Art 101 - Writing Assignment 3 (1)

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Dec 6, 2023

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Elliott-Hamper 1 Kiley Elliott-Hamper Diane Doty Art 101 30 September 2023 Assignment #3 Both Christ as the Good Shepherd and Seated Buddha Preaching the First Sermon are very intricate and detailed pieces. There are many similarities and differences between the pieces in both interpretations and physical nature. Seated Buddha Preaching the First Sermon is located in Sarnath, India from the 5th century, and was created by an Indian prince from Nepal who went on a journey to figure out the meaning of life and the explanation for human anguish, while Christ as the Good Shepherd is in the mausoleum of Galla Placidia, Ravenna, Italy from the 4th century and was created as Byzantine art and is reminiscent of the shift in Roman artistic style. (Lewis & Lewis, p. 250 & 260) Starting off with similarities. For one, both pieces represent some type of power or enlightenment. Christ as the Good Shepherd represents Christ, who is known for being all- knowing and powerful. He sits with his sheep, one hand holding a cross, the other reached out to a sheep. The holding of the cross is more like the holding of a scepter rather than reminiscent of crucifixion, and his other hand being extended out to the sheep puts him in a protective position in the eyes of the audience. (Lewis & Lewis, p. 250) This speaks a lot to the portrayal of Christ and how he’s viewed by tha artist. The holding of the cross focuses on the good rather than bad, the power rather than crucifixion. The hand position portrays Christ as a protector, for the sheep and the audience. In Seated Buddha Preaching the First Sermon, however, power and knowledge are presented in a different way. The Buddha is seated like a holy man and his hands are in a
Elliott-Hamper 2 teaching gesture, representing knowledge. Other indicators of power are present in the piece such as the earlobes, earrings, and hair arrangement. These things signify that he was once a noble Indian prince. His facial expression conveys a sense of calm as well. (Lewis & Lewis, p. 260) The inclusion of the indicators of the Buddha once being a prince says a lot about the artist. This can be seen as a position of power, which is maybe what the artist is trying to represent with this information. Both the Buddha and Christ are religious pieces, and include a halo to convey their religious importance. They both also take advantage of repetition in patterns as well, with Christ being with the grass pattern, and Buddha being with the halo behind his head. They’re both portrayed to be in some position of power and the detail put into each sculpture speaks to the vision each artist had of their subjects. As can be seen, there are many similarities between the two pieces, but there are also many differences. Firstly, even though they’re both religious pieces, one represents Buddhism and the other Christianity. A physical difference that can be found in the pieces is the medium with which they were created. The Buddha is a statue, created with stone, (Lewis & Lewis, p. 260), while Christ is a mosaic, created with small pieces of colored glass and stone. (Lewis & Lewis, p. 243) This could potentially speak to the nature of each piece. Mosaic is more light and colorful, whereas sculptures are more rugged and tough. There are also differences in the purposes of the pieces. The Buddha is meant to cause reflection and calm, just as the prince who created it did. It is meant to cause the audience to ponder the meaning of life and evoke a sense of calm or zen. Christ, on the other hand, is meant to provoke or excite the audience, illustrating the goods waiting for you in heaven. Each piece has different intentions or goals. Overall, the two pieces that were compared here, have many similarities and differences. It is interesting how two pieces made in two different time periods, by two different people, with
Elliott-Hamper 3 two different mediums, that represent two different religions, can still have similarities. Both of these pieces are also very popular in their respective religious community, and both do a great job of effectively representing said community and their beliefs. Works Cited Lewis, R., & Lewis, S. I. (2022). The power of art (Revised Third Edition). Cengage.
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