GS102 F2023 Quiz 1

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Jan 9, 2024

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Page 1 of 5 Gender Studies 102 POWER (Fall 2023) Prof. JHJ Han Quiz 1 Don't forget to review the required readings and lecture notes, both your own and the Collaborative Lecture Notes Links to an external site. on Google Docs! You're welcome to form small groups to work on the quiz together. https://bit.ly/gs102-f23-notes The following questions (and multiple choice answers) will appear in a di ff erent order online. All questions are worth 0.5 points. Maximum score for the quiz is 10 out 10. (10% of final grade.) 1. In scenes we watched from Six Feet Under (2001-2005) and Unbelievable (2019), mobilities are coded as linear progress, and as positive expressions of women’s empowerment and individual freedom. o True o False 2. According to bell hooks (1984), women would never exercise power in the same manner as men when they assume positions of power. She believed that because women have historically never had social and political power, the world would inevitably look di ff erent with women in power. o True o False 3. Poststructuralists believe in studying both the text and the systems of knowledge that produced that text. They interrogate cultural assumptions and broader power relations that constitute truth or experience. o True o False 4. What is the crux of Tressie McMillan Cottom’s argument in “Having It All Is Not a Feminist Theory of Change” (2017)? o Structural conditions inhibit women from realizing their full economic potential. Younger generations continue to struggle valiantly to achieve “work life balance” between marriage, motherhood, and their professional ambitions. o Like “trickle-down economics,” a problematic ideology that assumes that wealth for a powerful few will trickle down to improve the prosperity of everyone below, trickle-down feminism wrongly assumes that better options and more power for elite white women will take care of the interests of everyone else. o Women must learn to speak up and “act like a man” to be taken seriously. o Diversity and inclusion are part of a feminist theory of change known as “big- tent feminism,” which makes it possible to imagine for all women to have it all, not just a select few.
Page 2 of 5 5. In class we watched a short video of an epic performance by a celebrity (2013) and a spoof video from Gaza that o ff ered a critique. Which of the following best captures what this comparison highlights about the politics of mobility? o Mobility does not “just happen” by willpower. Sociopolitical conditions and infrastructure matter a great deal. o Preparation and teamwork involved in mobility rarely get the credit they deserve. o It takes incredible athleticism, training, and mental focus to perform stunts like this or drive such ginormous vehicles with control and precision. o What’s with boys and cars? 6. Michel Foucault critiques something he called a “juridico-discursive” model of power, which sees power as: o a possession held by individuals or classes o rising from the bottom or grassroots o primarily positive and productive in its exercise o emanating from multiple sites and sources 7. Benefits of travel have been recognized universally throughout history and across geography. As Caren Kaplan argues in her afterword to Mobile Desire (2015) , anyone can find ways to overcome impediments to mobility and venture beyond their home, community, and borders if the desire is strong enough and they try really, really hard. o True o False 8. In lecture in Week 1, Prof. Han referred to the following excerpt from Alexis Pauline Gumbs and Julia Roxanne Wallace’s “Something else to be” (2016): “We are black and queer, so our histories of travel are not only voluntary but also compelled and circumscribed by violence, hate, and inequality. We hold the legacies of people on the run. We come from travelers who did not choose their journey to this continent. We come from travelers who dare not run out of gas because segregation and racial hatred in the South meant they could not stop without risking their lives. We come from travelers who were pushed o ff their land with the thread of lynching and the sanction of law. We come from travelers whose neighborhoods got trampled by new highway plans. We come from travelers who were kicked out of their homes for daring to love across boundaries.” So what? Choose the BEST takeaway from this quote. o We must recognize the unique and extraordinary circumstances under which black and queer folks travel. o We should really not travel because it's always involuntary and compelled through violence. o This passage is a nod to Audre Lorde’s poem, “A Litany for Survival,” in which she reminds us that fear is normal but refusal and continuing survival show that complete and total subjugation is an impossibility. o It is unfortunate that racial violence and structures of injustice have ruined what could otherwise have been wonderful and positive travel experiences.
Page 3 of 5 9. In the video, "Marca Peru" (2012), the youthful self from the past says to the older self in the future: "Remember when we were travelers, not tourists?" What is NOT true about this distinction? o Travelers in the video are depicted as adventurous and active whereas tourists are seen as meek and passive. In this logic, to travel is to overcome the mundane and the routine in everyday life. o The video suggests that the most rewarding aspect of travel is self- reflection and self-discovery, something that is best achieved on a solo trip. o This distinction reflects a tendency to center and privilege an agentic subject of mobility. o The video suggests travel would be best enjoyed while we are young. 10. Think about what Ta-Nehisi Coates says in the short video from The Atlantic , “Creative Breakthroughs” (2013). Which of the following is NOT something he suggests? o Perseverance is key to writing. Perseverance. It’s the first thing I say to any young person who wants to talk about writing. o Consider the entire process of writing to be about chasing success, no matter how small. Try to forget about failures. Writing is mostly about figuring out what works and ignoring the rest. o Breakthroughs come from putting an inordinate amount of pressure on yourself, seeing what you can take and hoping you can grow some new muscles. o Writing is an act of courage. It’s almost an act of physical courage. 11. Cordelia Freeman in her 2020 article defines “abortion mobilities” as the movement and fixity of people and things that shape abortion access, using the term “viapolitics” to center vehicles, roads, and routes in theorizing spaces of migration. In arguing that diverse abortion journeys and experiences are dictated by myriad factors such as class, citizenship, ethnicity, and cultural context, Freeman draws attention to how the journey, the vehicles, and the infrastructure of movement all become entangled with relations of power, knowledge, and resistance. o True o False 12. Travel has a long history that is intertwined with empire, imperialist desires, and colonial practices, which is precisely why we need to think critically about power, mobility, and knowledge. Which of the following is NOT an example discussed thus far in lecture (Weeks 1-3)? o Family separation and indefinite detention of children at the US-Mexico border o Edward Said’s idea that Orientalist writings and ideologies perpetuate views of Middle Eastern people as inferior, subservient, and in need of saving—or annihilating. o World maps that diminish the size and importance of the African continent o World maps that show the northern hemisphere on top o History of disciplines like anthropology and geography
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Page 4 of 5 13. A focus on agency enables us to see that in the face of dominant power and discourses, subordinated and marginalized groups and individuals are not passive recipients, victims, or mere captives of dominant discourses. Agency refers to this capacity to negotiate with power in whatever form, which can include not only opposition and resistance but also complicity, compromise, and deviance. o True o False 14. Hershini Bhana Young in her keyword essay recounts the story of Tryntije of Madagascar to urge us to prioritize the intentional and volitional acts of capable individuals as the most significant manifestation of agency. o True o False 15. Who said, “Power is the ability to not just to tell the story of another person, but to make it the definitive story of that person”? (Hint: mentioned in lecture on Tue 10/17) o Chimamanda Ngozi Adichie o Judith Butler o Edward Said o Michel Foucault 16. Who said, “The question is not simply about who travels, but when, how, and under what circumstances ?”? (Hint: mentioned in lecture and article by Sheller) o Avtar Brah o Caren Kaplan o Eleana Shih o Tressie McMillan Cottom 17. Which of the following is NOT a form of resistance mentioned in Brenda Child's "Runaway Boys, Resistant Girls" (1996)? o Urging international solidarity o Smashing light fixtures, cutting o ff electricity o Stealing food, looting the food supply o Ringing the school bell 18. There is no single tourist gaze as such. The tourist gaze has changed and developed in diverse historical periods, and it has been constructed, modified, and reinforced over time. o True o False
Page 5 of 5 19. Gender Studies 102 student Qi Li wrote in her discussion post that bell hooks "discusses the need to address hierarchies and divisions within the feminist movement,” and that hooks “critiques the tendency of some feminists to replicate oppressive structures within their own groups, particularly along racial and class lines." What then does hooks suggest , according to Li? o Hooks calls for an inclusive feminism that welcomes perspectives and experiences from diverse backgrounds to challenge traditional power structures. o Hooks emphasizes intersectionality, or the idea that power should be analyzed within the context of multiple intersecting identities, including race, class, and gender. o Hooks argues that the feminist movement must address the power dynamics faced by women of color and working-class women. o Hooks emphasizes the need to prioritize and focus on unique and distinct traits of each struggle without getting caught up on their interconnectedness. 20. Discussing the scene from Unbelievable we watched in class, Gender Studies 102 student Allena Shadan focused on the protagonist’s sense of pride as a palpable and relatable feeling of mobility. What is this pride about, according to Shadan? o Being able to leave behind a violent or harmful situation to start a new chapter o Creating social change and new opportunities for upward mobility o Learning to drive and exercising automobility o Knowing the clearcut di ff erence between liberation and coercion operating in mobility