of these metamorphoses provides
a more profound understanding of the underlying themes in the picture, which is in accordance
with Klein's theoretical framework.
Week 3
Aesthetic Analysis:
The work "Begone Dull Care" by McLaren serves as an exemplary demonstration of the visual
music idea, achieved via a fascinating integration of animation and music. The partnership
between McLaren, known for his pioneering methods at the National Film Board of Canada
(NFB), and Oscar Peterson, a prominent jazz pianist, yields a lively and energetic audio-visual
encounter. The animation exhibits a dynamic pulsation and rhythmic movement that is intricately
coordinated with Peterson's jazz tunes, showcasing a flawless integration of auditory and visual
elements.
Oskar Fischinger, a prominent figure within the European avant-garde movement, offers "An
Optical Poem," a work that showcases his profound interest in abstraction and the notion of
"absolute" cinema. The animation, characterised by vibrant and intricate geometric forms in a
dynamic state, serves as a visual representation of Fischinger's investigation into the realm of
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auditory-visual synthesis. The complex arrangement of geometric forms intimately aligns with
the musical composition, so exemplifying a harmonic fusion of visual and auditory elements.
Additional Context:
Norman McLaren's earlier professional experience in the UK General Post Office Film Unit,
where he was involved in the production of government-sponsored films, served as a crucial
precursor to his subsequent forays into the realm of animation after relocating to Canada. In the
production titled "Begone Dull Care," McLaren engaged in a collaborative effort with Oscar
Peterson, so expanding the artistic possibilities of animation as a medium for visual
representation that is intricately connected to the realm of music.
The professional trajectory of Oskar Fischinger, which included a crossover from the European
avant-garde movement to a short collaboration with Disney, serves as a testament to his
significant influence on the growth of animation. The artist's exploration of abstract animation
methods and the symbiotic relationship between visual elements and musical accompaniment
resonates throughout successive cohorts of animators and filmmakers.
Application of Theory:
Both "Begone Dull Care" and "An Optical Poem" serve as illustrations of the notion of visual
music, whereby animation functions as a medium for the interpretation and transposition of
musical components into visual manifestations. The works of McLaren and Fischinger
demonstrate distinct methodologies in the realm of synchronisation, using animation as a means
to enhance and intensify the emotional and rhythmic core of music.
Summary of Mollaghan's Chapter:
The works of Norman McLaren, namely "Begone Dull Care," and Oskar Fischinger's "An
Optical Poem" serve as examples of the artistic expression of visual music via the medium of
animation. The partnership between McLaren and jazz pianist Oscar Peterson, as well as
Fischinger's use of abstraction, exemplify the integration of animation with musical components,
resulting in a cohesive audio-visual encounter.
.
Relating McLaren's Work to Mollaghan's Insights:
Upon contemplation of Mollaghan's observations on McLaren's body of work, I proceed to
conduct a more comprehensive exploration of McLaren's involvement in the realm of state
cinema and its impact on his distinctive animation technique. Through a comprehensive
examination of Mollaghan's analysis, this study delves into the profound influence of McLaren's
state cinema experience on his pioneering animation techniques and collaborative efforts with
Peterson. By doing so, it contributes to a deeper comprehension of the incorporation of visual
music in McLaren's artistic oeuvre.
Through an examination of these many facets, a more profound comprehension of the interplay
between animation, music, and McLaren's creative vision can be explicated. This analysis builds
upon the insights provided by Mollaghan while also presenting further viewpoints on the
importance of visual music within McLaren's body of work.
References
Canada,
N.
F.
B.
of.
(n.d.).
Begone
Dull
Care
.
Www.nfb.ca.
https://www.nfb.ca/film/begone_dull_care/
Week 7
Aesthetic Analysis:
Analysis of the work's aesthetics reveals that "Little Nemo," created by McCay, is a prime
example of early lightning sketch animation and showcases a precise exhibition of hand-drawn
skill. The cartoon does a good job of bringing to light the challenges and complications that were
linked with the early stages of animation's development. The elaborate and smooth drawings
created by McCay successfully animate imaginary places and individuals, while also calling
attention to the labor-intensive component of animation that was dominant during that specific
historical time.
Additional Context:
Windsor McCay was an influential cartoonist and an early pioneer in the area of animation. He
made significant contributions to the development of early animation methods and is widely
considered as a pioneer in the profession. Because of the individual's innovative approach to
animation techniques and unshakable dedication to beautiful hand-drawn pictures, the annals of
animation history now include him as a significant character.
Application of Theory:
The application of theory requires analysing the significance of "Little Nemo" within the
historical and technical context of early animation utilising the contextual insights provided by
Furniss. An investigation can be carried out to shed light on how McCay's creative contributions
illustrate the numerous challenges and intricate facets that were inherent in the early phases of
animation by making use of Furniss' theoretical framework on the developmental stages and
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technical progressions within the field of animation. This can be done by illuminating how
McCay's creative contributions exemplify the progression of animation from its earliest stages.
Summarizing the Author's Argument:
The work "Little Nemo" by Windsor McCay is considered an early example of lightning sketch
animation. It offers a look into the intricacies and challenges that were present during the early
phases of the production of animation. The laborious and time-consuming process that was
involved in animation at that specific era is exemplified by McCay's dedication to the art of
hand-drawn animation, which he practised throughout his career.
Relating to the Author's Argument:
In reference to the author's claim, this research makes use of Furniss's contextual analysis of
animation's historical milieu in order to investigate the link between "Little Nemo" and the many
evolutionary periods of animation or the progression of technological advancement. This study,
which makes use of Furniss's theoretical framework, sheds light on the many of ways in which
McCay's creative output epitomises the complicated and laborious nature of early animation.
This was accomplished by using Furniss's framework. The rephrased headers that are offered
provide a personalised perspective on the analysis that is carried out each week. This helps to
make a connection between the analysis of the screenings and the theoretical frameworks that are
discussed in the readings that are assigned.
References
Little Nemo (Winsor McCay and his Motion Comics, 1911)
. (n.d.). Www.youtube.com. Retrieved
November
16,
2023,
from
https://www.youtube.com/watch?
v=kFREjs_g1_0&ab_channel=UndertheSpreadingOakTree
References
Jan.
(2020).
7
Street
of
Crocodiles
(1986).
In
Dailymotion
.
https://www.dailymotion.com/video/x7uag1t
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